Vera Pagava
Vera Pagava | |
|---|---|
 | |
| Born | February 27, 1907 Tbilisi, Georgia |
| Died | March 25, 1988 (aged 81) Ivry-sur-Seine, France |
| Known for | painting |
| Movement | Abstract art |
| Website | ac-vp |
Vera Pagava (Georgian: ვერა ფაღავა; February 27, 1907 – March 25, 1988) was a Georgian artist based in Paris.
Early life
[edit]Vera Pagava was born in Tbilisi, Georgia. Her father was a lawyer; her mother was an educator. She moved to Berlin, Germany with her family in 1920, just months before Georgia became part of the Soviet Union. In 1923, they join the Georgian community in exile in France and settle in Montrouge. Vera Pagava studied decorative arts and painting first at the Arts et Publicité School, at the Ecole Nationale Supérieure des Arts Décoratifs, then at André Lhote Studio.[1] From 1932 to 1939, she studied under Roger Bissière in the Academie Ranson.[2]
Career
[edit]In 1938 and 1939, Pagava participated to the Témoignage group show, initiated by Marcel Michaud. She presented painted fabrics. In 1943, Pagava met the famous gallery owner Jeanne Bucher, who exhibited her paintings alongside Dora Maar's in 1944.[1] Several exhibitions at the Jeanne Bucher gallery will follow, in 1947, 1951, 1954 and 1960.[citation needed]
In the 1950s, Pagava's works are largely presented abroad, in Pittsburgh in 1952 (Pittsburgh International Exhibition of Contemporary Art.[3][4]), in Brussels in 1953, Norway in 1954 (Oslo, Bergen Trondheim, with Janice Biala and Maria Helena Vieira da Silva), Wuppertal in 1955, Berlin in 1956, Lausanne in 1957, New York at the Meltzer Gallery in 1959.[citation needed]
She created a monumental mural work for the Vatican City pavilion at the Brussels World's Fair in 1958.[5]
In 1966, she represented France at the 33rd Venice Biennale. A room was dedicated to her watercolors.[6]
In 1982 and 1983, a retrospective exhibition is organized in different french museums : Musée des beaux-arts de Dijon (Donation Granville), Musée de Beauvais, Musée Saint-Denis de Reims and Musée des Beaux-Arts de Troyes.[citation needed]
The first retrospective of her work in Georgia was held in 2012 at the Dmitri Schevardnadze National Gallery.[7]
Her work moved from figurative to abstract between the 1930s and the 1960s; she often used geometric forms and warm pale tones and greys in her work.[8] "Vera Pagava susurre, ou presque" (Vera Pagava whispers, or almost), commented a critic in 2016.[9] Another critic described her later work as "highly singular, combining formal purity with luminous intimacy."[10]
Pagava's work was included in the 2021 exhibition Women in Abstraction at the Centre Pompidou.[11] In 2022, Pagava's work was included in The Guggenheim Museum Bilbao's exhibit: "From Fauvism to Surrealism: Masterpieces from the Musée d’Art Moderne (MAM) de Paris."[12] In 2023 the TBC Concept gallery in Tbilisi held a solo exhibition of Pagava' work entitled Silent Cities.[13]
Pagava's works are in the collections of the Musée National d’Art Moderne (MNAM) Centre Georges Pompidou, Paris, France, [14] the Musée des Beaux-arts de Dijon (Donation Pierre Granville), Dijon, France, [15] and the Unterlinden Museum, Colmar, France[16]
Personal life and legacy
[edit]In 1979, Pagava's life-time companion, artist "Vano" Ivane Enoukidze, died.[17][18]
Pagava died in 1988, at Ivry-sur-Seine, aged 81 years. She is buried in Leuville-sur-Orge Cemetery. The "Association culturelle Vera Pagava" was founded in Paris in 1991 to promote and preserve Vera Pagava's work and archives. Her work is part of various private and public collections such as the Pompidou Centre.[19]
References
[edit]- ^ a b Ernoult, Nathalie (12 June 2016). "Vera Pagava. Celestial bodies". AWARE Women artists / Femmes artistes. Retrieved 4 September 2022.
- ^ Alkhazashvili, Tata; Zaalishvili, Nanuka (5 May 2017). "Vera Pagava – Rarest Jewel of Georgian Painting". IDAAF Magazine. Retrieved 4 September 2022.
- ^ "Art Show Patrons to be 'Distributed'; New Director of International at Pittsburgh Warns of Plenty of Abstraction". New York Times. 3 August 1952. Retrieved 4 September 2022.
- ^ Dorothy Grafly, "Accent on Youth in Exhibits At International Display: Favorites Missing" Christian Science Monitor (October 18, 1952): 10.
- ^ Shane, George (27 June 1958). "Spirit of Man Triumphs in Catholic Art". The Des Moines Register. p. 8. Retrieved 4 September 2022.
- ^ Abashidze, Elene (30 November 2022). "Vera Pagava: A Miraculous Mirror". notes on art in a global context. The Museum of Modern Art. Retrieved 13 July 2024.
- ^ "Bank Republic Bringing Cultures Together: Exhibition of Vera Pagava in Georgia". The Financial. 24 September 2012. Retrieved 4 September 2022.
- ^ de Maulmin, Valérie (1 May 2017). "Vera Pagava, les infinies nuances de gris". Connaissance des Arts (in French). Retrieved 4 September 2022.
- ^ Dumont, Etienne (29 December 2016). "PARIS/La peinture de Vera Pagava sort du Purgatoire grâce à trois galeries". Bilan (in French). Retrieved 4 September 2022.
- ^ "Vera Pagava. Corps Célestes". Meer. 13 December 2016. Retrieved 4 September 2022.
- ^ Women in abstraction. London : New York, New York: Thames & Hudson Ltd. ; Thames & Hudson Inc. 2021. p. 170. ISBN 978-0500094372.
- ^ "Bilbao Guggenheim turns 25 with French avant-garde retrospective". La Prensa Latina Media. 10 February 2022. Retrieved 4 September 2022.
- ^ ""Silent Cities" is Brought to the Bustling City of Tbilisi". Georgia Today. 2 November 2023. Retrieved 13 July 2024.
- ^ "La Grande ville". Centre Pompidou (in French). Retrieved 13 July 2024.
- ^ "Nature morte aux trois poissons" (PDF). Musée des Beaux-arts de Dijon. Retrieved 13 July 2024.
- ^ "Oeuvre : Précisions - La Cène". Musée Unterlinden (in French). Retrieved 13 July 2024.
- ^ "Pagava Vera". Georgian Modern and Contemporary Visual Arts Database. Retrieved 13 July 2024.
- ^ "Enoukidzé Vano (Ivane)". Georgian Modern and Contemporary Visual Arts Database. Retrieved 13 July 2024.
- ^ "Véra Pagava". Centre Pompidou (in French). Retrieved 4 September 2022.
