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==Comparisons with other works==
==Comparisons with other works==
The novel with the most obvious resemblance to ''The Trial'' is [[George Orwell]]'s ''[[Nineteen Eighty-Four]]'' ([[1949]]). Both tales describe the struggle of an ordinary man against a faceless [[bureaucracy]]. Each tale also concludse with the death of the main protagonist, and, in one way or another, the protagonist accepting (or simply feeling resigned to) his fate.
The novel with the most obvious resemblance to ''The Trial'' is [[George Orwell]]'s ''[[Nineteen Eighty-Four]]'' ([[1949]]). Both tales describe the struggle of an ordinary man against a faceless [[bureaucracy]]. Each tale also concludse with the death of the main protagonist, and, in one way or another, the protagonist accepting (or simply feeling resigned to) his fate.
==Relations between The Trial and Crime and Punishment==

In [[1983]], going trough a hard time in his life, Guillermo Sánchez Trujillo, professor of UNAULA ("Universidad Autónoma Latinoamericana" of [[Medellín]], [[Colombia]]), decided to retake the project he had in his youth to find out "where did Kafka got his stories". He dedicated twenty years of his live to the investigations, and finally in [[2002]] he published the final results in ''Crimen y castigo de Franz Kafka, anatomía de El processo'' ("Crime and Punishment by Franz Kafka, anatomy of The Trial"), edited by UNAULA.

In the investigation, Sánchez discovered that Kafka had used ''[[Crime and Punishment]]'' and other works by [[Fyodor Dostoevsky]], as [[palimpsest]] to write his works, including ''The Trial''. By comparing word-to-word ''Crime and Punishment'' and ''The Trial'', Sanchez discovered that Kafka used the first three chapters of the second part of Crime and Punishment (in the order 3, 2, 1), to write and organize ''The Trial''. With this, Sánchez also discovered the order of the chapters of the novel, which has been a mystery due to the cryptic way in which Kafka stored the chapters. Kafka bequeathed his works to his friend [[Max Brod]]. After Kafka died, Brod started to organize and edit Kafka's works to publish them, but with ''The Trial'' Brod couldn't decipher Kafka's system, so he organized the chapters in an intuitive and arbitrary way.

The new order found in the study reestablishes the logic of the plot and fits on it the chapters that were relegated to the appendix by Brod and the editors. But the study also finds that the work ''[[A Dream]]'', published as an independent short story, was a essential chapter of the novel.

The investigation also confirmed the [[autobiography|autobiographic]] contents that Kafka put in the novel, and the identity of the real persons and the historical events that inspired some of the characters and events of the novel.

A critic edition of the novel with the new order was published in [[2005]] by UNAULA, containing an introduction detailing the most important points of the investigation and its results and also, side notes explaining the creative process of the author and the use of the palimpsest of Dostoievski's works.

The following is the new order of the chapters:
# The Arrest
# Conversation with Frau Grubach then Fräulein Bürstner
# Fräulein Bürstner's Friend
# First Interrogation
# In the Empty Interrogation Chamber - The Student - The Offices
# The Whipper
# To Elsa's house
# Prosecutor
# K.'s Uncle - Leni
# Advocate - Manufacturer - Painter
# In The Cathedral
# The Commercial Traveller - Dismissal of the Advocate
# Argument with the subdirector
# The house
# A Dream
# Trip to the mother's house
# The End

More info see: {{es icon}} [http://www.kafka.org/index.php?id=184,198,0,0,1,0]


==Published editions==
==Published editions==
Line 58: Line 90:


*[http://tesla.liketelevision.com/liketelevision/tuner.php?channel=240&format=movie&theme=guide ''The Trial'' movie at liketelevision.com]
*[http://tesla.liketelevision.com/liketelevision/tuner.php?channel=240&format=movie&theme=guide ''The Trial'' movie at liketelevision.com]

*{{es icon}} [http://lau.unaula.edu.co/ElProcesoGS/WebForm1.aspx Critic Edition in Spanish]


[[Category:1925 books|Trial, The]]
[[Category:1925 books|Trial, The]]

Revision as of 22:25, 4 October 2005

File:The trial.jpg
The Trial book cover

The Trial (German Der Prozess) is a surreal novel by Franz Kafka about a character named Joseph K., who awakens one morning and, for reasons that one never discovers, is arrested and subjected to the rigours of the judicial process for an unspecified crime.

