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Synclavier

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Synclavier I (1977), with HOP box

The Synclavier is an early digital synthesizer, polyphonic digital sampling system, and music workstation manufactured by New England Digital Corporation of Norwich, Vermont. It was produced in various forms from the late 1970s into the early 1990s. Used by many notable musicians, the Synclavier was inducted into the TECnology Hall of Fame, an honor given to "products and innovations that have had an enduring impact on the development of audio technology," in 2004.[1]

History

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Synclavier II and floppy disc drive

The original design and development of the Synclavier prototype occurred at Dartmouth College with the collaboration of Jon Appleton, Professor of Digital Electronics, Sydney A. Alonso, and Cameron Jones, a software programmer and student at Dartmouth's Thayer School of Engineering.

Synclavier I

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First released in 1977–78,[2][3][4] it proved to be highly influential among both electronic music composers and music producers, including Mike Thorne, an early adopter from the commercial world, due to its versatility, its cutting-edge technology, and distinctive sounds.

The early Synclavier I used FM synthesis, re-licensed from Yamaha,[4][additional citation(s) needed][a] and was sold mostly to universities. The initial models had only a computer and synthesis modules; later models added a musical keyboard and control panel.

Synclavier II

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The system evolved in its next generation of product, the Synclavier II, which was released in early 1980 with the strong influence of music producer Denny Jaeger of Oakland, California. It was originally Jaeger's suggestion that the FM synthesis concept be extended to allow four simultaneous channels or voices of synthesis to be triggered with one key depression to allow the final synthesized sound to have much more harmonic series activity. This change greatly improved the overall sound design of the system and was very noticeable. 16-bit user sampling (originally in mono only) was added as an option in 1982. This model was succeeded by the ABLE Model C computer-based PSMT in 1984 and then the Mac-based 3200, 6400 and 9600 models, all of which used the VPK keyboard.

Keyboard controller

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Display and control wheel on VPK (1984)

Synclavier II models used an on/off type keyboard (called the ORK) while later models, labeled simply Synclavier, used a weighted velocity- and pressure-sensitive keyboard (called the VPK) that was licensed from Sequential Circuits and used in their Prophet-T8 synthesizer.

Digital sampling

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STD: Sample-To-Disk interface (c.1982)
See also: Sampler (musical instrument)

The company evolved the system continuously through the early 1980s to integrate the first 16-bit digital sampling system to magnetic disk, and eventually a 16-bit polyphonic sampling system to memory, as well. The company's product was the only digital sampling system that allowed sample rates to go as high as 100 kHz.

Tapeless studio concept

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See also: Digital audio workstation and Hard disk recorder

Ultimately, the system was referred to as the Synclavier Digital Recording Tapeless Studio system among many professionals. It was a pioneering system in revolutionizing movie and television sound effects and Foley effects methods of design and production starting at Glen Glenn Sound. Although pricing made it inaccessible for most musicians (a Synclavier could cost anywhere from $25,000 to $200,000),[6][7] it found widespread use among producers and professional recording studios, competing at times in this market with high-end production systems such as the Fairlight CMI.

Technological achievements

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When the company launched and evolved its technology, there were no off-the-shelf computing systems, integrated software, or sound cards. Consequently, all of the hardware from the company's main real-time CPU, all input and output cards, analog-to-digital and digital-to-analog cards and its memory cards were developed internally, as well as all of the software. The hardware and software of the company's real-time capability were used in other fields completely remote to music, such as the main Dartmouth College campus computing node computers for one of the USA's first campus-wide computing networks, and in medical data acquisition research projects.[citation needed]

End of manufacture

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New England Digital ceased operations in 1993. According to Jones, "The intellectual property was bought up by a bank—then it was owned by a Canadian company called Airworks—and I bought the intellectual property and the trademark back from a second bank which had foreclosed on it from Airworks."

