Jump to content

Rentarō Mikuni

From Wikipedia, the free encyclopedia
(Redirected from Rentaro Mikuni)

Rentarō Mikuni
Mikuni in the 1950s
Born
Masao Sato

(1923-01-20)20 January 1923
Ōta, Gunma, Japan
Died14 April 2013(2013-04-14) (aged 90)
Inagi, Tokyo, Japan[1]
OccupationActor
Years active1950–2013
ChildrenKōichi Satō
RelativesKanichiro (grandson)

Rentarō Mikuni (三國連太郎, Mikuni Rentarō, 20 January 1923 – 14 April 2013) was a Japanese actor, writer and director, who starred in films of Keisuke Kinoshita, Mikio Naruse, Tadashi Imai, Shōhei Imamura, Tomu Uchida and many others.[2][3] He received numerous prizes for his performances[4] and was awarded the Jury Prize at the 1987 Cannes Film Festival for his film Shinran: Path to Purity, which he wrote and directed.[5]

Early years

[edit]

Mikuni's parents met in October 1922 at the port of Numazu. His mother had been a maid in Kure, but had been laid off and was on her way home. His father was working in Ōta, Gunma, and was on his way home. They hit it off so well that they did not return to their parents' home, but got married and began to live Mikuni's father's.[6] Mikuni was born there in January 1923. His real name was Masao Sato. Although Mikuni was his father's biological son on the family register, he said he was probably the child of another man and that his father was adoptive father. The reason for this was that the time between the meeting of the parents and the birth was too short.[6][Note 1] When he was seven months old, the family moved to his father's hometown, Nishiizu, Shizuoka Prefecture,[7] where he grew up.[8] Mikuni's father was an electrician, only graduated from primary school, so he wanted his son to have an education, so he sent Mikuni to former Touyou Middle School (later Shimoda High School in Shizuoka Prefecture).[6][9]

But Mikuni lost interest in education of middle school because he was disgusted by teachers discriminating against students based on their parents' occupations and the military education that took place in schools.[6] His father was furious and beat him because he skipped school and spent every day wandering around aimlessly.[10] One day when he was 14 years old, his father found him sleeping under the porch of the house and severely beat him with a clothes pole, so he ran away from home. He left middle school in the second grade.[6] After running away from home, Mikuni hid in the hold of a ship docked in Shimoda, Shizuoka and crossed over to Qingdao, China (then under Japanese control). He was found on the way, but he could not turn back, so he continued to work as a temporary cabin boy on the ship.[10] After landing in Qingdao, he wandered around, working in lunchbox shops and dance halls under false pretenses of age, and then wandered through Manchuria and the Korean peninsula (then under Japanese control).[10] Later, at the age of 16, he returned to Japan on the ferry from Busan.[6]

Draft evasion and the Chinese front

[edit]

In 1941, the Pacific War began, and he eventually received a draft card when he was 20.[4] However, he refused to be drafted because he did not want to kill anyone or die for his country.[11] He fled with his girlfriend to Karatsu, Saga, and was thinking of crossing the ocean to the continent when he was arrested by Special Higher Police.[10] This was because his mother, fearing that her village would be ostracized,[12][13] reported him to police.[14] He was sent to the front in China in December 1943.[6] In combat, he witnessed the death of many of his comrades and was himself wounded by a bullet piercing his armpit. However, he finally did not fire a single shot because he did not want to be part of the killing spree.[15] Regarding his lethargic attitude, his superiors tried to correct him by beating, but he wouldn't listen no matter how much they beat him. Eventually, he pretended to be sick and worked as a medic or tended to horses in the rear, where he remained until the end of the war.[10] The 34th Infantry Regiment in Shizuoka, where he belonged, had more than 1,000 men at the time of his deployment, but only thirty-odd survived after the war.[6] The war ended in August 1945 when he was in Hankou, and returned Japan in June 1946.[9]

Return to Japan and debut as an actor

[edit]

