Satellite radio

Satellite radio is an analogue or digital radio signal that is relayed through one or more satellites and thus can be received in a much wider geographical area than terrestrial FM radio stations. While in Europe many primarily-FM radio stations provide an additional unencrypted satellite feed, there are also subscription based digital packages of numerous channels that do not broadcast terrestrially, notably in the US. In Europe, FM radio is used by many suppliers that use a network of several local FM repeaters to broadcast a single programme to a large area, usually a whole nation. Many of those have an additional satellite signal that can be heard in many parts of the continent. Sirius Satellite Radio outsources their customer support to the Philippines. In contrast, US terrestrial stations are always local and each of them has a unique programme, albeit they are sometimes interconnected for syndicated contents; but each local station still carries its own commercial and news breaks even then. This means that a national distribution of the contents of original terrestrial stations via satellite makes no real sense in the US, wherefore satellite radio is used in a different way there. History: Began broadcasting January 5, 2001 at 11:17AM Eastern, Tim McGraw was the first artist ever played on satellite radio. He gave a special welcome introduction which segued into his song "Things Change" on Sirius! Mobile services, such as Sirius, XM, and Worldspace, allow listeners to roam across an entire continent, listening to the same audio programming anywhere they go. Other services, such as Music Choice or Muzak's satellite-delivered content, require a fixed-location receiver and a dish antenna. In all cases, the antenna must have a clear view to the satellites. In areas where tall buildings, bridges, or even parking garages obscure the signal, repeaters can be placed to make the signal available to listeners.

Radio services are usually provided by commercial ventures and are subscription-based. The various services are proprietary signals, requiring specialized hardware for decoding and playback. Providers usually carry a variety of news, weather, sports, and music channels, with the music channels generally being commercial-free.

In areas with a relatively high population density, it is easier and less expensive to reach the bulk of the population with terrestrial broadcasts. Thus in the UK and some other countries, the contemporary evolution of radio services is focused on Digital Audio Broadcasting (DAB) services or HD Radio, rather than satellite radio.

Business applications

Satellite radio, particularly in the United States, has become a major provider of background music to businesses such as hotels, retail chains, and restaurants. Compared to old-line competitors such as Muzak, satellite radio's significantly lower price, commercial-free channel variety, and more reliable technology make it a very attractive option. Both North American satellite radio providers offer business subscriptions, though given the merger of XM Satellite Radio with Sirius, the future of XM for Business is uncertain. Sirius's commercial services are provided nationally by third-party partner Applied Media Technologies Corporation .

System design

Satellite radio uses the 2.3 GHz S band in North America and generally shares the 1.4 GHz L band with local Digital Audio Broadcasting (DAB) stations elsewhere. It is a type of direct broadcast satellite and is strong enough that it requires no satellite dish to receive. Curvature of the earth limits the reach of the signal, but due to the high orbit of the satellites, two or three are usually sufficient to provide coverage for an entire continent.

Local repeaters similar to broadcast translator boosters enable signals to be available even if the view of the satellite is blocked, for example, by skyscrapers in a large town. Major tunnels can also have repeaters. This method also allows local programming to be transmitted such as traffic and weather in most major metropolitan areas, as of March 2004.

Each receiver has an Electronic Serial Number (ESN) Radio ID to identify it. When a unit is activated with a subscription, an authorization code is sent in the digital stream telling the receiver to allow access to the blocked channels. Most services have at least one "free to air" or "in the clear" (ITC) channel as a test. For example, Sirius uses channel 184, Sirius Weather & Emergency.

Most (if not all) of the systems in use now are proprietary, using different codecs for audio data compression, different modulation techniques, and/or different methods for encryption and conditional access.

Like other radio services, satellite radio also transmits program-associated data (PAD or metadata), with the artist and title of each song or program and possibly the name of the channel.

Satellite radio vs. other formats

Satellite radio differs from AM or FM radio and digital television radio (or DTR) in the following ways. The table applies primarily to the United States.

