Tiresias: Difference between revisions
Content deleted Content added
m Reverted edits by 204.185.177.250 to last version by 68.56.251.222 (HG) |
←Blanked the page |
||
| Line 1: | Line 1: | ||
{{alternateuses}} |
|||
:'''''Everes''' redirects here. For the [[butterfly]] [[genus]], see ''[[Everes (genus)]]. |
|||
[[Image:Johann Heinrich Füssli 063.jpg|thumb|300px|right|Tiresias appears to [[Odysseus]] during the sacrificing]] |
|||
In [[Greek mythology]], '''Tiresias''' (also transliterated as '''Teiresias''' ''Τειρεσίας'') was a blind [[prophet]] of [[Thebes (Greece)|Thebes]], famous for being transformed into a woman for seven years. He was the son of the shepherd '''Everes''' and the [[nymph]] [[Chariclo]];<ref>Of a line born of the dragon's teeth sown by [[Cadmus]] (''[[Bibliotheke]]'', III.6.7); see also Hyginus, ''[[Fabulae|Fabula]]'' 75.</ref> Tiresias participated in fully seven generations at Thebes, beginning as advisor to [[Cadmus]] himself. |
|||
==Overview== |
|||
Eighteen allusions to mythic Tiresias, noted by Luc Brisson,<ref>Luc Brisson, 1976. ''Le mythe de Tirésias: essai d'analyse structurale'' (Leiden: Brill).</ref> fall into three groups: one, in two episodes, recounts Tiresias' sex-change and his encounter with Zeus and Hera; a second group recounts his blinding by Athena; a third, all but lost, seems to have recounted the misadventures of Tiresias. |
|||
Tiresias was a prophet of [[Zeus]]. According to the mythographic compendium ''[[Bibliotheke]]'',<ref>''Bibliotheke'' III.6.7.</ref> different stories were told of the cause of his blindness, the most direct being that he was simply blinded by the gods for revealing their secrets. An alternate story told by the poet [[Pherecydes]] was followed in [[Callimachus]]' poem "The Bathing of Pallas"; in it, Tiresias was blinded by [[Athena]] after he stumbled onto her bathing naked.<ref>this, readable as a doublet of the [[Actaeon]] [[mytheme]], was the version preferred by the English poets [[Alfred, Lord Tennyson|Tennyson]] and even [[Algernon Swinburne|Swinburne]].</ref> His mother, [[Chariclo]], a nymph of Athena, begged her to undo her curse, but Athena could not; instead, she cleaned his ears,<ref>''Bibliotheke'' III.6.7.</ref> giving him the ability to understand birdsong, thus the gift of [[augury]]. |
|||
On [[Mount Cyllene]] in the Peloponnese,<ref>[[Eustathius]] and [[John Tzetzes]] place this episode on [[Mount Cithaeron]] in Boeotia, near the territory of Thebes.</ref> as Tiresias came upon a pair of copulating snakes, he hit the pair a smart blow with his stick. [[Hera]] was not pleased, and she punished Tiresias by transforming him into a woman. As a woman, Tiresias became a priestess of Hera, married and had children, including [[Manto (Greek Mythology)|Manto]], who also possessed the gift of prophecy. According to some versions of the tale, Lady Tiresias was a [[prostitute]] of great renown. After seven years as a woman, Tiresias again found mating snakes; depending on the myth, either she made sure to leave the snakes alone this time, or, according to Hyginus, trampled on them. As a result, Tiresias was released from his sentence and permitted to regain his masculinity. This ancient story is recorded in lost lines of [[Hesiod]].<ref>According to ''Bibliotheke'' III.6.7, and in [[Phlegon]], ''Mirabilia'' 4.</ref> |
|||
In a separate episode,<ref>The episode is briefly noted by Hyginus, ''Fabula'' 75; [[Ovid]] treats it at length in ''[[Metamorphoses (poem)|Metamorposes]]'' III.</ref> Tiresias was drawn into an argument between Hera and her husband [[Zeus]], on the theme of who has more pleasure in sex: the man, as Hera claimed; or, as Zeus claimed, the woman, as Tiresias had experienced both. Tiresias revealed woman's greatest secret: that she receives the greater pleasure: "Of ten parts a man enjoys one only."<ref>''[[Bibliotheke]]'' III.6.7.</ref> Hera instantly struck him blind for his [[impiety]]. Zeus could do nothing to stop her, but he did give Tiresias the gift of [[second sight|foresight]]<ref>The blind prophet with inner sight as recompense for blindness, is a familiar [[mytheme]].</ref> and a lifespan of seven lives. |
