Jump to content

No Doubt (No Doubt album): Difference between revisions

From Wikipedia, the free encyclopedia
Browse history interactively
← Previous editNext edit →
Content deleted Content added
VisualWikitext
m Reverted edits by Haythere (talk) to last version by Tezkag72
No edit summary
Line 13: Line 13:
*[[Piero Scaruffi]] (6/10) [http://www.scaruffi.com/vol5/nodoubt.html#self link]
*[[Piero Scaruffi]] (6/10) [http://www.scaruffi.com/vol5/nodoubt.html#self link]
*[[Rhapsody (online music service)|Rhapsody]] (favorable) [http://www.rhapsody.com/nodoubt/nodoubt#albumreview link]
*[[Rhapsody (online music service)|Rhapsody]] (favorable) [http://www.rhapsody.com/nodoubt/nodoubt#albumreview link]
| This album = '''''No Doubt'''''<br />(1992)
| This album = '''''SUCKS'''''<br />(1992)
| Next album = ''[[The Beacon Street Collection]]''<br />(1995)
| Next album = ''[[The Beacon Street Collection]]''<br />(1995)
}}
}}

Revision as of 02:45, 25 November 2008

Untitled

No Doubt is the self-titled debut studio album by the American third wave ska band No Doubt, released March 17, 1992 on Interscope Records (see 1992 in music.) The album was originally recorded as an independent release, but was re-recorded after the band was signed to Interscope. It was produced by Dito Godwin and recorded in a recording studio in Los Angeles.

The album was released during a period in which the USA was mainly focused on grunge music, an angst-ridden genre that was almost the complete opposite of No Doubt's upbeat commercial sound. Despite strong tours, the album failed to perform as well as the record company expected it to, selling only 30,000 copies. The record company refused to fund the release of a single from it, so No Doubt released the album's only single, "Trapped in a Box", independently.

The album's failure to chart ultimately lead to Interscope refusing to finance another album. Instead, the band independently produced its second album, The Beacon Street Collection, which performed much better than its debut, selling 100,000 copies and ensuring that Interscope financed and supported their third album, Tragic Kingdom.

Background

John Spence, Eric Stefani, and Eric's sister Gwen Stefani formed the band as Apple Core in 1986,[1] having worked together at a local Dairy Queen.[2] It played small gigs around the Orange County area, with Spence's on-stage antics carrying its performances. Tony Kanal went to one of these early shows and soon joined the band as its bassist. After initially rejecting her advances, he began dating Gwen, but they kept their relationship secret for a year, feeling that it was an unspoken rule that nobody date her.[3]

In December 1987, Spence committed suicide several days before the band was to play a gig at The Roxy Theatre for record industry employees.[3] No Doubt disbanded but decided to regroup after several weeks[3] with Alan Meade taking over vocals.[2] When Meade left the band, Gwen replaced him as lead singer,[2] while No Doubt continued to develop a live following in California.[3] In early 1988, Tom Dumont left Rising, a Heavy Metal band of which he was a member with his sister,[4] stating that local metal bands "were into drinking, wearing Spandex" but that he wanted to focus on music.[5] He joined No Doubt and replaced Jerry McMahon as the band's guitarist, adding a metal influence to its sound. Adrian Young replaced Chris Webb as the drummer the following year.[3]

Impressed by the presence of stage diving at ska concerts and Gwen's on-stage presence, Tony Ferguson signed the band to a multi-album deal with the newly created Interscope Records in 1991.[3]

Music

No Doubt insist that their roots were in ska and that, however new wave they appeared to be, they couldn't shake off the ska label. In a 1995 interview Gwen Stefani explained that the band had "this ambition - to not be a ‘ska' band. Because it was always this label that was put on us, and it was always our goal to have our own sound"[6] and how the band was inspired:

"Our roots are definitely in ska," says Stefani. "When we started in 1987, we were just pretty much trying to imitate what we loved, and I was really into the [British] band Madness. I was the only ska girl at my school - as far as dress went, anyway. I would look at the English Beat girl - you know, the cartoon girl on their album covers - and think, ‘Maybe I'll get an outfit like that!'"[6]

Production

In 1991 No Doubt were signed to Interscope Records, which was a new label at the time. The band had just finished recording an indie CD that they were going to release themselves. When they were signed by the record label, they decided to take advantage of the offer to re-record the CD in a professional studio. However, they did not receive the support that they expected:

And we thought we were recording in a really good studio," Stefani's tone is flat. "But looking back, we were naive. It was almost like an independent release, anyway - there was no push for the record [by Interscope] and no kind of support at all. Everything we did on that record, we did ourselves.[6]

The band spent less than $13,000 in the process of recording their debut album, featuring both songs written as long ago as 1987 and new songs written specifically for the disc. All of the band members continued going to school to finish their education while recording their debut album in a Los Angeles studio.[7]

To promote their album, in the summer of 1992 the band went on two two-week tours of the Western area of the United States. In the fall, they embarked on a two-and-a-half month national tour. Due to the commercial failure of their album, Interscope refused to support the tour, leaving the band to finance it themselves.[8] They played alongside bands such as Rage Against The Machine, Ugly Kid Joe, Sublime, Dance Hall Crashers, 311[6], Public Enemy, Pato Banton and The Special Beat.[7]

Singles

Template:Sound sample box align right Template:Multi-listen start Template:Multi-listen item Template:Multi-listen end Template:Sample box end

After the disappointing sales of No Doubt, Interscope did not wish to finance the release of a single from the record. However, the band financed the shooting of a video for the song "Trapped in a Box" out of their own pockets. Roughly $5,000 was spent on it. The video got local airplay in Orange County but, despite the band's hopes, it was never aired on either MTV or VH1, although it was played on MuchMusic in Canada. It failed to achieve status on any chart. In 2003 the song was released on The Singles 1992-2003 and the video was released on The Videos 1992-2003 DVD.

Within the booklet from The Singles 1992-2003 is a blurb on each song. The short paragraph on "Trapped in a Box" states:

The oldest track in this collection, "Trapped In A Box" is the sole representative of No Doubt's epony­mous major label debut and a good barometer for their development. Beginning as a poem Tom wrote for school, bandleader at the time Eric Stefani then shaped the arrangement with everyone contributing lyrics. Together for six years when recorded, the band had moved beyond their ska roots. The horn section and quasi-ska rhythms remain inspired by those early Madness/Fishbone influences, while the emerging sense of flow and pop bounce makes the track a benchmark for the time and a notable mile­stone today. Ostensibly their first official single, "Trapped" was admittedly too out there for the radio of the time. It wasn't aggressively promoted and largely fell upon deaf ears in a world enthralled with an "alternative revolution" mainly centered on male aggression. That changed soon enough.[9]

The song is based on a poem that guitarist Tom Dumont wrote about being addicted to television and how it can control one's way of thinking[9]. 19.5degs described the song as "skiffling", "mesmerising" and "the weakest track [on The Singles 1992-2003] in the way of singing, but [with] smart lyrics"[10]. Music OMH, however, described the song as a "kooky, almost novelty single"[11] and CD Universe described the song as a "rhythmic workout".[12] Rhapsody, in a positive review, described it as "one of the album's highlights[13] and Allmusic called it "as exciting" as two of No Doubt's more successful singles, "Hella Good" and "Just a Girl".[14]

Reception

Significance

The group's blend of upbeat brass-dominated songs and funk-style bass riffs came at a time when most of the USA was in the thrall of grunge music, a genre whose angst-ridden lyrics and dirty sound could not have contrasted more with the atmosphere of most of the songs on No Doubt's pop-orientated album.[15] Not surprisingly, the band lost out to the now-ubiquitous grunge music and the album was a commercial failure, with only 30,000 copies sold[2][7]. In the words of the program director of KROQ, a Californian radio station on which it was one of the band's driving ambitions to be played: "It would take an act of God for this band to get on the radio."[7][16]

The lack of record company support[6][17] frustrated the band and led the band to self-produce their next album, The Beacon Street Collection, in a home-made studio and caused them to move away from the slick pop sound desired by Interscope towards a more punk style.[18] Their independence shocked their record company representative Tony Ferguson[19] and the album sold over 100,000 copies[7] in 1995, the year of its release, over three times as many as No Doubt sold. To capitalize on this success, Interscope offered the band extensive help with their third album, Tragic Kingdom[6], under the division Trauma Records to which the band was signed[19].