After returning to Japan, he wandered around Japan, working as a bus driver and peddler of laundry soap, miso, and other products.[9][6] There are several stories as to how he made his debut,[Note 2] but it is generally believed to be as follows. While living in Tottori, Mikuni had taken a picture at a photo studio in Kurayoshi, Tottori. The owner of the studio had taken the liberty of submitting it to Shochiku's advertisement for new actors. Then in December 1950, a Shochiku producer, who had seen Mikuni's picture, happened to find Mikuni in Higashi-Ginza and scouted him.[17] When he was scouted as an actor, he thought he would do any job as long as he could eat.[6]

Career

[edit]

1951 debut

[edit]

He made his debut as the lead role of a newspaper reporter in the film The Good Fairy, directed by Keisuke Kinoshita.[18] Originally, Eiji Okada was scheduled to play the lead role, but his appearance was cancelled due to the Red Purge, and Mikuni was selected because he had a similar facial appearance. The stage name Rentaro Mikuni was taken from his role in this film.[7][19] At the time of his debut, Mikuni's career was falsified and he was advertised as an intellectual and single male with a degree in engineering from Osaka University.[Note 3] This degree of falsehood was common in the movie industry at the time.[7] Mikuni soon became popular as a beautiful features, handsome actor, mainly among young women. For his performance in this film, he won the 2nd Blue Ribbon Award for Best Newcomer.[20] Mikuni was favored by director Kinoshita and lived in his house for a while as a houseboy. He then became a research student at Haiyuza Theatre Company for some time in order to acquire acting skills. The following year, he continued to appear in Kinoshita's films Boyhood and Fireworks over the Sea.[9]

Do not enter the dog, cat, or Mikuni

[edit]

Mikuni was free-spirited and disliked being bound by contracts. At that time, it was common for star actors to sign exclusive contracts with movie companies and not appear in other companies' films in Japan.[21] In 1952, Toho made a formal request to Shochiku to cast Mikuni as Toshiro Mifune's co-star in Sword for Hire, but Shochiku refused, in part because Mikuni was an employee of Shochiku. However, Mikuni, attracted by the high fee,[6] appeared the film. Shochiku and Mikuni got into trouble over this issue, and Mikuni was fired from Shochiku.[9] In 1954, He appeared Nikkatsu film Muddy Youth over Toho's objections. This incident led to Mikuni being designated as the first actor to violate Five-Company Agreement, which prohibits the drawing of actors between the five major film companies.[22][23] It is said that a sign saying "Do not enter the dog, cat, or Mikuni" was attached to the gate of the Shochiku Ōfuna Studio in Kamakura.[24] After that, Mikuni worked mainly in independent films and Nikkatsu, which did not participate in the five-company agreement. The 1956 Nikkatsu film The Burmese Harp, directed by Kon Ichikawa, and the 1957 independent film Stepbrothers, both of which he appeared in during this period, later became among his best-known works. In October 1956, his contract with Nikkatsu expired and he became a freelancer. In 1959, he signed an exclusive contract with Toei while maintaining his freedom to perform for other companies, which was unusual at the time.[9]

Became one of Japan's leading film stars

[edit]

After that, Mikuni appeared in a number of films in both leading and supporting roles, and won numerous awards and honors. In 1960, he won the Blue Ribbon Award for Best Actor for his role in The Great Journey (大いなる旅路), which chronicled the life of a Japanese National Railways engineer and his family over a thirty-year period.[25][26] In 1965, he won Mainichi Film Awards for Best Actor for A Fugitive from the Past, in which he played a man who commits a series of murders amidst extreme poverty.[27] In 1979, he won the Blue Ribbon Award for Best Supporting Actor for his portrayal of a devout Christian man who is the father of a serial killer in Vengeance is Mine.[28] He became the first individual actor to win three Blue Ribbon Awards, and was called one of the most talented movie stars of the Shōwa era.[29] The Tsuribaka nisshi series began in 1988, The humorous interaction between Su-san, the company president played by Mikuni, and Hama-chan, a useless employee played by Toshiyuki Nishida, gained national popularity, and the series continued until the 22nd film, Tsuribaka Nisshi 20: Final, released in 2009.[17][30][31] He and his son, Koichi Sato, first co-starred in the 1986 film A Promise, and played father and son in the 1996 film adaptation of Oishinbo, and also co-starred in the 2011 film Someday.[32] His last film was Chronicle of My Mother, released in 2012, and he appeared in 183 films during his lifetime.[17]