Reincarnations

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In 2019, Jones released an iOS version of the Synclavier dubbed Synclavier Go! using much of the original code base.[8] Jones has also worked with Arturia to bring the Synclavier V software version of the instrument to their V Collection plugin suite.

In 2022, Synclavier Digital released and started production on the Regen, a desktop FM synthesizer. [9]

Models and options

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Prototype

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  • Dartmouth Digital Synthesizer (1973)[2]

Processor

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  • ABLE computer (1975): an early product of New England Digital, was a 16-bit minicomputer on two cards, using a transport-triggered architecture.[10][11] It used a variant of XPL called Scientific XPL for programming.[12] Early applications of the ABLE were for laboratory automation, data collection, and device control. The commercial version of the Dartmouth Digital Synthesizer, the Synclavier, was built on this processor.[13]

Digital synthesis cards

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  • The FM/Additive synthesis waveforms are produced by the Synclavier Synthesizer cards (named SS1 through SS5). Each set of these five cards produced 8 mono FM voices (later variants supported stereo). The processor handles sending start-stop-setPitch-setParameter commands to the SS card set(s), as well as handling scanning of the keyboard and control panel. There is little public documentation available on these cards, as their design was the unique asset of the Synclavier. However, their structure was similar to other digital synthesizers of the mid-late 1970s realized in Medium Scale Integration (MSI) hardware, such as the Bell Labs Digital Synthesizer.[14]

Black panel models

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Synclavier I

On 1970s–late 1980s:

  • Synclavier I (1977)[3]
    • Hand Operated Processor (HOP box): a troubleshooting tool for the Synclavier system, connected to ABLE computer via D01 Front Panel Interface Card.
  • HOP box and D01 card (for interface)
    HOP box and D01 card (for interface)
  • Terminal: ADM-3A (1975)
    Terminal: ADM-3A (1975)
Synclavier II
  • Synclavier II (1980): 8-bit FM/additive synthesis, 32-track memory recorder, and ORK keyboard. Earlier models were entirely controlled via ORK keyboard with buttons and wheel; a VT100 terminal was subsequently introduced for editing performances. Later models had a VT640 graphic terminal for graphical audio analysis (described below).[13]
    • Original Keyboard (ORK, c.1979): original musical keyboard controller in a wooden chassis, with buttons and silver control wheel on the panel.[13]
    • Sample-to-Disk (STD, c.1982): a first commercial hard disk streaming sampler, with 16-bit sampling at up to 50 kHz.[13]
    • Sample-to-Memory (STM): later option to sample sounds and edit them in computer memory.[15]
    • Direct-to-Disk (DTD, c.1984): an early commercial hard disk recording system.
    • Signal File Manager: a software program operated via VT640 graphic terminal, enabling 'Additive Resynthesis' and complex audio analysis.[13]
    • Digital Guitar Interface[16][17]
    • SMPTE timecode tracking[13]
    • MIDI interface[13]
  • Rear panel of Synclavier II
    Rear panel of Synclavier II
  • ORK: Original Keyboard (c.1980)
    ORK: Original Keyboard (c.1980)
  • Terminal: DEC VT100 (1978) / VT640
    Terminal: DEC VT100 (1978) / VT640
Synclavier PSMT rack (1984)
  • Synclavier PSMT (1984): a faster ABLE Model C processor-based system, with a new 'Multi-Channel-Distribution' real-time digitally controlled analog signal routing technology, and 16-bit RAM-based stereo sampling subsystem. The monaural FM voice card was doubled up and enabling software panning for stereo output was introduced.[13]
    • Velocity/Pressure Keyboard (VPK, c.1984): a weighted velocity/after-pressure sensitive musical keyboard controller, was introduced. This had a black piano lacquer finished chassis, a larger display, additional buttons and a silver control wheel.[13]
  • Synclavier PSMT rack
    Synclavier PSMT rack
  • VPK panel (2 of 6)
    VPK panel (2 of 6)
  • VPK: Velocity Pressure Keyboard (1984)
    VPK: Velocity Pressure Keyboard (1984)

