Talk:The Girlie Show (Madonna)
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London Support Act
[edit]I think the London support act was "Tony! Toni! Tone!" but I may be wrong. —Preceding unsigned comment added by 78.86.166.250 (talk) 19:04, 1 February 2010 (UTC)
Boxscore information
[edit]I've reverted good faith edits by User:Megagia who is trying to change the boxscore numbers from 50,000 to 90,000 for Tel Aviv. The current 50,000 number is supported by this source: [1] I don't know how reliable that is. User:Megagia seems to be citing "TV Sorrisi e Canzoni", but without a link, so it's hard to know how reliable or verifiable that is. I found this link: [2] which seems to mention the show, but as far as I can tell, doesn't mention the number 90,000. I don't speak Italian though.--BelovedFreak 11:29, 21 April 2010 (UTC)
The Girlie Show is the second Madonna tour I followed step by step. The Italian magazine TV Sorrisi e Canzoni made a special concert article from Tel Aviv, reporting the selling of 90,000 tickets. Unfortunately there is not a digital version of this Article but only on paper. The source you reported of 50,000 spectators is a consequence of the tour in 2009 that totals 50,000 admissions and suppose that the same date of Tel-Aviv had the same audience.--Megagia (talk) 14:57, 25 April 2010 (UTC)
Aussie boxscore
[edit]Is it possible to use this [3] as source?--Megagia (talk) 07:58, 18 April 2014 (UTC)
- All Boxscore should be from Billboard only. I will check Billboard magazines and revert these incorrect values. —Indian:BIO · [ ChitChat ] 09:22, 18 April 2014 (UTC)
- I did on google books but I didn't find anything. What about, the sources, I put on for Montreal and Melbourne concerts?--Megagia (talk) 10:23, 18 April 2014 (UTC)
Here's something interest:
Girlie Tour collected 360 000 tickets in Aussie and $70 million, by Billboard:
page 37 — Preceding unsigned comment added by Megagia (talk • contribs) 09:09, 21 April 2014 (UTC)
Frankfurt, Germany was cancelled
[edit]Frankfurt is in the list - that's wrong! The concert was planned, but was cancelled shortly before the show was! 1993 was no german concert! — Preceding unsigned comment added by 87.182.4.109 (talk) 20:17, 17 July 2012 (UTC)
External links modified
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REFS
[edit]Technically the concert tours of Madonna (The Girlie Show) & Michael Jackson are credited to help in introduce multimillion and international concerts (or change their live music) in Brazil and Mexico:
- Mexico (archived) | El Universal
- Brazil | Veja
- More
- Australia: Madonna holds the record for total ticket sales with 96663 over two nights in 1993 (also she is the only among women with the highest number of concerts by attendance in the MCG) | Noise11 2019
- Grossing worldwide ($70 million): Yahoo 2016. The Twisted Tale of Glam Rock by Stuart Lenig (2010) pag 145
- "Madonna bounced back in 1993 with the " Girlie Show " tour , which sold out in almost every city where it played" | Prominent Women of the 20th Century by Peggy Saari (1996) pag 651
- Toronto: one of the largest stage productions ever mounted in both venues etc | RPM
- Wembley 15.000 tickets were sold within two hours for the premier date | Hard Report
- Israel and Australian tickets (with a price between $45 and $142) | Hard Report
- A background of the tour | Gavin Report (August 6, 1993)
- Madonna's response of her critics by British press (Oct 1993) | Gavin Report
Despite the controversy, her concert and "incident" with the Puerto Rican flag has generated more texts in literature rather than only "controversy" itself. In De Albizu a Madonna: Para armar y desarmar la nacionalidad (PDF preview) has been described as "una historia que no tiene paralelo en el imaginario del país" (could be translated as: a story that has no parallel in the imaginary of the country). Scholar Frances Negrón-Muntaner also in her book Boricua Pop: Puerto Ricans and the Latinization of American Culture (2004) talked about this incident, mainly her relationship with Puerto Ricans and said in her section "Flaggin Madonna" that "[...] highlighted how Madonna's text has also served a boricua subaltern politics, particularly in the Island context" (pag 160)
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