He also worked as a film director. In 1963, he established Nippon Productions and shot Typhoon (台風) as his first independent film, but it was not released due to opposition from Toei, with whom he had an exclusive contract at the time.[9] In 1969, he founded the production company A.P.C. and in 1972 he produced, wrote, directed, and starred in River Without a Shore (岸辺なき河), which was shot in the deserts of Pakistan and Afghanistan, but was not completed.[33][9] Finally, in 1987, he directed his own film adaptation of Shinran: Path to Purity, the novel he wrote and won Jury Prize of the 40th Cannes Film Festival.[34]

He was also a talented calligrapher and painter.[35] Mikuni had a deep knowledge of Buddhism and published several books, especially on Shinran.

He received Medal with Purple Ribbon in recognition of his outstanding achievements in the field of art and culture in 1984,[9] Order of the Rising Sun, Gold Rays with Rosette (4th class) in 1993.[9]

Preparing for a role

[edit]

Mikuni was known for his serious preparation for his roles. In Stepbrothers, he pulled out his upper and lower 10 teeth in order to play the role of an old man. This was done in order to play the role of a married couple with an much elder Kinuyo Tanaka in a naturalistic manner.[36] In the scene where he beats Ineko Arima, the actress who plays a wife who had committed adultery in Night Drum, he seriously beat her from the test and hit her more than 20 times until the director gives his permission in the production, causing Arima's face to swell up.[37]

Yoshio Shirai, a film critic and former editor-in-chief of Kinema Junpo, cited that Mikuni had prepared in his roles so thoroughly that he sometimes tended to overact, and needed a director who could control this well.[38] Shirai said that the combination with director Tomu Uchida was the best, and that Uchida's A Fugitive from the Past was his best work. In Kon Ichikawa's The Burmese Harp, Mikuni's overacting was truncated in order to make the most of his natural acting. In Miyoji Ieki's Stepbrothers, Mikuni's preparation in his role was tremendous, but he analyzes that the director is a man with a strong policy, so he made excellent use of his unusual emotions as an actor. On the other hand, he says that the range of Mikuni's acting ability is overwhelming when looking at his droll performance seen in the Tsuribaka Nisshi series.[38]

Personal Life

[edit]

He was uninhibited in his relationships with women throughout his life.[39] He was married four times.[40] He disliked being tied down to one woman and left her as soon as he lost his passion for her, because it would narrow his horizons and interfere with his work as an actor.[7][6]

His first marriage was a sham marriage in April 1946 in China because he had heard a rumor that married people could return to Japan earlier. After returning to Japan, he lived in Miyazaki Prefecture with this woman and had a child, but they divorced in 1948.[9] His second marriage was to a woman he met while living in Kurayoshi, Tottori, while working as a peddler, but divorced at the end of 1952.[9] His third marriage was to a woman who was a geisha in Kagurazaka, Tokyo in 1953. During this marriage, in 1963, he had an affair with Kiwako Taichi, an actress 20 years younger than him.[41] He lived with Taichi at her parents' house for a time. After months, he began to feel burdened by Taichi's passion and left her giving her a letter to say he was tired.[42] He and his wife officially divorced in 1972. He gave most of his property to his wife and set off on a wandering journey to the Middle East.[6] His fourth marriage was to a noncelebrity, 27 years younger than him in 1976. He was older than her parents, and her grandmother, who knew of his history of his love affairs, was vehemently opposed to the marriage, but he lived with her until the end of his life.[7]