|||
Stripped of its narrative, anecdotal and causal connections, the mythic figure of Tiresias combines several archaic elements: the blind seer; the impious interruption of a natural rite (whether of a bathing goddess or coupling [[Serpent (symbolism)|serpents]]); serpents and staff ([[Caduceus]]); a holy man's double gender ([[shamanism#Gender_and_sexuality|shaman]]); and competition between deities. |
|||
Tiresias's background, fully male and then fully female, was important, both for his prophecy and his experiences. Also, prophecy was a gift given only to the priests and priestesses. Therefore, Tiresias offered Zeus and Hera evidence and gained the gift of male and female priestly prophecy. How he obtained his information varied: sometimes, like the [[oracle]]s, he would receive visions; other times he would listen for the songs of birds, or ask for a description of visions and pictures appearing within the smoke of burnt offerings, and so interpret them. |
|||
As a seer, "Tiresias" was "a common title for soothsayers throughout Greek legendary history" (Graves 1960, 105.5). In [[Greek literature]], Tiresias's pronouncements are always [[gnomic]] but never wrong. Often when his name is attached to a mythic prophecy, it is introduced simply to supply a personality to the generic example of a seer, not by any inherent connection of Tiresias with the myth: thus it is Tiresias who tells Amphytrion of Zeus and Alcmena and warns the mother of [[Narcissus (mythology)|Narcissus]] that the boy will thrive as long as he never [[Know thyself|knows himself]]. This is his emblematic role in [[Greek tragedy|tragedy]] (''see below''). Like most [[oracle]]s, he is generally extremely reluctant to offer the whole of what he sees in his visions. |
|||
In [[Hellenistic]] and Roman times Tiresias' sex-change was embroidered upon and expanded into seven episodes, with appropriate amours in each, probably written by the Alexandrian [[Ptolemaeus Chennus]], but attributed by [[Eustathius]] to [[Sostratus]].<ref>Eustathius, ''Commentary on Homer's Odyssey'' 10.494.</ref> Tiresias is presented as a complexly [[liminal]] figure, with a foot in each of many oppositions, mediating between the gods and mankind, male and female, blind and seeing, present and future, and this world and the [[Underworld]].<ref>Fully explored in [[structuralist]] mode, with many analogies drawn from ambivalent sexualities considered to exist among animals in Antiquity, in Brisson 1976.</ref> |
|||
==Tiresias and Thebes== |
|||
Tiresias appears as the name of a recurring character in several stories and [[Greek tragedy|Greek tragedies]] concerning the legendary history of [[Thebes (Greece)|Thebes]]. In ''[[The Bacchae]]'', by [[Euripides]], Tiresias appears with [[Cadmus]], the founder and first king of Thebes, to warn the current king [[Pentheus]] against denouncing [[Dionysus]] as a god. Along with Cadmus, he dresses in women's clothing to go up the mountain to worship Dionysus with the Theban women. |
|||
In [[Sophocles]]' ''[[Oedipus the King]]'', Oedipus, the king of Thebes, calls upon Tiresias to aid in the investigation of the killing of the previous king [[Laius]]. At first, Tiresias refuses to give a direct answer and instead hints that the killer is someone Oedipus really does not wish to find. However, after being provoked to anger by Oedipus' accusation first that he has no foresight and then that Tiresias had had a hand in the murder, he reveals that in fact it was Oedipus himself who had (unwittingly) committed the crime. Outraged, Oedipus throws him out of the palace, but then afterwards realises the truth. |