Like Kafka's other novels, The Trial was left unfinished at his death, and was never intended to be published. Its manuscript was rescued by his friend Max Brod. It was first published in German in 1925 as Der Prozess.

The Trial has been filmed by the director Orson Welles, with Anthony Perkins (as Josef K.) and Romy Schneider. A more recent remake featured Kyle MacLachlan in the same role.

Plot Synopsis by Chapter

Template:Spoiler

The Arrest - Conversation with Frau Grubach then Fräulein Bürstner

On the morning of his thirtieth birthday, a junior bank manager, Josef K., who lives in lodgings, is unexpectedly arrested by two unidentified agents for an unspecified crime. The agents do not name the authority for which they are acting. He is not taken away, but left at home to await instructions from the Interrogation Commission. That evening K misses his regular visit to a prostitute, Elsa.

Frau Grubach, his landlady, tries to console Josef but unintentionally offends him by speculating that perhaps the arrest was related to an illicit relationship with Fräulein Bürstner, the tenant next door to Josef K. Josef visits the Fräulein to discuss his plight, but ends up kissing her, belatedly fulfilling the landlady's speculation. This is an early indication that Josef K. is no longer in control of his own fate.

First Interrogation

K is instructed to appear at a local court, but the time of the trial is not specified. This causes him to waste his time waiting to be called. When he is finally called, he is told, confusingly, that he is late. As the interrogation begins, he is asked an ill-informed question, which he uses as the basis for his attack on the preceding events and the general competence of the court. As he leaves, the Examining Magistrate tells K that "...today you have flung away with your own hand all the advantages which an interrogation invariably confers on an accused man."

In the Empty Interrogation Chamber - The Student - The Offices

Josef K tries to visit the Examining Magistrate, but finds only the Law-Court Attendant's wife. Looking at the Magistrate's books, he finds that they are not law books, but pornography. The woman tries to seduce him. As Josef resolves to succumb to the woman as an act of defiance against the Court, a law student appears and, after an argument with Josef, carries the woman off in his arms.

Josef later spots the Attendant, who complains about his wife's wantonness and offers Josef a tour of the court offices. There are many other defendants waiting hopelessly for information about their cases. Josef struggles to cope with the "dull and heavy...hardly breathable" air, and almost faints. To his shame, he has to be carried out of the court by two officials.

Fräulein Bürstner's Friend

Josef returns home to find Fräulein Montag, a lodger from another room, moving in with Fräulein Bürstner. He suspects that this is to prevent him from pursuing his affair with the latter woman. Yet another lodger, Captain Lanz, appears to be in league with Montag.

The Whipper

Later, in a store room at his own bank, Josef K discovers the two agents who arrested him being whipped by a superior. This surreal event appears to have been staged for his viewing, either to simply frighten him, or to demonstrate the seriousness in which the court views incompetence and corruption. The next day he returns to the store room and is shocked to find everything as he left it, including the Whipper and the two agents.

K.'s Uncle - Leni

Josef K is visited by his influential uncle, who by coincidence is a friend of the Clerk of the Court. The uncle is, or appears to be, distressed by Josef's predicament and is at first sympathetic, but becomes concerned that K is underestimating the seriousness of the case. The uncle introduces Josef K to an Advocate, who is attended by Leni, a nurse. K visits Leni, whilst his uncle is talking with the Advocate and the Chief Clerk of the Court, much to his uncle's anger, and to the detriment of his case.

Advocate - Manufacturer - Painter

K visits the advocate and finds him to be a capricious and unhelpful character. K returns to his bank but finds that his colleagues are trying to undermine him.

Josef K is advised by one of his bank clients to visit Titorelli, a painter, for advice. Titorelli has no official connections, yet seems to have a deep understanding of the process. He explains: "You see, everything belongs to the Court." He sets out what K's options are, but the consequences of all of them are unpleasant. The labourious requirements of these options, and the limited outlook that they offer, leads the reader to lose hope for Josef K.

The Commercial Traveller - Dismissal of the Advocate

Josef K decides to take control of his own destiny and visits his advocate with the intention of dismissing him. At the advocate's office he meets a downtrodden individual, Block, a client who offers K some insight from a client's perspective. Block's case has continued for five years, yet he appears to have been virtually enslaved by his dependence on the advocate's unpredictable advice. This experience further poisons K's opinion of his advocate, and K is bemused as to why his advocate would think that seeing such a client, in such a state, could change his mind.