During his third marriage he had a son, Koichi Sato, who later became an actor.[43] Sato's son and Mikuni's grandson, Kanichiro, also made his acting debut in 2017 after Mikuni's passing.[44] Mikuni, who lived a free-spirited life, was said to have been feuding with his son Sato for many years. However, after the birth of his grandson Kanichiro, Mikuni doted on him so much that his relationship with his son was said to have improved.[45] Mikuni once said of his grandson Kanichiro that he was not suited to be an actor because he grew up being loved.[6]

In his later years, he lived in Numazu, traveling back and forth from Tokyo. He loved this place where he could see Suruga Bay and Mount Fuji, and spent his later years walking and tending to his garden.[46]

Death

[edit]

In his final years, his health failed and he was hospitalized.[47] Mikuni died in Tokyo on 14 April 2013 of acute heart failure[32][48][Note 4] at the age of 90.[49] As per Mikuni's wishes, the funeral was held in secret with only relatives and related persons.[49] Mikuni wished to have his ashes scattered after his death, but his son, Koichi Sato, placed them in the Sato family grave, which had existed for a long time at a temple in Matsuzaki, Shizuoka.[51] This was Sato's wish, as he had not been able to live with his father for a long time before his death.[51]

Filmography (selected)

[edit]

Film

[edit]

Television

[edit]

Books

[edit]
  • The White Path: Hōnen, Shinran and Their Times (Mainichi Shimbun, 1982 / paperback: Kodansha, 1986, ISBN 4061838903)
  • Shinran (Hozokan, 1987, ISBN 4831880337)
  • Waga bonno no hi wa moete Shinran e itaru michi (The Road to Shinran) (Kobunsha, 1984, ISBN 4334004148)
  • Shinran ni itaru michi (The Road Shinran) (Kobunsha, 1987, ISBN 4334004148)
  • A Letter to Actor X-kun (Akashi Shoten, 1985, ISBN 4750300748)
  • How to Live and How to Die (KK Long Sellers, 2006, ISBN 4845420716)
  • Shinran to Shinran: A Gaze into Modern Civilization (Fujiwara Shoten, 1990, ISBN 4894349175) Conversation and Dialogue with Hiroshi Noma
  • The Depths of "Entertainment and Discrimination" (Kaihou Shuppansha, 1997 / Chikuma Shobō, 2005, ISBN 4480420894) Conversation and dialogue with sociologist Kazumitsu Okiura
  • Living in the Wind Craze (Iwanami Shoten, 1999, ISBN 4000028774). Co-author with Yang Sok-il

Critical biography

[edit]
  • Shinichi Sano, Kaiyuden: Rentaro Mikuni Acting Until Death (怪優伝 三國連太郎 死ぬまで演じ続けること) (Kodansha, 2011, ISBN 9784062168137)
  • Naoko Utsunomiya, What is so sad about farewell, said Rentaro Mikuni. (別れの何が悲しいのですかと、三國連太郎は言った) (Chuokoron-Shinsha, 2013, ISBN 9784120045547)
  • Naoko Utsunomiya, Rentaro Mikuni, Wandering Souls (三國連太郎、彷徨う魂へ) (Bungeishunjū, 2020, ISBN 9784163911922).

Honours and awards

[edit]
Blue Ribbon Awards
Mainichi Film Awards
Kinema Junpo Award
Hochi Film Awards
Japan Academy Film Prize[63]
Japanese Movie Critics Awards
Other Awards and Honours

Notes

[edit]
  1. ^ Mikuni himself never explicitly questioned his parents about this.
  2. ^ Mikuni tended to tell a mixture of truth and falsehood to amuse his audience, so the details of his stories vary slightly from interview to interview, so the facts are not known.[6][16]
  3. ^ In reality, he was a middle school dropout and had a wife and children at that time.
  4. ^ Some reports say acute respiratory failure.[49][50]

