ARTTS International
ARTTS International was a multi-discipline film, television, radio and stage training centre in Bubwith, East Riding of Yorkshire, England established by John Sichel in 1990. The centre ran for 15 years until his death in 2005, during which time over 500 students trained there, most of whom have since found work in the entertainment industry.[1]
History
[edit]Founder John Sichel had worked for many years as a producer with the BBC and ATV. In 1989, Sichel received a loan of £170,000 from the Rural Development Commission to convert Highfield Grange, a disused pig farm, into a professional television, film, theatre and radio training facility.[2][3][4] His idea was that learning should be by doing, rather than reading.[3][5] The centre also offered management training workshops for organisations outside the arts to learn team work while making a film.[3][6]
"ARTTS" was an acronym for Advanced Residential Theatre & Television Skillcentre".[3] It was designed for trainees to live and learn together in a professional environment. It offered Foundation and Advanced one-year fee-paying courses with hands-on training in acting, directing, scriptwriting and technical skills in theatre, television, film and radio,[2][3][4] as well as two and four-week residential courses for those already working in the industry who wanted to extend their skills.[3]
ARTTS opened on 6 January 1990.[3] 22 students graduated from the first year.[3] One of these trainees, Geoffrey Bicker, went on to become ARTTS Technical Director for over 10 years. During its years of operation, ARTTS had around 50 trainees a year from all over the world.
Its on site training contained a 200-seat theatre and a cabaret theatre, a television studio, control room and editing suite, a radio studio, sound recording studio and full location equipment for television and 16mm and 35mm film, plus costume and scenery workshops.[3][4] With an emphasis on the personal as well as the professional, trainees were pushed to learn the essentials of how to keep and maintain a job and reputation as someone continually employable whilst nurturing their creativity and remaining enthusiastic.
ARTTS trainees presented plays locally by writers such as Shakespeare, Lorca and Orton.[3] They also mounted productions at the Edinburgh Festival Fringe of plays they had written, acted and directed during their courses. In 1994, ARTTS International won a Fringe First award for When The Cradle Falls.[7][8]
On 5 April 2005, John Sichel died. Despite attempts to continue his legacy, spearheaded by his widow (and co-founder of ARTTS International) Elfie, and their daughters Katrina Sichel and Tanya Byron, with former graduates Derek Donohoe and Geoffrey Bicker, ARTTS closed down six months later.[1] Donohoe and Bicker went on to form AON Productions, continuing the corporate video work of ARTTS Productions.
The site was restored to a usable state and was the base for GSP Studios, a small film company based in Yorkshire, from 2011 to 2024.[9][10]
Notable trainees
[edit]- Bruce Byron – Acting (United Kingdom) (1990)[11]
- Adrian Pang – Acting (Singapore) (1992)[11]
- Jon Sen – Directing (United Kingdom) (1996)[11]
- Sally El Hosaini – Directing (Egypt / United Kingdom) (2000)[12]
- Hope McIntyre[13]
Notable trainers
[edit]- Arnold Peters (Radio Acting)
- Edward Petherbridge (Acting)
- John Sichel
- Toby Swift[3]
Original plays at the Edinburgh Festival Fringe
[edit]Year | Title | Author | Theatre | Cast | Notes |
---|---|---|---|---|---|
1991 | Lady Macsescu | Pleasance | Colin George, director[14][15] | ||
1993 | Dividing Lines | Pleasance Attic | Oriana Bonet, Roderick Cameron | [16] | |
1994 | When The Cradle Falls | Lucy Thompson and Paul James | Pleasance, Edinburgh | Lucy Thompson | Fringe First winner[7][8] |
1995 | Cry for Innocence | Dario Pleić (co-author) | Pleasance Attic | [17][18] | |
1996 | The Confession | Jon Sen | Pleasance Attic | Jerome Tait, Jon Sen, Mike Montgomery, Rachel Parker, Alex McCartney, James Smith | [19][20] |
1997 | Forces of Peace | Pleasance | [21] | ||
1998 | Bi Now Pay Later | Pleasance, Edinburgh | David Mildon, Alex Woodhall, Nicola Tamplin | [22][23] | |
1999 | The Day of Atonement | Pleasance | [24] | ||
2000 | Balls | Heather Macdonald and Nadia Shash | Pleasance Cavern | [25] | |
2001 | Nowhere Fast | Rob Murphy | Pleasance Upstairs | [26] | |
2001 | Not Guilty? | Fiona Carrick and Toby Bowman | Pleasance Cavern | Toby Bowman | [27][28] |
2002 | Gimme All You Got! | Pleasance Courtyard | [29] | ||
2002 | Cleansing | Pleasance Courtyard | [30] |
References
[edit]- ^ a b "Tanya's big picture on tiny tearaways". Yorkshire Post. Johnston Press Digital Publishing. 27 January 2006. Archived from the original on 19 September 2019. Retrieved 13 December 2009.