Radio format	Satellite radio	AM/FM	Digital television radio (DTR)
Monthly fees	US$12.95 and up	None	None for terrestrial. Very low for cable TV or satellite — DTR represents a small portion of the total monthly television fee.
Portability	Available	Prominent	None — a typical set consists of a stereo attached to a television set-top box (the primary function of the set top-box is normally designed for viewing digital television on an analogue set).
Listening availability	Very high — a satellite signal's footprint covers millions of square kilometres.	Low to moderate — implementation of FM service requires moderate to high population densities and is thus not practical in rural and/or remote locales; AM travels great distances at night.	Very high
Sound quality	Varies²	AM: Usually very low, but can be the highest FM: Usually Moderate, but can be very high	Varies²
Variety and depth of programming	Highest	Variable — highly dependent upon economic/demographic factors	Variable - dependent on location and the television provider - for cable and satellite, dependent on the various packages they provide and on the user's subscription.
Frequency of programming interruptions (by DJs or commercial advertising)³	None to high - mostly dependent on the channels, some of which have DJs; most channels are advertisement-free because of the paid subscription model of satellite radio.	Highest4	None to low - dependent on the provider; however, it is common that some stations will have DJs. Usually no advertisements on subscription services (DirecTV and Dish Network both claim to provide advertisement-free content).
Governmental regulation	Yes5	Yes — significant governmental regulations regarding content6	Yes for terrestrial. For cable and satellite, low to none 5

² The sound quality with both satellite radio providers and DTR providers varies with each channel. Some channels have near CD-quality audio, and others use low-bandwidth audio suitable only for speech. Since only a certain amount of bandwidth is available within the licenses available, adding more channels means that the quality on some channels must be reduced. Both the frequency response and the dynamic range of satellite channels can be superior to most, but not all AM or FM radio stations, as most AM and FM stations clip the audio peaks to sound louder; even the worst channels are still superior to most AM radios, but a very few AM tuners are equal to or better than the best FM or satellite broadcasts when tuned to a local station, even if not capable of stereo. AM does not suffer from multipath distortion or flutter in a moving vehicle like FM, nor does it become silent as you go behind a big hill like satellite radio.

³ Some satellite radio services and DTR services act as in situ repeaters for local AM/FM stations and thus feature a high frequency of interruption.

⁴ Nonprofit stations and public radio networks such as CBC/Radio-Canada, NPR, and PRI-affiliated stations and the BBC are commercial-free. In the US, all stations are required to have periodic station identifications and public service announcements.

⁵ In the United States, the FCC regulates technical broadcast spectrum only. Program content is unregulated. However, the FCC has tried in the past to expand its reach to regulate content to satellite radio and cable television, and its options are still open to attempt such in the future. The FCC does issue licenses to both satellite radio providers (XM and Sirius) and controls who holds these licenses to broadcast.

⁶ Degree of content regulation varies by country; however, the majority of industrialized nations have regulations regarding obscene and/or objectionable content.

Portable Satellite Radio

Portable satellite radios let you listen to satellite radio just about anywhere you go. They are very similar to standard portable music players, designed for music on the go. These however, feature built-in antennas that receive the satellite signal, and come with rechargeable batteries. In fact, all you have to do is plug in headphones, and you can easily listen to and carry them around easily. Reception can be tricky however, being blocked by buildings and tall trees, and sometimes by your own body depending you the way you are facing and how you are carrying it. However, the best reception will be received outdoors in the open.

United States

In the United States and Canada, one holding company, Sirius XM Radio, operates the two satellite radio services, after a merger (technically the acquisition of XM by Sirius) in July 2008. A monthly fee is charged for both services (as of 2005, Sirius also offers a one-time fee of nearly $500 valid for the lifetime of the equipment; however, there is a $70.00 USD fee for switching receiver, and this may be done only three times ever). Some XM music channels have commercials, while Sirius is commercial-free. Both services have commercial-free music stations, as well as talk and news stations, some of which include commercials. XM uses fixed-location geostationary satellites in two positions, and Sirius uses three geosynchronous satellites in highly elliptical orbits passing over North and South America, to transmit the digital streams. The net difference is that the Sirius signal comes from a higher elevation angle in the northern part of the U.S. and even more so in Canada. (This higher angle makes Sirius' signal less likely to drop out on cities, but more likely to drop out in parking garages, gas stations, tunnels, and other covered spaces.)