Ivory panel models

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Terminal: Apple Macintosh II (1987)
Synclavier 9600 (1988, right)
with CRT monitor on the V/PK

In late 1980s–1993; operated via Macintosh II as terminal.[15]

  • Synclavier 3200
  • Synclavier 6400
  • Synclavier 9600
  • Synclavier TS (Tapeless Studio): consists of Synclavier and Direct-to-Disk
  • Synclavier Post Pro: consists of Direct-to-Disk
  • Synclavier Post Pro SD (Sound Design): consists of small Synclavier and Direct-to-Disk

Notable users

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Pat Metheny playing guitar synthesizer; in the 1980s, he played Synclavier with this guitar controller (Roland G-303), in addition to an early Synclavier guitar controller.[16][17]

Neil Rolnick, Joel Chadabe, and Jon Appleton himself are among those who have performed with it frequently.[18]

See also

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Notes

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  1. ^ At the time, Yamaha was the exclusive commercial licensee from the original inventor, John Chowning at Stanford University.[5]

References

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  1. ^ "TECnology Hall of Fame, 2004". TECawards.org. 2004. Retrieved December 12, 2024.
  2. ^ a b "History of Masters Program in Digital Musics". Dartmouth College. Archived from the original on 2009-10-12.
  3. ^ a b c Joel Chadabe (May 1, 2001). "The Electronic Century Part IV: The Seeds of the Future". Electronic Musician. Archived from the original on October 2, 2009. In September 1977, I bought the first Synclavier, although mine came without the special keyboard and control panel ...
  4. ^ a b MIX STAFF (September 1, 2006). "1978 New England Digital Synclavier". Mix. Penton Media. From a technology standpoint, the 1978 launch of New England Digital's Synclavier ...", "... the group ... was able to license FM synthesis from Yamaha.
    Note: This magazine article itself lacks sources, and as a result, lacks verifiability.
  5. ^ Eric Grunwald (Summer 1994). "Bell Tolls for FM Patent, but Yamaha Sees "New Beginning"" (PDF). Stanford Technology Brainstorm. Vol. 3, no. 2. Office of Technology Licensing (OTL), Stanford University. Archived from the original (PDF) on 2017-05-05. Retrieved 2017-10-06. The technique for synthesizing electronic music, invented by Music Professor John Chowning, brought in over $20 million through an exclusive license to Yamaha Corporation of Japan, which used the technology in its DX-7 synthesizer, enormously popular in the 1980s.
  6. ^ "New England Digital Synclavier - Vintage Synth Explorer". www.vintagesynth.com.
  7. ^ synthhead (20 May 2016). "$200,000 Synclavier Synthesizer Now A $200 App". synthtopia.com.
  8. ^ Neal Andrew Emil Gustafson (27 March 2019). "Synthesis Pioneer Cameron Jones Talks History and Making A New Synclavier". >Musician's Friend. Archived from the original on 27 September 2020.
  9. ^ "Synclavier Regen". Synclavier. Retrieved 2023-01-10.
  10. ^ ABLE Series Hardware Reference Manual. New England Digital Corporation, 110pp. 1978.
  11. ^ Creating Programs for ABLE Series Computers. New England Digital Corporation, 1978, 39pp. 1978.
  12. ^ Scientific XPL for New England Digital Corporation's ABLE Series Computers. New England Digital Corporation, 1978, 74pp. 1978.