|||
Oedipus had handed over the rule of Thebes to his sons [[Eteocles]] and [[Polynices]]<ref>The actual line of succession after Oedipus is debatable, and is represented in different ways even within [[Sophocles|Sophocles']] own works, but this is the version told in ''[[Seven Against Thebes]]''</ref> but Eteocles refused to share the throne with his brother. [[Aeschylus]]' ''[[Seven Against Thebes]]'' recounts the story of the war which followed. In it, Eteocles and Polynices kill each other, and [[Megareus]] kills himself because of Tiresias' prophecy that a voluntary death from a Theban would save the city. |
|||
Tiresias also appears in Sophocles' ''[[Antigone]]''. [[Creon]], now king of Thebes, refuses to allow Polynices to be buried. His niece, [[Antigone]], defies the order and is caught; Creon decrees that she is to be buried alive. The gods express their disapproval of Creon's decision through Tiresias. However, Antigone has already hanged herself rather than be buried alive. When Creon arrives at the tomb where she is to be interred, his son, [[Haemon]] who was betrothed to Antigone, attacks Creon and then kills himself. When Creon's wife, [[Eurydice of Thebes|Eurydice]], is informed of her son and Antigone's deaths, she too takes her own life. |
|||
Tiresias and his prophesy are also involved in the story of the [[Epigoni]]. |
|||
==Death== |
|||
Tiresias died after drinking the water from the spring [[Tilphussa]], where he was struck by an arrow of Apollo. After his death he was visited in the underworld by [[Odysseus]], to whom he gave valuable advice concerning the rest of his [[Odyssey|voyage]], specifically concerning the cattle of [[Helios]], advice which Odysseus' men did not follow, to their peril. |
|||
==QE-RA-SI-JA== |
|||
At [[Knossos]], in a Late Minoan IIIA context (fourteenth century BC), seven [[Linear B]] texts mention an entity, unattested elsewhere as yet, called ''qe-ra-si-ja'' and, once, ''qe-ra-si-jo''. If this title had survived the fall of LMIII Crete, then it could have evolved into *Terasias in Doric Greek and, possibly, *Te[i]resias in Ionic.<ref>[http://projectsx.dartmouth.edu/history/bronze_age/lessons/les/26.html Lesson 26: Mycenaean and Late Cycladic Religion and Religious Architecture].</ref> |
|||
==The caduceus== |
|||
{{main|Caduceus}} |
|||
Connections with the paired serpents on the [[caduceus]] are often made (Brisson 1976:55-57). |
|||
==In post-classical literature== |
|||
The figure of Tiresias has been much-invoked by fiction writers and poets. Since Tiresias is both the greatest seer of the Classical mythos, a figure cursed by the gods, ''and'' both man and woman, he has been very useful to authors. At the climax of [[Lucian of Samosata|Lucian]]'s ''Necyomantia'', Tiresias in [[Hades]] is asked "what is the best way of life?" and his disconcertingly modern response, couched in high-flown diction is "the life of the ordinary guy: forget philosophers and their metaphysics"<ref>R. B. Branham, "The Wisdom of Lucian's Tiresias", ''The Journal of Hellenic Studies'' '''109''' (1989), pp. 159-160.</ref> This advice is pragmatic and moderate and represents the moral message of the short story. |
|||
In ''[[The Divine Comedy]]'' ([[Wikisource:The Divine Comedy - Inferno - Canto XX|''Inferno'', Canto XX]]), [[Dante]] sees Tiresias in the fourth pit of the eighth circle of Hell (the circle is for perpetrators of [[fraud]] and the fourth pit being the location for [[soothsayer]]s or [[diviner]]s.) He was condemned to walk for eternity with his head twisted toward his back; while in life he strove to look forward to the future, in Hell he must only look backward. Tiresias' daughter Manto is also assigned her punishment here. |
