Talk:Fulanito

Meaning of name

Can anyone think of an encyclopedic way to point out that their name can be translated as "what's-his-name" and that this combines with the title of their first CD to read "What's-his-name: The most famous man on Earth"? I've always found that very amusing, and non-Spanish speakers wouldn't get it, but I don't want to get into trivia, either. Lawikitejana 03:13, 7 April 2007 (UTC)

Hello,

Let me point out that according to Rafael Vargas, pka Fulanito, when asked how he and former partner Winston Rosa came about the name of Fulanito, he would state "It's a name that pretty much catches attention in all of Latin America. he's a guy that everyone knows, but no one knows his name". Fulanito would be the equivalent to "John Doe" in the United States. hence "El Hombre Mas Famoso De La Tierra" (The Most famous man in the World). /-----\/-----\ 03:40, 5 August 2012 (UTC) — Preceding unsigned comment added by Verdugo27 (talk • contribs)

History of Fulanito

Fulanito Contract 1a

Fulanito Contract 2a

Fulanito Contract 3a

Fulanito Contract 4a

Please see the original contracts that I Winston Rosa, have uploaded to try and reduce the confusion caused by RUBEN DARIO MARTINEZ, EDWIN VARGAS, WILSON SANCHEZ and others as to who is the rightful owner of the trademark FULANITO.

This is the real facts of the group FULANITO. The self centered, egotistical Rafael Vargas, has been trying to make a hit without his ex-partner Winston Rosa for years. To no avail sad to say. Fulanito is a household name in the latin music industry. Now his brother Edwin Vargas (Verdugo27) tries to fill in the gap left by Pickles "Don Fulano" el Gordito. What a laugh. You should see the videos of this manager/dancer/rapper/DJAY Edwin Vargas. He is a failed actor and a college drop out trying to live of Winston Rosa and his father Arsenio De La Rosa's hard work and investment.

Well as it has been evident, There has been a questions as to who Fulanito the artist is. I'd like to begin with a brief history of how Fulanito began, How it went about with its founders, members, management, record label and fans.

First off, to sum up where Fulanito is at his current state; Where Fulanito began as a group, it has pretty much been a solo artist. Rafael Vargas, lead singer, writer, producer, and co-founder of Fulanito has been the main person in what makes Fulanito a household name in the latin music industry. It's not to come off as being arrogant about it, this was never his style. He and his former partner, Winston Rosa, recorded the first album in 1996, titled "El Hombre Mas Famoso De La Tierra". It was released by Cutting Records in Nov. 1997. Winston was Rafael's partner in producing and writing the album. In truth, it was a attempt to follow a "boy band" trend in Latin music during the 90's that had Rafael fill the roster with "coristas", or background members that would fill in on group chants during performances. While they were visually present in all group activities, these other members were not involved in any part of the recording of the album. /-----\/-----\ 03:33, 5 August 2012 (UTC) — Preceding unsigned comment added by Verdugo27 (talk • contribs)

This is the ACTUAL Fulanito Info box, in the event that it continuously gets altered.

{{Infobox musical artist | name = Fulanito

| image =

Fulanito Pesente!

| image_size = | landscape = | alt = | caption = Facebook picture of Fulanito | background = group_or_band | alias = "El Hombre Mas Famoso De La Tierra" | origin = United Sates | genre = Merengue, Hip hop, Dance, Latin | years_active = 1997-Present | label = Cutting Records (1997-2007)
| associated_acts = 740 Boyz
2 in a Room | website = www.fulanitoreal.com | current_members = Winston Rosa (Co-Founder)
Jose "Pickles" Fuentes

Fulanito is a Dominican-American musical group that combines traditional merengue with other styles (specifically house, hip hop, and bachata among other genres). With about 2 million albums sold throughout the world, they were at one time the top selling act in Colombia, and were placed on other charts including those of Japan, Switzerland, United States, and Chile. Their name means "so-and-so" (i.e. unknown) in Spanish (see Fulano + -ito). Members of Fulanito were formerly with popular groups such as 740 Boyz and 2 in a Room.