In The Cathedral

K has to show an important client from Italy around the Cathedral. The client doesn't show, but just as K is leaving the Cathedral, the priest calls out K's name, although K has never known the priest. The priest works for the court, and tells K a fable that is meant to explain his situation, but instead causes confusion, and implies that K's fate is hopeless. The gravity of the priest's words prepares the reader for an unpleasant ending.

The End

On the last day of Josef K's thirtieth year, two men arrive to execute him. He offers little resistance, suggesting that he has realised this as being inevitable for some time. They lead him to a quarry and brutally murder him. His last words describe his own death: "Like a dog!".

Evaluation

The Trial is a chilling story that maintains a constant, relentless atmosphere of unease, right up to the brutal ending. Superficially the subject matter is political; an illustration of a truly twisted brand of law enforcement. However, one of the strengths of the novel is in its description of the effect of these circumstances on the life and mind of Josef K. It presents the absurdity of human nature, of drudging along without direction, and without result. It can also be considered allegorically in a number of frameworks, for example, emotional. If it were published today, it might be described as a "paranoid thriller", but it is unusually uncompromising and depressing by modern standards.

Comparisons with other works

The novel with the most obvious resemblance to The Trial is George Orwell's Nineteen Eighty-Four (1949). Both tales describe the struggle of an ordinary man against a faceless bureaucracy. Each tale also concludse with the death of the main protagonist, and, in one way or another, the protagonist accepting (or simply feeling resigned to) his fate.

Relations between The Trial and Crime and Punishment

In 1983, going trough a hard time in his life, Guillermo Sánchez Trujillo, professor of UNAULA ("Universidad Autónoma Latinoamericana" of Medellín, Colombia), decided to retake the project he had in his youth to find out "where did Kafka got his stories". He dedicated twenty years of his live to the investigations, and finally in 2002 he published the final results in Crimen y castigo de Franz Kafka, anatomía de El processo ("Crime and Punishment by Franz Kafka, anatomy of The Trial"), edited by UNAULA.

In the investigation, Sánchez discovered that Kafka had used Crime and Punishment and other works by Fyodor Dostoevsky, as palimpsest to write his works, including The Trial. By comparing word-to-word Crime and Punishment and The Trial, Sanchez discovered that Kafka used the first three chapters of the second part of Crime and Punishment (in the order 3, 2, 1), to write and organize The Trial. With this, Sánchez also discovered the order of the chapters of the novel, which has been a mystery due to the cryptic way in which Kafka stored the chapters. Kafka bequeathed his works to his friend Max Brod. After Kafka died, Brod started to organize and edit Kafka's works to publish them, but with The Trial Brod couldn't decipher Kafka's system, so he organized the chapters in an intuitive and arbitrary way.

The new order found in the study reestablishes the logic of the plot and fits on it the chapters that were relegated to the appendix by Brod and the editors. But the study also finds that the work A Dream, published as an independent short story, was a essential chapter of the novel.

The investigation also confirmed the autobiographic contents that Kafka put in the novel, and the identity of the real persons and the historical events that inspired some of the characters and events of the novel.

A critic edition of the novel with the new order was published in 2005 by UNAULA, containing an introduction detailing the most important points of the investigation and its results and also, side notes explaining the creative process of the author and the use of the palimpsest of Dostoievski's works.

The following is the new order of the chapters:

  1. The Arrest
  2. Conversation with Frau Grubach then Fräulein Bürstner
  3. Fräulein Bürstner's Friend
  4. First Interrogation
  5. In the Empty Interrogation Chamber - The Student - The Offices
  6. The Whipper
  7. To Elsa's house
  8. Prosecutor
  9. K.'s Uncle - Leni
  10. Advocate - Manufacturer - Painter
  11. In The Cathedral
  12. The Commercial Traveller - Dismissal of the Advocate
  13. Argument with the subdirector
  14. The house
  15. A Dream
  16. Trip to the mother's house
  17. The End

More info see: Template:Es icon [1]

Published editions

  • Penguin Twentieth-Century Classics, ISBN 0-14-018113-X
  • Freely available at DigBib.Org (German version, text, pdf, html)