|||
More recently, "Tiresias" was the title of a poem by [[Alfred, Lord Tennyson]]. |
|||
[[T. S. Eliot]] used Tiresias as an integral voice in his [[Modernism|modernist]] poem, "[[The Waste Land]]". |
|||
The French composer [[Francis Poulenc]] also wrote an [[opera]] called ''[[Les Mamelles de Tirésias]]'' ("The Breasts of Tiresias") based on [[Guillaume Apollinaire]]'s surrealist text of 1917.<ref>Albert Bermel, "Apollinaire's Male Heroine" ''Twentieth Century Literature'' '''20'''.3 (July 1974), pp. 172-182 .</ref> |
|||
[[Frank Herbert]] also uses the mythic characteristics of Tiresias in his second [[Dune (novel)|Dune]] novel, ''[[Dune Messiah]]'', where the protagonist [[Paul Atreides]] loses his sight but has prophetic powers to counter this stemming from insights into both the male and female part of the psyche. |
|||
Amy Seham, drama professor at [[Gustavus Adolphus College]], wrote a [[Musical theater|musical]] entitled "Tiresias" in 1999, with music by Chanda Walker and Kira Theimer. |
|||
Tiresias as a motif of doubleness (male/female) also occurs in the writing of [[Rohinton Mistry]]. There it serves as a comparison to the protagonist of the short story "Lend me your Light", who is torn between his childhood home in Bombay and his new existence in Toronto: "I, Tiresias,/ Blind and throbbing between two lives..." (''Tales from Firozsha Baag'': 180). |
|||
In [[Lawrence Durrell]]'s novel ''[[Balthazar]]'', the second part of his [[Alexandria Quartet]], Melissa, Scobie and Balthazar are each seen as having moments of prophetic sight. Scobie also cross-dresses, thus implying the androgyny of Tiresias. The novel also features the sing-song rhyme: |
|||
:Old Tiresias |
|||
:No-one half so breezy as, |
|||
:Half so free and easy as |
|||
:Old Tiresias |
|||
Tiresias also shows up in [[Jeffrey Eugenides]]' ''[[Middlesex (novel)|Middlesex]]''. Cal, the [[protagonist]], compares himself to the seer, and has even played him in a production of ''Antigone''. |
|||
The blind begger of [[Gustave Flaubert]]'s ''Madame Bovary'' echoes Tiresias. Emma looking in her mirror at her death and hearing the song of this blind-begger reflects her viscillitation between the masculine and feminine identity and her struggle with this. |
|||
Dennis DeYoung uses Tiresias in the song "Castle Walls" on the 1977 [[Styx (band)|Styx]] album "The Grand Illusion." |
|||
[[Carol Ann Duffy]] wrote a poem entitled 'from Mrs Tiresias' in her collection ''[[The World's Wife]]''. This poem is told from the point of view of Tiresias' marriage partner, and interprets the myth in a modern context.<!--wife would be a marriage partner; anything better?--> |
|||
During the opening scenes of ''[[O Brother Where Art Thou]]'', a derivative of ''[[Odyssey]]'', Tiresias is introduced as an old black man on a railroad handcar. Although when asked his name he states "I have no name." |
|||
In 2001 [http://fr.wikipedia.org/wiki/Serge_Le_Tendre Le Tendre] and Rossi published a two-volume comic book ''Tiresias'', focusing on his gender-change. |
|||
In Su Walton's 1969 ''Here Before Kilroy,'' Tiresias is the name of a homeless man who crops up throughout the story to make observations about the actions of the characters. |
|||
The film ''[[Tiresia]]'' is inspired by this myth. |
|||
[[Peter Gabriel]], in the lyrics (by [[Tony Banks]] and [[Mike Rutherford]]) of the [[Genesis (band)|Genesis]] song "The Cinema Show" from their 1973 album ''[[Selling England by the Pound]]'', refers to "father Tiresias" and his dual sexuality. |