References

[edit]
  1. ^ "三国連太郎さん逝く「釣りバカ日誌」「ビルマの竪琴」". sponichi (in Japanese). 16 April 2013. Retrieved 14 October 2024.
  2. ^ "三國連太郎". Kinenote (in Japanese). Retrieved 10 July 2023.
  3. ^ "三國連太郎". Japanese Movie Database (in Japanese). Retrieved 10 July 2023.
  4. ^ a b c "三國連太郎". Kotobank (in Japanese). Retrieved 10 July 2023.
  5. ^ "Shinran: Shiroi michi". Festival de Cannes. Retrieved 10 July 2023.
  6. ^ a b c d e f g h i j k l m n o Naoko Utsunomiya (8 April 2020). 三國連太郎　彷徨う魂へ (in Japanese). Bungei Shunjū. ISBN 4163911928. Retrieved 11 August 2024.
  7. ^ a b c d e Shinichi Sato (16 November 2011). 怪優伝　三國連太郎・死ぬまで演じ続けること (in Japanese). Kodansha Ltd.: Kodansha. ISBN 4062168138. Retrieved 11 August 2024.
  8. ^ "銀幕のスターが晩年を過ごした街で　～ありがとう三國さん～". numazujournal (in Japanese). Numazu Journal. 30 August 2014. Retrieved 13 August 2024.
  9. ^ a b c d e f g h i j k l "Brief history". Kinema Junpo (in Japanese). 2013. Retrieved 12 August 2024.
  10. ^ a b c d e Naoko Utsunomiya (22 October 2013). 別れの何が悲しいのですかと、三國連太郎は言った. Chuokoron-Shinsha. p. 16. ISBN 4120045544. Retrieved 11 August 2024.
  11. ^ "＜平和と民主主義＞三國連太郎さん「人を殺すのがいやだった」＝1999年8月". mainichi (in Japanese). The Mainichi Newspaper. 19 October 2015. Retrieved 14 August 2024.
  12. ^ Mikuni, Rentarō. Ikizama Shinizama [Way of life, way of death]. ISBN 4-8454-2071-6.
  13. ^ "＜平和と民主主義＞三國連太郎さん「人を殺すのがいやだった」＝1999年8月". Mainichi (in Japanese). 13 August 1999. Retrieved 10 July 2023.
  14. ^ "昭和20年夏、僕は兵士だった". fben.jp (in Japanese). 6 January 2010. Retrieved 12 August 2024.
  15. ^ Takako Mizui (1 April 2016). "佐藤浩市がテレビの右傾化に危機感表明 佐藤浩市がテレビの萎縮・右傾化に危機感表明！「このままだとナショナリズムに訴えるドラマしか残らなくなる」". litera (in Japanese). Retrieved 12 August 2024.
  16. ^ "佐藤浩市語る親子確執の真相…縁切りの裏にあった父との関係". jisin (in Japanese). Kobunsha Co., Ltd. 20 March 2020. Retrieved 14 August 2024.
  17. ^ a b c "三國連太郎生誕100年没後10年". Cinema classics (in Japanese). Shochiku Co. Ltd. 14 April 2023. Retrieved 12 August 2024.
  18. ^ "「演技の鬼」の背景にあった壮絶な生い立ち　三國連太郎". bunshun.jp (in Japanese). Bungeishunju Ltd. 17 June 2013. Retrieved 14 August 2024.
  19. ^ "Rentaro Mikuni, movie actor and director, dies at 90". The Japan Times. 16 April 2013. Retrieved 10 July 2023.
  20. ^ "善魔". Shochiku (in Japanese). 5 December 2012. Retrieved 12 August 2024.
  21. ^ "映画の｢日活｣波乱の100年を経た現在の姿". toyokeizai (in Japanese). 20 July 2018. Retrieved 12 August 2024.
  22. ^ Keiko Takahashi (7 December 2012). "引退撤回、そして大映が倒産". tokyo-sports. Archived from the original on 15 May 2013. Retrieved 13 August 2024.
