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| Background = group_or_band
| Background = group_or_band
| Origin = [[Stockholm]], [[Sweden]]
| Origin = [[Stockholm]], [[Sweden]]
| Genre = <!--Please discuss genre related changes on the talk page.-->[[Death metal]]<br />[[Progressive metal]]<br />[[Progressive rock]]
| Genre = <!--Please discuss genre related changes on the talk page.-->[[Technical Death Metal]]<br />[[Progressive metal]]<br />[[Progressive rock]]
| Years_active = 1990–present
| Years_active = 1990–present
| Label = [[Candlelight Records|Candlelight]], [[Peaceville Records|Peaceville]], [[Music for Nations]], [[Koch Records|Koch]], [[Roadrunner Records|Roadrunner]]
| Label = [[Candlelight Records|Candlelight]], [[Peaceville Records|Peaceville]], [[Music for Nations]], [[Koch Records|Koch]], [[Roadrunner Records|Roadrunner]]

Revision as of 19:31, 12 June 2008

Opeth

Opeth is a Swedish heavy metal band that formed in 1990 in Stockholm. While the band has been through several personnel changes, singer, guitarist, and songwriter Mikael Åkerfeldt has remained Opeth's driving force since joining shortly after its inception.

While firmly rooted in progressive metal, Opeth incorporates Scandinavian death metal, progressive rock, folk, blues rock and jazz into their usually lengthy songs. Many compositions include acoustic guitars and strong dynamic shifts, as well as growling and clean vocals. The band rarely played live to support the first four albums, though later conducted its first world tour along with the Norwegian band Extol after the release of 2001's Blackwater Park.

Opeth has released nine studio albums, two live albums, one box set, and one DVD. The band released its debut album Orchid in 1995, but did not experience American commercial success until the 2003 release Damnation, which debuted at number 192 on the Billboard 200. The band's ninth studio album, Watershed, was released on June 3, 2008.

History

Formation (1990–1993)

Opeth was originally formed as a death metal band in 1990 in Stockholm, Sweden by vocalist David Isberg.[1] Isberg asked former Eruption band member Mikael Åkerfeldt to join the band as a bassist. When Åkerfeldt showed up to practice the day after Isberg invited him, it became clear that Isberg had not told the band members, including the band's current bassist, that Åkerfeldt would be joining. The ensuing argument led to all members but Isberg and Åkerfeldt leaving to form a new project.[1] The band name was derived from the word "Opet", taken from the Wilbur Smith novel Sunbird, which meant "city of the moon".[2]

Mikael Åkerfeldt performing live. Åkerfeldt decided he and David Isberg would carry on with the band after most of the members had gone alternate ways.

Isberg and Åkerfeldt recruited drummer Anders Nordin, bassist Nick Döring, and guitarist Andreas Dimeo. Unsatisfied with the band's slow progress, Döring and Dimeo left the band after their first performance,[3] and were replaced by guitarist Kim Pettersson and bassist Johan DeFarfalla. After the next show, DeFarfalla left Opeth to spend time with his girlfriend in Germany, and was replaced by Åkerfeldt's friend, bassist Peter Lindgren. Lead guitarist Pettersson left following the band's next performance, and Lindgren switched to guitar. After losing interest in the band, Isberg quit in 1992 to join Liars in Wait.[1]

With three members in the band, Åkerfeldt took over vocal duties, and the trio spent the next year writing and rehearsing new material. The group began to rely less on the blast beats and aggression typical of death metal, and incorporated acoustic guitars and guitar harmonies into its music; developing the core sound of Opeth. Stefan Guteklint joined on bass in 1993, but was dismissed by the band after signing its first record deal with Candlelight records in 1994. The band initially employed former member DeFarfalla as a session bassist for the recording, and he went on to join on a full-time basis following the release of Opeth's debut album in 1995.[3]

Orchid, Morningrise, and My Arms, Your Hearse (1994–1998)

Opeth recorded its debut album, Orchid, with producer Dan Swanö in March 1994. Due to distribution problems with the newly formed Candlelight Records, the album was not released until May 15, 1995, and only in Europe.[4] Orchid tested the boundaries of traditional death metal, featuring acoustic guitars, piano, and clean vocals. All Music Guide called Orchid "brilliant", "startlingly unique", and "a far-beyond-epic prog/death monstrosity exuding equal parts beauty and brutality".[5]

After a few live shows in the United Kingdom, Opeth returned to the studio in March 1996 to begin work on a second album, again produced by Dan Swanö.[6] Morningrise was released in Europe on June 24, 1996. With only five songs and lasting 66 minutes, the album featured Opeth's longest song, the twenty-minute "Black Rose Immortal". Morningrise was a critical success, with All Music Guide giving the album four stars.[7] Opeth toured the UK in support of Morningrise, followed by a 26-date Scandinavian tour with Cradle of Filth.[8] While on tour, Opeth attracted the attention of Century Media records, who signed the band and released the first two albums internationally in 1997.