- ^ a b Edwards, Andrew (26 May 1989). "Big grant for drama courses". Hull Daily Mail. p. 30. Retrieved 10 February 2025.
- ^ a b c d e f g h i j k Watson, Ian (13 June 1991). "Setting a new training agenda". The Stage. p. 23. Retrieved 10 February 2025.
- ^ a b c Smith, Helen (6 March 1992). "Meeting demands of the film and television paymasters". Hull Daily Mail. p. 12. Retrieved 10 February 2025.
- ^ Laycock, Mike (10 September 2010). "ARTTS International training centre at Bubwith on sale for £1m". The York Press. Retrieved 4 June 2020.
- ^ "Managers act on television training". Hull Daily Mail. 23 June 1992. p. 12. Retrieved 10 February 2025.
- ^ a b "Winning drama". The Scotsman. 19 August 1994. p. 43. Retrieved 10 February 2025.
- ^ a b March, Kathy (7 September 1994). "Edinburgh Fringe festival first for new young author". Staffordshire Sentinel. p. 17. Retrieved 10 February 2025.
- ^ Hutchinson, Charles (3 August 2015). "Bringing the Bard to the green screen". The Press. York, England. p. M18. Retrieved 11 February 2025.
- ^ "Notice timeline for GSP STUDIOS INTERNATIONAL LIMITED (09517193)". The Gazette (64452): 13202. 5 July 2024. Retrieved 11 February 2025.
- ^ a b c "'Legacy' hope for former media centre in East Yorkshire". BBC News. 2 October 2010. Retrieved 10 February 2025.
- ^ Hoggard, Liz (26 January 2013). "Sally El Hosaini: 'I'm interested in people on the margins of society'". The Observer. London.
- ^ Rollason, Kevin (27 August 2016). "Theatre with a social conscience". Winnipeg Free Press. Retrieved 9 October 2020.
- ^ Farrell, Joe (24 August 1991). "Fringe. Lady Macsescu". The Scotsman. p. 51. Retrieved 10 February 2025.
- ^ Cooper, Brian G (12 September 1991). "Fringe Reviews. Pleasance Theatre. Lady Macsescu". The Stage. p. 22. Retrieved 10 February 2025.
- ^ Ali, Omer (17 August 1993). "Fringe. Dividing Lines". The Scotsman. p. 34. Retrieved 10 February 2025.
- ^ "Theatre". Scotland on Sunday. 30 July 1995. p. 66. Retrieved 10 February 2025.
- ^ 56th Pula Film Festival (PDF). Pula, Croatia. 2009. p. 19. Retrieved 11 February 2025.
{{cite book}}
: CS1 maint: location missing publisher (link) - ^ "Coming Together". The Stage. 8 August 1996. p. 27. Retrieved 10 February 2025.
- ^ Gibbs, Jonathan (14 August 1996). "Fringe reviews. The Confession". The Scotsman. p. 44. Retrieved 10 February 2025.
- ^ Mann, Natasha (12 August 1997). "Fringe Reviews. Forces of Peace – ARTTS International". The Scotsman. p. 51. Retrieved 10 February 2025.
- ^ Dibdin, Thom (13 August 1998). "Edinburgh Review. Pleasance. Bi Now Pay Later". The Stage. p. 28. Retrieved 10 February 2025.
- ^ Lee, Bonnie (10 August 1998). "Fringe Reviews. Bi Now, Pay Later". The Scotsman. p. 48. Retrieved 10 February 2025.
- ^ "Fringe today". The Scotsman. 9 August 1999. p. 54. Retrieved 10 February 2025.
- ^ "Theatre. Pleasance". The Scotsman. 22 July 2000. p. 199. Retrieved 10 February 2025.
- ^ "Pleasance. Nowhere Fast". The Scotsman. 14 July 2001. p. 189. Retrieved 10 February 2025.
- ^ "Pleasance". The Scotsman. 14 July 2001. p. 187. Retrieved 10 February 2025.
- ^ Noble, K. J. (25 August 2001). "Play reviewers are beyond the fringe". Hartlepool Northern Daily Mail. p. 16. Retrieved 11 February 2025.
- ^ "Hour by Hour". The Scotsman. 6 August 2002. p. 60. Retrieved 10 February 2025.
- ^ "Hour by Hour". The Scotsman. 5 August 2002. p. 65. Retrieved 10 February 2025.