  23. ^ "「演技の鬼」の背景にあった壮絶な生い立ち　三國連太郎". bunshun (in Japanese). Bungeishunju Ltd. 17 June 2013. Retrieved 12 August 2024.
  24. ^ "三國連太郎とNG連発　「好きなようにやれ」精神とは". j-cast (in Japanese). 11 April 2010. Retrieved 12 August 2024.
  25. ^ "『大いなる旅路』 - 脚本・新藤兼人、主演・三國連太郎で描く機関士人生". mynavi (in Japanese). 24 June 2012. Retrieved 12 August 2024.
  26. ^ "大いなる旅路". eiga.com (in Japanese). eiga.com inc. 2024. Retrieved 14 August 2024.
  27. ^ "飢餓海峡". eiga.com (in Japanese). eiga.com Inc. 2024. Retrieved 14 August 2024.
  28. ^ "復讐するは我にあり". eiga.com (in Japanese). 2024. Retrieved 14 August 2024.
  29. ^ "三國連太郎". NHK (in Japanese). 2013. Retrieved 14 August 2024.
  30. ^ Anderson, Joseph L.; Richie, Donald (1959). The Japanese Film – Art & Industry. Rutland, Vermont and Tokyo: Charles E. Tuttle Company.
  31. ^ "三國連太郎". NHK (in Japanese). Retrieved 11 July 2023.
  32. ^ a b "三國連太郎". eiga.com (in Japanese). 2024. Retrieved 14 August 2024.
  33. ^ "Mikuni documentary brings actor full circle". The Japan Times. 6 September 2009. Retrieved 11 July 2023.
  34. ^ "追悼2013　写真特集". jiji.com (in Japanese). jiji press Co.Ltd. 2013. Retrieved 14 August 2024.
  35. ^ "著名人が本業離れたアート作品を展示－三国連太郎さんらが5人展". Yokosuka Keizai Shimbun (in Japanese). 13 November 2009. Retrieved 14 August 2024.
  36. ^ "三國連太郎さん"怪優"秘話　役作りで歯を１０本抜く！　穏やかさ現場では一変". zakzak (in Japanese). Sankei Digital Inc. 16 April 2013. Retrieved 14 August 2024.
  37. ^ "三國連太郎にテストから本気で殴られた　女優・有馬稲子さん（２）" (in Japanese). The Sankei Shimbun. 23 March 2024. Retrieved 14 August 2024.
  38. ^ a b "三国連太郎さん　映画評論家・白井佳夫　圧倒された役作りにかける執念" (in Japanese). The Sankei Shimbun. 16 April 2013. Retrieved 14 August 2024.
  39. ^ "三国連太郎さん　奔放な女性関係も惹かれた女優は太地さんだけ". sponichi (in Japanese). 15 April 2013. Retrieved 13 August 2024.
  40. ^ "佐藤浩市　三國連太郎の遺言「散骨して」に背いて義母と確執". news-postseven (in Japanese). 26 July 2013. Retrieved 12 August 2024.
  41. ^ "太地喜和子、満開の華の盛りに散る". bunshun.jp (in Japanese). 14 April 2014. Retrieved 12 August 2024.
  42. ^ Kimihiko Kimata (2010). "愛欲の後始末". eiganokuni (in Japanese). mermaidfilms. Retrieved 14 August 2024.
  43. ^ "俳優・佐藤浩市が初告白「父・三國連太郎の"遺言"を守らなかった理由」". bunshun.jp (in Japanese). 3 May 2019. Retrieved 13 August 2024.
  44. ^ "佐藤浩市の長男・寛一郎が俳優デビュー 西田敏行と映画共演". oricon (in Japanese). 3 March 2017. Retrieved 13 August 2024.
  45. ^ "佐藤浩市語る父との最後の散歩…晩年にあった親子関係の変化". jisin.jp (in Japanese). Kobunsha Co., Ltd. 20 March 2020. Retrieved 14 August 2024.
  46. ^ "三国連太郎さん富士山と駿河湾に送られる". nikkan (in Japanese). 17 April 2013. Retrieved 14 August 2024.