Both services are available mainly via portable receivers in automobiles, but both have many accessories so one can listen at home through a home stereo, with a portable boombox, or online through a personal computer. Both services now have some form of receiver that is completely portable.

Satellite radio's chief asset is the fact that it is not localized: drivers can receive the same programming anywhere in the footprint of the service. A stop at any truck stop will demonstrate the popularity of Sirius XM among long-haul drivers. In addition, both XM and Sirius carry programming that is simply not feasible on commercial radio stations. Specialty stations cover things such as family talk, radio drama, classical music, and live events.

The footprint of both Sirius and XM is only the United States (not including Alaska), Canada, and the upper third of Mexico; it does not cover Hawaii as satellite TV does.

Success so far

As of november, 2010 Sirius XM claims over 20 million subscribers. One critical factor for the success of satellite radio is the deployment of in-car receivers. Sirius XM has attempted to convince automakers to equip vehicles with their receiver. As of 2008, the following manufacturers offer satellite radio as original equipment:

Provider	BMW MINI Rolls-Royce	Chrysler Dodge Mercedes-Benz Jeep	Ford Lincoln Mercury Volvo Land Rover Jaguar Mazda	GM Cadillac Chevrolet Buick Pontiac GMC Saturn Saab	Honda Acura	Hyundai Kia	Mitsubishi	Nissan Infiniti	Porsche	Toyota Lexus Scion	VW Audi Bentley	Suzuki
Sirius	Yes	Yes	Yes	No	No	Yes	Yes	?	No	Yes	Yes	No
XM	No	No	No	Yes	Yes	Yes	No	Yes	Yes	Yes	No	Yes

Sirius has an exclusive contract for VW and Audi vehicles from 2007 through 2012 . Those brands previously offered both services. GM, Honda and Suzuki are all major investors in XM; Sirius is not offered as options in their vehicles. Bentley and Rolls-Royce come not only with receivers but lifetime subscriptions for Sirius service as well. XM is featured in select Harley-Davidson motorcycle models, while Sirius can be heard in several brands of recreational vehicles and boats.

One of the challenges for satellite radio has been to move away from cars and into the homes of consumers. Several portable satellite radio receivers have been made for this purpose. XM satellite radio has developed the XM2go line of "Walkman-like" portable receivers, such as the Delphi MyFi, the Pioneer AirWare and Giant International's Tao. Polk Audio makes a component-style home XM Reference Tuner and a tabletop entertainment system, the I-Sonic, with XM capability. Sirius has developed the Kenwood Portable Satellite Radio Tuner, Sirius S50, Here2Anywhere and the Sirius Stiletto 100. The Pioneer Inno and Samsung Helix for XM were among the first portable receivers to offer the ability of recording live content for playback later. Thus allowing for satellite radio to compete more fully with MP3 players.

While key agreements with automobile manufacturers are still being made, both companies have made the leap away from satellite radio only in the car and into the homes of consumers. One bump in the road to becoming more widely used in the home was both Sirius and XM running into legal issues in early 2006 with the FCC about their internal FM Transmitters. This required Sirius and XM to pull several of their models off the shelf and fix the problem. The FCC was claiming that the emissions of the internal FM Transmitters were too powerful and needed to be lowered. With these changes any customer buying a new satellite radio receiver doesn't achieve nearly the broadcast distance as the old models. Since this is a key point in the ability to use a satellite radio in the home (i.e. by taking the signal received and then broadcasting it to multiple points throughout the home at the same time and avoid having to bring the satellite radio with them as they move around the home) it has led many subscribers to use an external Personal FM transmitter to replace the lower powered internal FM Transmitter. Since these external FM Transmitters are Part 15 compliant they can broadcast the signal further than the new internal FM Transmitters now included in the satellite radios and still be legal. These external FM transmitters may prevent a slow down in the progress already made into the home consumer market for Sirius and XM satellite radio.