  13. ^ a b c d e f g h i "Synclavier Early History". Synclavier European Services.
  14. ^ "Synclavier Hardware". Synhouse Multimedia.
  15. ^ a b Synclavier Manual III Reference Guide (PDF). Vol. III. Synclavier Digital. February 2007. Archived from the original (PDF) on 2011-07-18.
  16. ^ a b Nicholas Webb, "Interview with Roland GR User Pat Metheny", Roland GR-300 Modification and More, Wayne Scott Joness (Composer)
  17. ^ a b "Roland G-303 Guitar Synthesizer Controller", Roland GR-300 Modification and More, Wayne Scott Joness (Composer)
  18. ^ Schwartz, Elliott and Godfrey, Daniel (1993). Music Since 1945, p.358. Schirmer. ISBN 0-02-873040-2.
  19. ^ "Unknown". Keyboard Magazine. May 1986. p. 69.
  20. ^ "Keyboard". Tony Banks unofficial website. lakeofsilence.de.
  21. ^ Blair Jackson (Jan 1, 2010). "Avator – Jame Cameron and Audio Team Create a New World of Futuristic Sounds". Mix. Penton Media. Archived from the original on 2010-07-13.
  22. ^ "Omni-Suzanne Ciani". YouTube.
  23. ^ Lurie, Robert Dean (2009). No Certainty Attached: Steve Kilbey and The Church. Portland OR: Verse Chorus Press. p. 182. ISBN 978-1-89124-122-2.
  24. ^ Darter, Tom; Doerschuk, Bob (2008). "The state of the artist". In Ernie Rideout (ed.). Keyboard Presents the Best of the '80s: The Artists, Instruments, and Techniques of an Era. Hal Leonard Corporation. pp. 15–19. ISBN 978-0-87930-930-5.
  25. ^ "Crimson Glory - Transcendence". Maximum Metal. December 1, 2007.
  26. ^ "yahoo groups interview with Paul Davis". 2007.[dead link‍]
  27. ^ Droney, Maureen (September 1, 2001). "Dave Hard Drive Pensado". Mix. Los Angeles: Penton Media. Archived from the original on April 14, 2011. Retrieved September 8, 2010.
  28. ^ "Remixing Depeche Mode". roberthenke.com.
  29. ^ "Unknown". Keyboard Magazine. May 1985. p. 40.
  30. ^ "Interview With Nile Rodgers". Journal on the Art of Record Production. Archived from the original on 25 June 2018. Retrieved 24 June 2018.
  31. ^ "Synth Pioneers: Patrick Gleeson". endlessgroove.com. 2008.
  32. ^ "Lourett Russell Grant". Lourettrussellgrant.com.
  33. ^ "List of synclavier users". 500sound.com. 2012.
  34. ^ "Studio". roberthenke.com. Robert Henke. Archived from the original on 2018-04-24. Retrieved 2018-02-05.
  35. ^ a b Amato, Mia (July 12, 1986). "NED Synclavier Seminar Offers Sound Solutions". Billboard. Vol. 98, no. 28. Nielsen Business Media, Inc. p. 40. ISSN 0006-2510.
  36. ^ Warner, Timothy (2003). Pop music: technology and creativity : Trevor Horn and the digital revolution. Ashgate popular and folk music. Ashgate Publishing, Ltd. pp. 130–131. ISBN 0-7546-3132-X.
  37. ^ "Marlon Jackson -- Don't Go". Discogs. Retrieved March 1, 2024.
  38. ^ Milner, Greg (2009). Perfecting Sound Forever: An Aural History of Recorded Music. Macmillan. p. 323. ISBN 978-0-571-21165-4.
  39. ^ "The Third Dimension". SPIN. Vol. 7, no. 4. SPIN Media LLC. July 1991. p. 26. ISSN 0886-3032. Christopher Currell, the Los Angeles-based Synclavier performer and engineer on Michael Jackson's Bad album
  40. ^ "Gearslutz - "Post here if you worked on Michael Jackson's DANGEROUS album"".