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"In Mist She Was Standing"
"In Mist She Was Standing, from Orchid. This clip highlights the counterpoint twin harmony guitar style featured on the band's early releases.
Problems playing this file? See media help.

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After the tour, Åkerfeldt and Lindgren dismissed DeFarfalla for personal reasons without the consent of Nordin. When Åkerfeldt informed Nordin, who was on a vacation in Brazil, Nordin decided to leave the band and remain in Brazil.[9] Former Amon Amarth drummer Martin Lopez responded to a newspaper ad placed by Åkerfeldt and joined Opeth in 1997. Lopez made his debut with Opeth playing on a cover version of Iron Maiden's "Remember Tomorrow", which was included on the album A Call to Irons: A Tribute to Iron Maiden.[10]

With a larger recording budget from Century Media, Opeth began work on its third album, with noted Swedish producer Fredrik Nordström, at Studio Fredman in August 1997. The band added bassist Martin Mendez shortly before recording, but due to time constraints, Åkerfeldt played bass on the album.[11] My Arms, Your Hearse was released on August 18, 1998, to critical acclaim.[4] As Opeth's first international release, the album exposed the band to a wider global audience. My Arms, Your Hearse marked the beginning of a shift in the band's sound, focusing less on guitar harmonies and more heavily on progressive metal riffs.

Still Life and Blackwater Park (1999–2001)

In 1999, the ownership of Candlelight Records changed hands, with owner and friend of the band Lee Barrett leaving the company. Opeth signed with UK label Peaceville Records in Europe, which was distributed by Music For Nations. Opeth reserved time at Studio Fredman to begin work on its next album, but recording was postponed while the studio was relocated. Due to time constraints, the band was able to rehearse only twice before entering the studio.[9] Delays with the album's artwork pushed the release back an additional month, and Still Life was released on October 18, 1999.[9] Due to problems with the band's new distribution network, the album was not released in the US until February 2001. Still Life was the first album recorded with Mendez, and also the first Opeth album to bear any kind of caption on the front cover upon its initial release, including the band's logo.[12] All Music Guide called Still Life a "formidable splicing of harsh, often jagged guitar riffs with graceful melodies".[13] Still Life is a concept album, as explained by Åkerfeldt: "The main character is kind of banished from his hometown because he hasn't got the same faith as the rest of the inhabitants there. The album pretty much starts off when he is returning after several years to hook up with his old "babe". The big bosses of the town know that he's back... A lot of bad things start happening."[11]

Following a few live dates in Europe, Opeth returned to Studio Fredman to begin work on its next album, with Porcupine Tree's Steven Wilson producing. The band sought to recreate the recording experience of Still Life, and again entered the studio with minimal rehearsals, and no lyrics written. "This time it was tough", Åkerfeldt said. "I feel pleasantly blown away by the immense result, though. It was indeed worth the effort."[14] Wilson also pushed the band to expand its sound, incorporating new sounds and production techniques. "Steve guided us into the realms of 'strange' noises for guitars and voice", Åkerfeldt later said.[14]

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"Bleak"
"Bleak" from Blackwater Park. This clip features an acoustic breakdown, followed by a dynamic shift into distorted guitars, a common trait for the band.
Problems playing this file? See media help.