The success of their third album, Tragic Kingdom, lead to an interest by fans in the band's earlier albums, No Doubt and The Beacon Street Collection, and many more copies of them were manufactured and sold. The Beacon Street Collection was re-released in October 1997 as part of the band's back catalog and, by the summer of 1997, No Doubt had sold 250,000 copies.[7]

Critical

Yahoo! Music reviewer, Bill Holdship, called the album "a rather nondescript ska-pop effort".[20] Allmusic gave the album a more positive review, calling it "a polished production". It described the music on the album as "pop-orientated", with "new wave keyboards and punchy brass proving a foil to the basic ska framework", and complimented Gwen Stefani's "extroverted" vocals.[15] Rhapsody also gave the album a positive review, albeit retrospectively, calling it "a far cry from the radio pop [the band] became known for". It described the music as "bright, colorful, fun" and Gwen Stefani's vocals as "strong".[13]

Track listing

No.TitleWriter(s)Length
1."BND"Eric Stefani, Tony Kanal0:45
2."Let's Get Back"Gwen Stefani, E. Stefani, Kanal, Tom Dumont4:11
3."Ache"E. Stefani3:48
4."Get on the Ball"E. Stefani, G. Stefani3:32
5."Move On"E. Stefani, Kanal, Dumont, G. Stefani, Adrian Young3:55
6."Sad for Me"E. Stefani, G. Stefani1:59
7."Doormat"E. Stefani, Kanal, G. Stefani2:26
8."Big City Train"E. Stefani, Kanal, G. Stefani, Dumont3:56
9."Trapped in a Box"E. Stefani, Dumont, G. Stefani, Kanal3:24
10."Sometimes"Dumont, G. Stefani, E. Stefani, Kanal4:29
11."Sinking"E. Stefani3:20
12."A Little Something Refreshing"E. Stefani1:18
13."Paulina"E. Stefani, Gabriel Gonzalez II, Chris Leal2:30
14."Brand New Day"E. Stefani, Kanal3:15

Credits

Personnel

Production

  • Producers: No Doubt, Dito Godwin
  • Engineer: Michael Carnevale
  • Mastering: Dave Collins
  • Arrangers: No Doubt
  • Horn arrangements: Don Hammerstedt
  • Art direction: Kimberly Holt
  • Design: Kimberly Holt
  • Photography: Chris Cuffaro

Release history

Country Date Label Format Catalog
United States 1992 Interscope LP 92109-1
CD 92109-2
CS 92109-4
CS 92109
Atlantic CD 92109

All information is from the Allmusic page.

References

  1. ^ Krohn, Katherine E. Gwen Stefani: pg. 22. Twenty-First Century Books. 2007. ISBN 0822571579.
  2. ^ a b c d Vineyard, Jennifer. "Tunes and 'Toons". OC Weekly. February 26, 1998. Retrieved August 31, 2008.
  3. ^ a b c d e f "No Doubt". Behind the Music. VH1. April 9, 2000.
  4. ^ "Timeline". NoDoubt.com. Retrieved August 24, 2007.
  5. ^ Kam, Nadine. "No doubt about it". Honolulu Star-Bulletin. April 30, 1998. Retrieved September 13, 2007.
  6. ^ a b c d e f Interview with the band, conducted by Wendy Hermanson for BAM magazine on November 17, 1995, archived on No Doubt's official website. Retrieved August 26, 2008.
  7. ^ a b c d e f Timeline of No Doubt's history from their official website. Retrieved September 1, 2008.
  8. ^ "Do you believe in tragic?" Aidin Vaziri for Mean Street Magazine December 1995. Retrieved August 26, 2008.
  9. ^ a b "Trapped in a Box". Montoya, Paris and Lanham, Tom. 2003. The Singles 1992-2003 (liner notes). Retrieved December 6, 2006.
  10. ^ 19.5degs Review of The Singles 1992-2003. Retrieved August 25, 2008.
  11. ^ Music OMH Review of The Singles 1992-2003. Retrieved August 31, 2008.
  12. ^ CD Universe Review of The Singles 1992-2003. Retrieved August 31, 2008.
  13. ^ a b Rhapsody Review of the album. Retrieved August 31, 2008.
  14. ^ The Singles 1992-2003 at Allmusic.
  15. ^ a b No Doubt (album) at AllMusic
  16. ^ Tyrangiel, Josh. "Two-Hit Wonders". Time. April 2, 2000. Retrieved May 3, 2007.
  17. ^ No Doubt at AllMusic
  18. ^ The Beacon Street Collection at AllMusic
  19. ^ a b Without A Doubt by Robert Kinsler for The Orange County Register on December 15, 1995. Retrieved August 31, 2008.
  20. ^ Yahoo! Music Review of the album by Bill Holdship on March 24, 1992. Retrieved August 31, 2008.
Retrieved from "https://wiki.riteme.site/w/index.php?title=No_Doubt_(No_Doubt_album)&oldid=253925778"