  41. ^ "unknown". Keyboard. Vol. 12. GPI Publications. 1986. p. 24. ISSN 0730-0158. Eddie Jobson / Theme of Secrets / Jobson is one of those highly talented keyboard players ... this time it's strictly Jobson and a Synclavier-a boy and his synthesizer.[verification needed]
  42. ^ "unknown". Schwann Spectrum. Vol. 2, no. 3~4. ABC Consumer Magazines. 1991. p. 338. Jobson, Eddie Jobson, Eddie -Theme Of Secrets (music for Synclavier) Pnvale Music[verification needed]
  43. ^ Private Music (March 1988). "Advertisement: Private Artists". Spin. Vol. 3, no. 10. p. 33. ISSN 0886-3032.
  44. ^ "United States". Keyboard. Vol. 13, no. 7~12. GPI Publications. 1987. p. 30. ISSN 0730-0158. Nashville synthesist Shane Keister, using a Fairlight and Synclavier, scored Ernest Goes To Camp, the just-released ...[verification needed]
  45. ^ "Ending titles". Ernest Goes to Camp. 1987.
  46. ^ "Mark Knopfler". Musician. No. 153–158. Amordian Press. 1991. p. 34.[verification needed]
  47. ^ Bussy, Pascal (2004). Kraftwerk: Man, Machine and Music. SAF Publishing Ltd.
  48. ^ "Unknown". Keyboard Magazine. September 1995. p. 32.
  49. ^ Stump, Paul (2000). Go ahead John: the music of John McLaughlin. SAF Publishing Ltd. pp. 173–174. ISBN 0-946719-24-1.
  50. ^ "We will always remember the things we can never forget". menwithouthats.com.
  51. ^ "io9 Talks to Junie About P-Funk and Aliens". 18 January 2008.[permanent dead link‍]
  52. ^ "Unknown". Keyboard Magazine. December 1987. p. 31.
  53. ^ "Existential Reckoning - (2020)". Puscifer.
  54. ^ "Review: The Dream of the Blue Turtles". Stereo Review. Vol. 50, no. 1. CBS Magazines. 1985. p. 154.
  55. ^ Harry, Weinger (20 Oct 1984). "Kashif Juggles Multi-Layered". Billboard. Vol. 96. p. 42.
  56. ^ Saleem, Kashif (January 23, 2012). "Q&A: Kashif – Music History in the Making". soultrain.com. Retrieved 2014-04-24.
  57. ^ "Kashif: Biography". AllMusic.com. Rovi Corporation. Retrieved 2014-04-24.
  58. ^ "(cover page)" (PDF), Berklee Today, vol. 9, Berklee college of music, Fall 1997, p. 1
  59. ^ Hagen, Earle (1990). Advanced techniques for film scoring: a complete text. Alfred Music Publishing. p. 61. ISBN 0-88284-447-4.
  60. ^ "Wells Christie's biography". WellsChristie.com. Archived from the original on 2008-04-15. Retrieved 2007-10-17.
  61. ^ "Paul Simon – Graceland". Discogs.com. Retrieved 21 November 2017.
  62. ^ Trynka, Paul (1996). Rock Hardware. Hal Leonard Corporation. p. 59. ISBN 978-0-87930-428-7.
  63. ^ Jean-Claude Risset. 'Gerald Strang: 1908-1983', in Computer Music Journal, Vol. 8, No. 4 (Winter, 1984), p. 5
  64. ^ "Unknown". Keyboard Magazine. August 1983. p. 32.
  65. ^ Schoepe, Zenon (April 2011). "Benny Anderson" (PDF). resolution. pp. 32–37. Archived (PDF) from the original on 2022-10-09.
  66. ^ Electronics & Music Maker, Jan 1982, p. 52
  67. ^ Milner 2009, p. 345.
  68. ^ "Unknown". Keyboard Magazine. August 1981. p. 28.
  69. ^ "Unknown". Keyboard Magazine. July 1986. p. 42.
  70. ^ "Unknown". Keyboard Magazine. November 1986. p. 42.
  71. ^ "the cosby show_stevie wonder's recording session". YouTube.
  72. ^ "Trans". neilyoung.com. Neil Young. Archived from the original on 2015-07-26. Retrieved 2015-06-24.
  73. ^ Lowe, Kelly Fisher (2007). The Words and Music of Frank Zappa. Bison Books, University of Nebraska Press. pp. 195–197. ISBN 978-0-8032-6005-4.

Further reading

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