|||
:Take a little trip back with father Tiresias, |
|||
:Listen to the old one speak of all he has lived through. |
|||
:"I have crossed between the poles, for me there's no mystery. |
|||
:Once a man, like the sea, I raged. |
|||
:Once a woman, like the earth, I gave. |
|||
:But there is in fact more earth than sea." |
|||
In 2007 Salley Vickers imagined a series of conversations between Tiresias and Sigmund Freud as part of the Canongate "Myths" series of novels. The myth in question was that of Oedipus. Book title : Where three roads meet. |
|||
''[[The League of Extraordinary Gentlemen: Black Dossier]]'' by [[Alan Moore]] includes an autobiography of [[Virginia Woolf]]'s [[Orlando: A Biography|Orlando]]. This reveals that Tiresias had two daughters. while Manto inherited their father's prophetic abilities, the other daughter, Orlando (or Bio, as she was then named), found she changed gender as she grew, again inherited from her father. Tiresias is mentioned as having been ashamed at Orlando's gender-changing ability, sold him to pirate slavers and died escorting [[Manto (Greek Mythology)|Manto]] to become the [[Oracle]] at [[Delphi]]. |
|||
The [[Radio Tales]] drama "[[Homer's Odyssey Two (radio)|Homer's Odyssey: Voyage to the Underworld]]" is a dramatic retelling of the portion of Homer's epic poem that features the voyage to Hades to consult with the prophet Teiresias. The drama first aired via [[XM Satellite Radio]] on [[April 19]], [[2003]]. |
|||
==Sources== |
|||
Tiresias appears in the following literary classics: |
|||
*''[[Oedipus the King]]'', [[Sophocles]] |
|||
*''[[Antigone]]'', Sophocles |
|||
*''[[The Bacchae]]'', [[Euripides]] |
|||
*''[[Iphigenia at Aulis]]'', Euripides |
|||
*''[[Phoenician Women]]'', Euripides |
|||
*''[[The Odyssey]]'', [[Homer]] |
|||
*''[[Oedipus]]'', [[Seneca the Younger]] |
|||
*''[[Metamorphoses (poem)|Metamorphoses]]'', [[Ovid]] |
|||
*''[[Seven Against Thebes]]'', [[Aeschylus]] |
|||
*''Fifth Hymn'' ("The Bath of Pallas"), [[Callimachus]] |
|||
*''[[The Divine Comedy]]'', [[Dante Alighieri]] |
|||
*''[[Paradise Lost]]'', [[John Milton]] |
|||
*''[http://charon.sfsu.edu/TENNYSON/TENNTIRESIAS.HTML Tiresias]'', [[Alfred Tennyson]] |
|||
*''[[The Breasts of Tiresias]]'', [[Guillaume Apollinaire]] |
|||
*''[[The Waste Land]]'', [[T. S. Eliot]] |
|||
*[[La muerte no entrará en Palacio]], [[René Marqués]] |
|||
==Notes== |
|||
<!--This article uses the Cite.php citation mechanism. If you would like more information on how to add references to this article, please see http://meta.wikimedia.org/wiki/Cite/Cite.php --> |
|||
<div class="references-small" style="-moz-column-count:2; column-count:2;"> |
|||
<references /> |
|||
</div> |
|||
==References== |
|||
{{Commonscat|Tiresias}} |
|||
*[[Robert Graves]], 1960 (revised edition). ''The Greek Myths'' |
|||
*Luc Brisson, 1976. ''Le mythe de Tirésias: essai d'analyse structurale'' (Leiden: Brill) Structural analysis by a follower of [[Claude Lévi-Strauss]] and a repertory of literary references and works of art in an iconographical supplement. |
|||
[[Category:Fictional blind characters]] |
|||
[[Category:Classical oracles]] |
|||
[[Category:Prophets]] |
|||
[[Category:Theban Mythology]] |
|||
[[Category:Transgender]] |
|||
[[Category:Ancient Greek seers]] |
|||
[[bg:Тирезий]] |
|||
[[ca:Tirèsias]] |
|||
[[cs:Teiresiás]] |
|||
[[da:Teiresias]] |
|||
[[de:Teiresias]] |
|||
[[el:Τειρεσίας (μυθολογία)]] |
|||
[[es:Tiresias]] |
|||
[[fa:تئیریاس]] |
|||
[[fr:Tirésias]] |
|||
[[it:Tiresia]] |
|||
[[he:טירסיאס]] |
|||
[[hu:Teiresziasz]] |
|||
[[nl:Tiresias]] |
|||
[[ja:テイレシアース]] |
|||
[[pl:Tejrezjasz]] |
|||
[[pt:Tirésias]] |
|||
[[ru:Тиресий]] |
|||
[[fi:Teiresias]] |
|||
[[sv:Teiresias]] |
|||
[[uk:Тіресій]] |
|||