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Opeth released its fifth studio album, Blackwater Park, on February 21, 2001. All Music Guide called Blackwater Park "astounding, a work of breathtaking creative breadth", noting that the album "keeps with Opeth's tradition by transcending the limits of death/black metal and repeatedly shattering the foundations of conventional songwriting".[15] In support of Blackwater Park, Opeth embarked on its first world tour, headlined Europe for the first time, and made an appearance at the 2001 Wacken Open Air festival in Germany, playing to a crowd of 60,000.[16]

Deliverance and Damnation (2002–2004)

Opeth returned home after touring in support of Blackwater Park, and began writing for the next album. Åkerfeldt initially had trouble putting together new material: "I wanted to write something heavier than we'd ever done, still I had all these great mellow parts and arrangements which I didn't want to go to waste."[17] Jonas Renkse of Katatonia, a long-time friend of Åkerfeldt, suggested writing music for two separate albums—one heavy and one soft.[1]

Excited at the prospect, Åkerfeldt agreed without asking his band mates or record label. While his band mates liked the idea of recording two separate albums, Åkerfeldt had to convince the label: "I had to lie somewhat... saying that we could do this recording very soon, it won't cost more than a regular single album".[17] With most of the material written, the band rehearsed just once before entering Nacksving Studios in 2002, again with producer Steven Wilson. Under pressure to complete both albums simultaneously, Åkerfeldt said the recording process was "the toughest test of our history". After recording basic tracks, the band moved production to England to first mix the heavy album, Deliverance, with Andy Sneap at Backstage Studios. "Deliverance was so badly recorded, without any organisation whatsoever", Åkerfeldt claimed, that Sneap "is credited as a 'saviour' in the sleeve, as he surely saved much of the recording".[18]

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"Deliverance"
"Deliverance" from the album of the same name. The song is nearly 14 minutes long, which is not uncommon for an Opeth song. The clip features Åkerfeldt's growling vocal style.
Problems playing this file? See media help.

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Deliverance was released on November 4, 2002, and debuted at number 19 on the US Top Independent Albums chart, marking the band's first US chart appearance.[19] All Music Guide stated, "Deliverance is altogether more subtle than any of its predecessors, approaching listeners with haunting nuances and masterful dynamics rather than overwhelming them with sheer mass and complexity."[20]

Opeth performed a one-off concert in Stockholm, then returned to the UK to finish recording vocals for the second of the two albums, Damnation, at Steve Wilson's No Man's Land Studios.[21] Although Åkerfeldt initially believed the band could not finish both albums, Opeth completed Deliverance and Damnation in just seven weeks of studio time, which was the same amount spent on Blackwater Park alone.[17] Damnation was released on April 14, 2003, and garnered the band its first appearance on the US Billboard 200 at number 192.[19] The album also won the band a 2003 Swedish Grammy Award for Best Hard Rock Performance.[22]

The band embarked on its biggest tour yet, playing nearly 200 shows in 2003 and 2004.[18] Opeth performed three special shows in Europe with two song lists each—one acoustic set and one heavy set. The band recorded its first DVD, Lamentations (Live at Shepherd's Bush Empire 2003), at Shepherd's Bush Empire in London, England. The DVD featured a two-hour performance, including the entire Damnation album, as well as several songs from Deliverance and Blackwater Park, and a one-hour documentary about the recording of Deliverance and Damnation. The DVD was eventually certified Gold in Canada.[23]

Opeth was scheduled to perform in Jordan without a crew due to the fear of terrorist attacks in the Middle East. Opeth's tour manager distributed 6,000 tickets for the concert, but before the band left for Jordan, Lopez called Åkerfeldt stating he was having a anxiety attack and could not perform, forcing the band to cancel the show.[24][25] In early 2004, Lopez was sent home from Canada after more anxiety attacks on tour. Opeth decided against cancelling the remainder of the tour, and Lopez's drum technician filled in for two concerts.[26] Lopez promised that he would return to the tour as soon as he could, but two shows later Opeth asked Strapping Young Lad drummer Gene Hoglan to fill in. Lopez eventually returned to Opeth for the final leg of the Deliverance and Damnation tour. Per Wiberg also joined the band on tour to perform keyboards, and after more than a year on tour, Opeth returned home to start writing new material in 2004.[18]

Ghost Reveries (2005–2007)

Peter Lindgren performing in 2005, before he parted ways with Opeth.