Satellite radio technology was inducted into the Space Foundation Space Technology Hall of Fame in 2002.

Canada

On November 1, 2004, the Canadian Radio-television and Telecommunications Commission (CRTC) began hearing applications for Canada's first satellite radio operations. Three applications were filed: one by Standard Broadcasting and the CBC in partnership with Sirius, one by Canadian Satellite Radio in partnership with XM, and one at the last minute by CHUM Limited and Astral Media.

The first two would use the same systems already set up for the U.S., while CHUM's application was for a subscription radio service delivered through existing terrestrial DAB transmitters rather than directly by satellite (although satellites would be used to deliver programming to the transmitters). The CHUM service was all-Canadian; the other two applications propose to offer a mix of Canadian-produced channels and existing channels from their American partner services.

A small "grey market" already existed for Sirius and XM receivers in Canada in which a Canadian would use an American address to register their receiver and setup.

On June 16, 2005, the CRTC approved all three services.

In its decision, the CRTC required the following conditions from the satellite radio licensees:

• A minimum of eight channels must be produced in Canada, and for each Canadian channel, nine foreign channels can be broadcast.
• At least 85% of the content on the Canadian-produced channels (whether musical or spoken word) must be Canadian.
• At least 25% of the Canadian channels must be French-language stations.
• At least 25% of the music aired on the Canadian channels must be new Canadian music.
• At least 25% of the music played on the Canadian channels must be from up-and-coming Canadian artists.

These conditions were an extension of the existing Canadian content rules applicable to all broadcasters in Canada. The applicants had until 13 November 2005, to notify the CRTC of their decision. Both companies managed to negotiate the standards a little to their favor, and in return, they would instead play 50% French content as opposed to 25%. Also, XM Canada succeeded in getting an extra five channels of National Hockey League Play-by-Play onto their platform, without an additional channel creation, by agreeing to cover every Canadian team's game during the season.

CHUM appealed the decision, claiming they would not survive if Sirius and XM both were allowed in the Canadian market, and that the licence conditions regarding Canadian content imposed on Canadian Satellite Radio and Sirius Canada were too lax. Canadian Satellite Radio and Sirius Canada countered that CHUM was simply trying to create a monopoly in the Canadian market.

In late August 2005, Heritage Minister Liza Frulla asked the federal cabinet to review the CRTC decision and possibly send it back to the CRTC for further review. Lobbyists complained that the CRTC decision did not require enough Canadian content from the broadcasters. The broadcasters responded by promising to add additional Canadian and French content.

After vigorous lobbying from both sides, the federal cabinet officially accepted the CRTC decision on September 10, 2005.

XM satellite radio was launched in Canada on November 29, 2005. Sirius followed later on December 1, 2005. Monthly subscription rates are $12.99 for XM (85 channels) with a one-time activation fee of $19.99 and $14.99 for Sirius with a one-time activation fee of $19.99 (100 channels). (All prices are in Canadian dollars.) The CHUM/Astral service never launched, and its license expired on June 16, 2007.

Following the merger of Sirius and XM in the United States in 2010, the Canadian companies did not immediately follow suit, but continued as competing providers even as their programming became increasingly integrated. They subsequently reached a merger deal, becoming Sirius XM Canada in June 2011.

Europe

Eutelsat W2A satellite carrying a Solaris Mobile ([1] an Eutelsat and SES Astra joint venture) DVB-SH S band payload was launched on 3 April 2009.

WorldSpace Europe ([2]) and ONDAS Media ([3]) will use ETSI SDR for their new networks covering Europe.

See also

• Digital Multimedia Broadcasting
• List of United States radio networks
• Ripping music from satellite radio broadcasts
• XM/Sirius merger
• MobaHo!
• Satellite subcarrier audio

External links

• Orbitcast Satellite radio trade publication