Minneapolis sound
 | This article needs additional citations for verification. (May 2022) |
| Minneapolis Sound | |
|---|---|
 Morris Day and The Time performing in 2024 | |
| Stylistic origins | |
| Cultural origins | Late 1970s, Minneapolis, Minnesota, United States |
| Derivative forms | Dance-pop |
| Other topics | |
| Prince | |
The Minneapolis sound is a subgenre of funk rock that incorporates elements of new wave and synth-pop. Started at Sound 80 with tracks like “Funkytown” by Lipps, Inc and pioneered by Minneapolis-based musician Prince and André Cymone beginning in the late 1970s, the musical style's heyday extended through the late 1980s.[1] The style was often heard at city clubs like First Avenue and was exemplified by Prince-affiliated acts, including the Time, Vanity 6, Apollonia 6, Sheila E., the Family, Wendy & Lisa, Brownmark, Jimmy Jam & Terry Lewis, Morris Day, and Jesse Johnson. and by acts neither affiliated with Prince nor native to Minneapolis, such as Flint, Michigan's Ready for the World.
According to the Rolling Stone Album Guide, "the Minneapolis sound... loomed over mid-'80s R&B and pop, not to mention the next two decades' worth of electro, house, and techno."[2]
Identifying characteristics
[edit] |
While the Minneapolis sound incorporates many of funk's quintessential elements, it bears several distinguishing characteristics:
- Synthesizers generally replace horn sections of trumpets and saxophones, and are used more as accent than as fill or background.
- The rhythm is often faster and generally less syncopated than traditional funk, owing much to new wave music. At the same time, dominant rhythm lines are often accented with repeating percussive fills at fixed intervals, often courtesy a Linn or other drum machine.
- Lead guitar is frequently much louder and more aggressively processed during solos than in most traditional funk, while a wah-wah effect is heavily relied upon for rhythm guitar accompaniments.
- Compositions often incorporate orchestral string arrangements, adding a symphonic pathos.
- The "bottom" of the sound is less bass-heavy than traditional funk; drums and keyboards fill more of the "bottom".
See also
[edit]Sources
[edit]- Henderson, Alex. "The Minneapolis Sound". Allmusic. Archived from the original on November 3, 2011.
- Ohmes, Jeremy (June 4, 2009). "The Minneapolis Sound". PopMatters.
References
[edit]- ^ Campbell, Michael (2008). Popular Music in America: The Beat Goes On. Cengage Learning, 2008. p. 300. ISBN 0495505307.
- ^ Prince: Biography : Rolling Stone
External links
[edit]- Rashad Shabazz, How Minneapolis made Prince. The Conversation, January 27, 2020.