Portal:Constructed languages

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Introduction

The Conlang Flag, a symbol of language construction created by subscribers to the CONLANG mailing list, which represents the Tower of Babel against a rising sun

A constructed language (shortened to conlang) is a language whose phonology, grammar, orthography, and vocabulary, instead of having developed naturally, are consciously devised for some purpose, which may include being devised for a work of fiction. A constructed language may also be referred to as an artificial, planned or invented language, or (in some cases) a fictional language. Planned languages (or engineered languages/engelangs) are languages that have been purposefully designed; they are the result of deliberate, controlling intervention and are thus of a form of language planning.

There are many possible reasons to create a constructed language, such as to ease human communication (see international auxiliary language and code); to give fiction or an associated constructed setting an added layer of realism; for experimentation in the fields of linguistics, cognitive science, and machine learning; for artistic creation; for fantasy role-playing games; and for language games. Some people may also make constructed languages as a hobby, or in connection to worldbuilding.

The expression planned language is sometimes used to indicate international auxiliary languages and other languages designed for actual use in human communication. Some prefer it to the adjective artificial, as this term may be perceived as pejorative. Outside Esperanto culture, the term language planning means the prescriptions given to a natural language to standardize it; in this regard, even a "natural language" may be artificial in some respects, meaning some of its words have been crafted by conscious decision. Prescriptive grammars, which date to ancient times for classical languages such as Latin and Sanskrit, are rule-based codifications of natural languages, such codifications being a middle ground between naïve natural selection and development of language and its explicit construction. The term glossopoeia is also used to mean language construction, particularly construction of artistic languages.

Conlang speakers are rare. For example, the Hungarian census of 2011 found 8,397 speakers of Esperanto, and the census of 2001 found 10 of Romanid, two each of Interlingua and Ido and one each of Idiom Neutral and Mundolinco. The Russian census of 2010 found that in Russia there were about 992 speakers of Esperanto (the 120th most common) and nine of the Esperantido Ido. (Full article...)

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Velimir Khlebnikov's book Zangezi (1922) — Velimir Khlebnikov's book *Zangezi* (1922)

Zaum (Russian: зáумь) are the linguistic experiments in sound symbolism and language creation of Russian-empire Futurist poets such as Velimir Khlebnikov and Aleksei Kruchenykh. Coined by Kruchenykh in 1913, the word zaum is made up of the Russian prefix за "beyond, behind" and noun ум "the mind, nous" and has been translated as "transreason", "transration" or "beyonsense" (Paul Schmidt). According to scholar Gerald Janecek, zaum can be defined as experimental poetic language characterized by indeterminacy in meaning.

Kruchenykh, in “Declaration of the Word as Such (1913),” declares zaum “a language which does not have any definite meaning, a transrational language” that “allows for fuller expression” whereas, he maintains, the common language of everyday speech “binds.” He further maintained, in “Declaration of Transrational Language (1921),” that zaum “can provide a universal poetic language, born organically, and not artificially, like Esperanto."

Examples of zaum include Kruchenykh's poem "Dyr bul shchyl", Kruchenykh's libretto for the Futurist opera Victory over the Sun with music by Mikhail Matyushin and stage design by Kazimir Malevich, and Khlebnikov's so-called "language of the birds", "language of the gods" and "language of the stars". The poetic output is perhaps comparable to that of the contemporary Dadaism but the linguistic theory or metaphysics behind zaum was entirely devoid of the gentle self-irony of that movement and in all seriousness intended to recover the sound symbolism of a lost aboriginal tongue. Find out more...

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Did you know...

...that the Marquis Louis de Beaufront, one of the creators of Ido, was not really a marquis?
...that two different constructed languages have claimed the name Interlingua, and one the name Interlingue?
...that Gottfried Leibniz was not only a famous scientist, but also the creator of a language named Characteristica universalis?

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Several articles about constructed languages have been deleted for lack of verifiability, independent resources or notability. If you think one of the following subjects meets Wikipedia's criteria for inclusion, don't hesitate dig it up from the graveyard, but don't forget to add proper references: