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Skeletal diagram of Mimodactylus
Skeletal diagram of Mimodactylus

Mimodactylus is a genus of istiodactyliform pterosaur that lived in what is now Lebanon during the Late Cretaceous, 95 million years ago. The only known specimen was discovered in a limestone quarry near the town of Hjoula. The owner of the quarry allowed the specimen to be prepared by researchers, and it was donated to the MIM Museum in Beirut. In 2019, the researchers named the new genus and species Mimodactylus libanensis; referring to the MIM Museum, with the Greek word daktylos for 'digit', and the specific name refers to Lebanon. The well-preserved holotype specimen is the first complete pterosaur from the Afro-Arabian continent (which consisted of the then joined Arabian Peninsula and Africa), and the third pterosaur fossil known from Lebanon. The marine deposits of Hjoula are late Cenomanian in age and are well-known for fish fossils. The holotype specimen is comparatively small, with a wingspan of 1.32 metres (4.3 ft), and was probably young. (Full article...)

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Jack Russell Terrier
Jack Russell Terrier
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Fall of man

The fall of man is a term used in Christianity to describe the transition of the first man and woman from a state of innocent obedience to God to a state of guilty disobedience. The doctrine of the Fall comes from a biblical interpretation of Genesis, chapters 1–3. At first, Adam and Eve lived with God in the Garden of Eden, but a serpent tempted them into eating the fruit from the tree of the knowledge of good and evil, which God had forbidden. After doing so, they became ashamed of their nakedness and God expelled them from the Garden to prevent them from eating the fruit of the tree of life and becoming immortal. The narrative of the Garden of Eden and the fall of humanity constitute a mythological tradition shared by all the Abrahamic religions. The fall of man has been depicted many times in art and literature. This 1828 oil-on-canvas painting, titled Expulsion from the Garden of Eden, by Thomas Cole (1801–1848), is now in the collection of the Museum of Fine Arts in Boston, United States.

Painting credit: Thomas Cole

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