The band's European label, Music for Nations, closed its doors in 2005 and after negotiations with various labels, the band signed with Roadrunner Records.[27] Åkerfeldt said the primary reason for signing with Roadrunner was the label's wide distribution, ensuring the album would be available at larger-chain retailers.[28] When news leaked that the band was signed to Roadrunner, who predominantly worked with trend-oriented rock and metal, some fans accused the band of selling out. "To be honest", Åkerfeldt said, "that's such an insult after 15 years as a band and 8 records. I can't believe we haven't earned each and every Opeth fans [sic] credibility after all these years. I mean, our songs are 10 minutes long!"[28]

Opeth finished writing material for its eighth album in late 2004. The band rehearsed for three weeks before entering the studio, the first time the band rehearsed since the 1998 album, My Arms, Your Hearse.[28] During rehearsal, keyboardist Wiberg joined Opeth as a full-time member.[29] Opeth recorded at Fascination Street Studios in Örebro, Sweden, from March 18 to June 1, 2005, and released the resulting Ghost Reveries on August 30, 2005, again to critical and commercial acclaim. The album debuted at number 64 in the US, and number nine in Sweden, making it the highest charting Opeth release to date.[19][30] Keith Bergman of Blabbermouth.net gave the album ten out of ten, one of only 17 albums to achieve a perfect rating from the site.[31] Rod Smith of Decibel magazine called Ghost Reveries "achingly beautiful, sometimes unabashedly brutal, often a combination of both".[32]

On May 12, 2006, Lopez announced that he had officially parted ways with Opeth due to health problems, and was replaced by Martin Axenrot.[33] Opeth toured on the main stage of Gigantour in 2006, alongside Megadeth. Ghost Reveries was re-released on October 31, 2006, with a bonus cover song and a DVD documenting the making of the album. A recording of Opeth's live performance at the Camden Roundhouse, in London, on November 9, 2006, was later released as the double live album The Roundhouse Tapes.

On May 17, 2007, Lindgren stated he was leaving Opeth after 16 years. "The decision has been the toughest I've ever made but it is the right one to make at this point in my life", Lindgren said. "I feel that I simply have lost some of the enthusiasm and inspiration needed to participate in a band that has grown from a few guys playing the music we love to a worldwide industry."[34] Ex-Arch Enemy guitarist Fredrik Åkesson replaced Lindgren, as Åkerfeldt explained:

Fredrik was the only name that popped up thinking about a replacement for Peter. In my opinion he's one of the top three guitar players out of Sweden. We all get along great as we've known each other for maybe four years and he already has the experience to take on the circus-like lifestyle we lead as members of Opeth.[34]

Watershed (2007–present)

After nearly 200 performances in support of Ghost Reveries, Opeth entered Fascination Street Studios with Åkerfeldt producing, in November 2007. By January 2008, Opeth had recorded 13 songs, including three cover songs.[35] The finished album, Watershed, features seven tracks, with cover songs used as bonus tracks on different versions of the album. Watershed was released on June 3, 2008.[36] Åkerfeldt described the songs on the album as "a bit more energetic".[37] Opeth has planned tours in support of Watershed, including an appearance at Wacken Open Air and the Progressive Nation tour with Dream Theater.[38]

The album has since debuted at #23 on the Billboard 200, thus making it their highest charting album yet. In Finland the album debuted at #1 on the Official Chart.

Musical style and influences

As Opeth's primary songwriter and lyricist, vocalist-guitarist Mikael Åkerfeldt's influence dominates the sound of the band. Although he did not found the band, Åkerfeldt is the only member to appear on every release. Influenced at a young age by heavy metal bands such as Slayer, Iron Maiden, Death, Black Sabbath, Celtic Frost, King Diamond and Morbid Angel,[39][40][41] Åkerfeldt later discovered progressive rock and folk music, both of which had a profound impact on the sound of the band.[42] Opeth's distinct sound mixes heavy metal with acoustic passages, while also incorporating elements of progressive metal,[43] progressive rock,[44] and jazz.[45] In his review of Blackwater Park, All Music Guide's Ed Rivadavia wrote, "Tracks start and finish in seemingly arbitrary fashion, usually traversing ample musical terrain, including acoustic guitar and solo piano passages, ambient soundscapes, stoner rock grooves, and Eastern-tinged melodies—any of which are subject to savage punctuations of death metal fury at any given moment."[15] Åkerfeldt commented on the diversity of Opeth's music:

I don't see the point of playing in a band and going just one way when you can do everything. It would be impossible for us to play just death metal; that is our roots, but we are now a mishmash of everything, and not purists to any form of music. It's impossible for us to do that, and quite frankly I would think of it as boring to be in a band that plays just metal music. We're not afraid to experiment, or to be caught with our pants down, so to speak. That's what keeps us going.[46]

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"Windowpane"
"Windowpane" from Opeth's album Damnation. This clip features the clean vocal style of Mikael Åkerfeldt.
Problems playing this file? See media help.