Discography

Album	Year	Label
El Hombre Mas Famoso De La Tierra	1997	Cutting
El Padrino	1999	Cutting
The Remixes	2001	Cutting
Americanizao	2001	Cutting History Fulanito was formed in 1996 by lead singer / producer Rafael 'Dose' Vargas and producer Winston 'Win' Rosa with the idea of exploiting their blended talents into the Latin market. Vargas grew up in the Washington Heights neighborhood in Manhattan, New York, and Winston grew up in the South Bronx. They met in 1992 during a studio session where Winston was working as a recording engineer on one of Rafael’s earlier projects. Their first album, “El Hombre Mas Famoso De La Tierra” gained international fame with the hit singles “Guallando”, “El Cepillo” and “La Novela,. The album sold over 500,000 units worldwide. They further gained international notoriety with their second album, “El Padrino” which garnered them their first Grammy nomination. Their third album, “Americanizao” (2001) would be the last production both Vargas and Rosa would work on together. While Winston would depart from Fulanito, Rafael would continue on, releasing two more albums, “La Verdad” (2004) and Vacaneria” (2007). “Vacaneria” would once again solidify Fulanito’s place among the tropical music elite gaining his second Grammy nomination in 2007. In 2009, Vargas released an EP under the brand Fulanito on his own label Verdugo Entertainment. Influences Fulanito’s influences trace back to the early days of Tropical Latin music in New York. “Growing up in New York City during the late 70’s,and 80’s, our generation has been influenced by the sounds of classic dance music and Hip-hop, all while the classic tropical sounds waved through our ears” states Vargas. From their Latin roots, Vargas and Rosa were driven by the likes of Hector Lavoe, Willie Colon, Johnny Pacheco, Johnny Ventura, and Fernandito Villalona. Their more youthful roots go as far back as Run DMC, T La Rock, and LL Cool Jay, among others. 2 in a Room Vargas began his quest in the music business when he first collaborated on a compilation project headed by Aldo Marin and his record label Cutting Records. The compilation was to consist of various producers bring in their very own sounds in dance music. Vargas and then partner, Roger Pauletta submitted a House/Hip-hop fused track "Do What you Wanna Do", the song gain notoriety in the underground House Music industry for its unique flow of Rap mixed in with a dance-friendly House beat. The song's popularity prompted Marin to suggest that Vargas collaborate his rap style on another single from the album. Vargas would team up with DJ/producer George Morel on the international hit "Wiggle It". With the immediate success of "Wiggle It", Vargas was eventually stapled as the frontman to the group 2 in a Room, releasing the album "Wiggle It" (Cutting/Charisma, 1990). In 1992, Vargas met Winston Rosa while Rosa was engineering one of his featured singles. Having similar music styles and influences in common, they hit it off very well, eventually teaming up and forming their production company, WinDose International. Following the success of "Wiggle It", Vargas was looking to bring in something new. With the help of Rosa, he released the album "World Party" (Cutting Records, 1994), which added the Latin element to his already popular House/Hip-Hop blend. Vargas recruited his classmate Elvin Ovalles as his lyrical partner. The first single on "World Party" was the Latin Urban club hit "El Trago", produced by the dance music DJ duo of Victor and Danny Vargas (No relation to Rafael) 740 Boyz The sound and popularity from "World Party" was the motivation that both Vargas and Rosa needed to build on a new sound in the ever changing Dance music circuit. WIth the addition of Jose "Pickles" Fuentes, their friend and local club promoter and DJ from Vargas' neighborhood, they went on to form the 740 Boyz. Their self-titled album was released in 1995, gaining a worldwide following with the international hit "Shimmy Shake". The group gained greater popularity in Europe, specifically in France. 740 Boyz was the precursor to what defined the legacy of Fulanito, where Vargas first utilized his signature high-pitched chanted choruses and rap style. El Hombre Mas Famoso De La Tierra (1997-1999) As the popularity of the 740 Boyz began to whine down, Vargas was once again in search of a new sound, and market to exploit his talents. With the growing success of many young urban latin groups such as Proyect Uno, Ilegales and Sandy y Papo surging in South America, Vargas and Rosa were eager to tap in. Vargas was well aware of the rising success of the grassroots Typical merengue genre known as Perico Ripaio (Spanish for Ripe Parrot). Vargas found a way to keep his previous projects together by bringing Ovalles, Fuentes and adding a Marino Paredes to the mix of things. Rosa, being very close to the genre enilsted the talents of His father, Arcenio De La Rosa, is an accomplished well known Typical merengue artist in his own right, to add to the authenticity of the sound. They merged their Hip hop styles with the sounds of merengue, as well as samba, and cumbia, and released "El Hombre Mas Famoso De La Tierra" in 1997. The album gain immediate worldwide recognition selling over 500,000 units. The first single off the album, "Guallando", became a household chant, gaining song of the year honors in Colombia in 1998. El Padrino (1999-2001) Fulanito's second studio album, "El Padrino" (Cutting, 1999) used many of the same elements that garnered them international fame, with only minor changes to the sound and the frontline. Rosa decided to step down as one of the frontmen to concentrate on the production end. Vargas would add Welington Belen to replace Rosa. Belen, born and raised in the Dominican Republic and a student of merengue genre, was very instrumental in the production of "El Padrino". Vargas and Rosa were able to incorporate more of the authentic merengue sound while adding their American urban element with ease. The album received a Grammy nomination in 1999, and had several songs featured in John Singelton's modern day film release of Shaft Americanizao (2001-2003) The release of "Americanizao" (Cutting, 2001) saw the group becoming a quartet. Belen left the group and Vargas would focus on a more urban dance feel for the album. With its hit single "Callate", hip-hop tracks "Otra Vez" and "Eight Million Ways", the sound that Fulanito producing was making waves for a change, while still staying grounded in its merengue roots with "Pecho A Pechuga", "La Tiembladera" and "El Generalissimo", a song that created slight controversy in the Dominican Republic. "El Generalissimo" was eventually prohibited from the nations airwaves just days after the albums release. Officials cited the use of the title "Generalissimo" as a certain glorification to the country's last dictator, Rafael Trujillo. References External links Official website

Neutrality tag and sorting out the mess

It looks like there's multiple editors, each with some connection to the subject, who have been changing the pages. I've reverted back to the version that is best formatted; 740boyz (talk · contribs)'s changes broke the infobox and tables, so I've rolled back to the version that is the easiest to read. I don't necessarily think this is the "right" version, just the easiest starting point to discuss from.

I strongly suggest that all editors who want to make changes to the page explain why they want to change it and list the sources that support the changes. If there's consensus, then we'll change. If the edit warring continues, I can enforce the discussion requirement by having the page protected so only administrators can make changes.

I also strongly suggest that all parties to the dispute review Wikipedia guidelines including WP:Reliable sources, WP:Conflict of interest, and WP:Sock puppetry. Abuse of multiple accounts will not be tolerated. —C.Fred (talk) 15:51, 13 August 2012 (UTC)