  47. ^ "三國さん、晩年は療養型病院で過ごし　病床でも「生涯一俳優」執念". zakzak (in Japanese). The Sankei Shimbun. 15 April 2013. Retrieved 14 August 2024.
  48. ^ "追悼2013　写真特集". jiji.com (in Japanese). Jiji Press Ltd. 2013. Retrieved 16 August 2024.
  49. ^ a b c "喪主・佐藤浩市、初めて見せた涙…急逝に恨み節、確執越えて". sankei (in Japanese). The Sankei Shimbun. 18 April 2013. Retrieved 14 August 2024.
  50. ^ "俳優の三国連太郎さん死去／「飢餓海峡」「釣りバカ」". The Shikoku Shimbun (in Japanese). 15 April 2013. Retrieved 16 August 2024.
  51. ^ a b "「最後くらい俺の好きにさせてくれよ」　父・三國連太郎さんの「散骨」をしなかった佐藤浩市さんの思い". sankei (in Japanese). The Sankei Shimbun. 4 April 2020. Retrieved 14 August 2024.
  52. ^ ブルーリボン賞ヒストリー (in Japanese). Cinema Hochi. Archived from the original on 2 February 2010. Retrieved 8 April 2010.
  53. ^ "１９７９年 第２２回 ブルーリボン賞". allcinema (in Japanese). Stingray. 2024. Retrieved 11 August 2024.
  54. ^ ブルーリボン賞ヒストリー (in Japanese). Cinema Hochi. Archived from the original on 7 February 2009. Retrieved 8 April 2010.
  55. ^ "２０１３年 第５６回 ブルーリボン賞". allcinema (in Japanese). Stingray. 2024. Retrieved 11 August 2024.
  56. ^ "毎日映画コンクール 第20回（1965年）". Mainichi (in Japanese). Retrieved 10 July 2023.
  57. ^ "毎日映画コンクール 第29回（1974年）". Mainichi (in Japanese). Retrieved 10 July 2023.
  58. ^ "毎日映画コンクール 第44回（1989年）". Mainichi (in Japanese). Retrieved 10 July 2023.
  59. ^ "Kinema Junpo Award". Kinema Junpo (in Japanese). 2024. Retrieved 11 August 2024.
  60. ^ "Kinema Junpo Award". Kinema Junpo (in Japanese). 2024. Retrieved 11 August 2024.
  61. ^ "Kinema Junpo Award". Kinema Junpo (in Japanese). 2024. Retrieved 11 August 2024.
  62. ^ "Kinema Junpo Award". Kinema Junpo (in Japanese). 2024. Retrieved 11 August 2024.
  63. ^ "Japan Academy Film Prize". Japan Academy Film Prize (in Japanese). 2024. Retrieved 11 August 2024.
  64. ^ "Japan Academy Film Prize". Japan Academy Film Prize (in Japanese). 2024. Retrieved 11 August 2024.
  65. ^ "過去の受賞作品". jmc-award.com (in Japanese). JMCA. 1999. Retrieved 11 August 2024.
  66. ^ "2003年度（第13回）". jmc-award.com (in Japanese). JMCA. 2009. Retrieved 11 August 2024.
  67. ^ "名優・三國連太郎没後10年 『釣りバカ日誌』特集". pia (in Japanese). 2023. Retrieved 11 August 2024.
  68. ^ a b "俳優の三国連太郎さんが死去　「飢餓海峡」など主演". nikkei (in Japanese). 15 April 2013. Retrieved 11 August 2024.
  69. ^ "第49回毎日芸術賞・2007年度朝日賞". 演劇ニュース (in Japanese). 1 January 2008. Retrieved 11 August 2024.
  70. ^ "山路ふみ子文化財団　受賞者一覧". yamaji-fumiko.org (in Japanese). 2024. Retrieved 11 August 2024.
[edit]
Retrieved from "https://wiki.riteme.site/w/index.php?title=Rentarō_Mikuni&oldid=1263921329"