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Opeth's earlier works often made use of twin-guitar harmonies, although they were phased out on later releases. "I got tired of it, the whole harmony guitar thing", Åkerfeldt said. "It got out of hand in the mid-90s. Every band was doing that thing."[41] Opeth's songwriting and arrangements rarely follow musical standards, as many songs do not have choruses, and lyrics often do not rhyme. Åkerfeldt noted that the song "Face of Melinda" from the band's fourth release "was my first rhyming lyric". Most of the band's songs exceed 10 minutes in length, which Aaron Burgess of Alternative Press magazine criticized, stating "you can't really be a casual Opeth fan. It takes enough as a listener just to get past the band's epic song lengths."[47]

Vocally, Åkerfeldt shifts between growling death metal vocals for heavy sections, and clean, sometimes whispered vocals over acoustic passages. While death growls were dominant on early releases, later efforts incorporate more clean vocals, with the 2003 release Damnation featuring only clean singing.[41] Rivadavia noted that "Åkerfeldt's vocals run the gamut from bowel-churning grunts to melodies of chilling beauty—depending on each movement section's mood."[15]

The band's lyrics often reflect a bleak outlook on life, with subjects such as failed relationships, nature, death, and depression. Some of the band's albums also have a consistent theme or concept throughout, such as Still Life and My Arms, Your Hearse, with the latter's songs set together as one continual piece, with the last word or phrase of each song becoming the title of the following track.[48]

Discography

Main article: Opeth discography
Studio albums

Band members

Main article: List of Opeth band members
Current members

References

  1. ^ a b c d McIver, Joel (2008). "Pressing the Red Button". Metal Hammer. {{cite journal}}: |access-date= requires |url= (help); Unknown parameter |month= ignored (help)
  2. ^ Watt, Erika Kristen (2005-07-05). "Interview Mikael Åkerfeldt". Furteeng.net. Retrieved 2008-02-08. {{cite web}}: Check date values in: |date= (help)
  3. ^ a b Åkerfeldt, Mikael. "Opeth chapter 2". Opeth.com. Retrieved 2008-03-12.
  4. ^ a b DaRonco, Mike. "All Music Opeth Bio". All Music Guide. Retrieved 2008-03-11.
  5. ^ Serba, John. "Orchid review". All Music Guide. Retrieved 2008-01-12.
  6. ^ Åkerfeldt, Mikael (1995). My Arms, Your Hearse (Media notes). Candlelight Records. {{cite AV media notes}}: |access-date= requires |url= (help); Unknown parameter |bandname= ignored (help)
  7. ^ York, William. "Morningrise review". All Music Guide. Retrieved 2008-03-05.
  8. ^ "Opeth And Arch Enemy To Headline Metal Hammer's Defenders Of The Faith Tour". Komodorock.com. 2007-11-16. Retrieved 2008-03-08. {{cite web}}: Check date values in: |date= (help)
  9. ^ a b c Åkerfeldt, Mikael. "Opeth Chapter 4". Opeth.com. Retrieved 2008-01-12.
  10. ^ Hundey, Jason. "All Music A Call to Irons Review". Allmusic.com. Retrieved 2008-03-11.
  11. ^ a b McCoe, Scott. "Interview with Mikael Åkerfeldt". Metalupdate.com. Retrieved 2008-01-12.
  12. ^ "Current logo". Opeth.com. Retrieved 2008-01-25.
  13. ^ Rivadavia, Ed. "Still Life review". All Music Guide. Retrieved 2008-01-12.
  14. ^ a b Åkerfeldt, Mikael. "Opeth Chapter 5". Opeth.com. Retrieved 2008-01-12.
  15. ^ a b c Rivadavia, Ed. "Blackwater Park review". All Music Guide. Retrieved 2007-06-12.
  16. ^ "History of Wacken Open Air 2001". Wacken.com. Retrieved 2008-03-12.
  17. ^ a b c Åkerfeldt, Mikael. "Opeth Chapter 7". Opeth.com. Retrieved 2008-01-12.
  18. ^ a b c Åkerfeldt, Mikael. "Opeth Chapter 8". Opeth.com. Retrieved 2008-01-12.
  19. ^ a b c "Artist Chart History – Opeth". Billboard.com. Retrieved 2008-01-12.
  20. ^ Rivadavia, Ed. "Deliverance review". All Music Guide. Retrieved 2008-01-12.
  21. ^ "Opeth finalize track listing, cover artwork for Deliverance". Blabbermouth.net. 2002-09-29. Retrieved 2008-02-08. {{cite web}}: Check date values in: |date= (help)
  22. ^ "Opeth win Swedish Grammy!". Blabbermouth.net. Retrieved 2008-03-06.
  23. ^ "CRIA Searchable Database". Canadian Recording Industry Association. Retrieved 2008-02-04.
  24. ^ "Opeth Mainman Talks About Drummer's Anxiety Attacks". Blabbermouth.net. 2005-03-10. Retrieved 2008-03-12. {{cite web}}: Check date values in: |date= (help)
  25. ^ Åkerfeldt, Mikael. "Opeth Chapter 9". Opeth.com. Retrieved 2008-01-12.
  26. ^ Brookman, Ty (2004-03-09). "Mikael Åkerfeldt of Opeth". Metalreview.com. Retrieved 2008-02-08. {{cite web}}: Check date values in: |date= (help)
  27. ^ "Opeth Sign With Roadrunner Records". Blabbermouth.net. 2005-03-10. Retrieved 2008-03-12. {{cite web}}: Check date values in: |date= (help)
  28. ^ a b c Åkerfeldt, Mikael. "Opeth Chapter 10". Opeth.com. Retrieved 2008-01-12.
  29. ^ "Opeth: Keyboardist Per Wiberg officially joins the band". Blabbermouth.net. 2004-05-04. Retrieved 2008-02-08. {{cite web}}: Check date values in: |date= (help)
  30. ^ "Swedish charts – Opeth". Swedishcharts.com. Retrieved 2008-01-25.
  31. ^ "CD reviews". Blabbermouth.net. Retrieved 2008-01-13.
  32. ^ Smith, Rod (September 2005). "Opeth Ghost Reveries – Wargasm of the Worlds". Decibel magazine. Retrieved 2008-01-13. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)
  33. ^ Morrone, Donald (January 2006). "Interview with Peter Lindgren". The Moor. Retrieved 2008-01-13.
  34. ^ a b "Guitarist Peter Lindgren Quits Opeth; Replacement Announced". Blabbermouth.com. 2007-06-17. Retrieved 2008-01-13.
  35. ^ "Opeth: To Begin Recording New Album Tomorrow". Blabbermouth.net. 2007-10-31. Retrieved 2008-01-12.
  36. ^ "Opeth: New Album Title, Track Listing Revealed". Blabbermouth.net. 2008-02-05. Retrieved 2008-02-12.
  37. ^ "Opeth: Frontman Says New Songs are 'A Bit More Energetic'". Blabbermouth.net. 2007-12-21. Retrieved 2008-01-12.
  38. ^ "Opeth – Wacken". Wacken.com. 2008-01-18. Retrieved 2008-01-24.
  39. ^ Azevedo, Pedro. "Born Within Sorrow's Mask". Chroniclesofchaos.com. Retrieved 2008-01-18.
  40. ^ "Interview with Mikael Åkerfeldt or Opeth". Wnhumetal.com. 2006-02-24. Retrieved 2008-02-08. {{cite web}}: Check date values in: |date= (help)
  41. ^ a b c "When it Rains, it Fucking Hails!". Hailmetal.com. Retrieved 2008-01-18.
  42. ^ "Opeth overview". All Music Guide. Retrieved 2008-01-18.
  43. ^ Hash, Tommy (2003-05-22). "Opeth – Damnation". RevelationZ Magazine. Retrieved 2007-06-17.
  44. ^ Lee, Cosmo (2005-09-13). "Ghost Reveries Review". Stylus Magazine. Retrieved 2008-01-30.
  45. ^ Jurek, Thom. "Ghost Reveries review". All Music Guide. Retrieved 2007-06-12.
  46. ^ "Opeth frontman on being 'different'". Metal Hammer. 2006-10-30. Retrieved 2008-01-17. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)
  47. ^ Burgess, Aaron. "Opeth – Ghost reveries". Altpress.com. Retrieved 2008-03-05.
  48. ^ Azevedo, Pedro. "Born Within Sorrow's Mask". Chroniclesofchaos.com. Retrieved 2008-01-18.
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