Jump to content

Madonna (album)

This is a good article. Click here for more information.
From Wikipedia, the free encyclopedia
(Redirected from Madonna (video compilation))
For Madonna's album discography, see Madonna albums discography. For other albums, see Madonna (disambiguation).

Madonna
Madonna's image with her right hand placed on her right cheek and with the left hand, she holds on to a number of chains wound on her neck.
Studio album by
Madonna
ReleasedJuly 27, 1983 (1983-07-27)
RecordedApril 1982 – May 1983
StudioSigma Sound, New York City
Genre
Length40:47
Label
Producer
Madonna chronology
Madonna
(1983) 		Like a Virgin
(1984)
Madonna video chronology
Madonna
(1984) 		Madonna Live: The Virgin Tour
(1985)
Singles from Madonna
  1. "Everybody"
    Released: October 6, 1982
  2. "Burning Up" / "Physical Attraction"
    Released: March 9, 1983
  3. "Holiday"
    Released: September 7, 1983
  4. "Lucky Star"
    Released: September 9, 1983
  5. "Borderline"
    Released: February 15, 1984

Madonna is the debut studio album by American singer Madonna, released on July 27, 1983, by Sire Records. In the late 1970s, Madonna had established herself as a singer in downtown New York City; alongside her Michigan boyfriend Stephen Bray, she put together a demo tape with four dance tracks and began pitching it around local nightclubs. She managed to get Mark Kamins, the resident DJ at Danceteria, to play "Everybody" —one of the songs from the tape. The song drew positive reception from the crowd, and Kamins took Madonna to Sire Records, where label president Seymour Stein signed her on for three twelve-inch singles. Following its release on October 6, 1982, "Everybody" found success on the dance scene, and the label approved the recording of an album.

For the album, Madonna worked with Warner Bros. producer Reggie Lucas, who had worked with artists like Roberta Flack and Stephanie Mills. Soon, however, problems between the singer and Lucas arose, as she was not happy with his production outputs. Madonna then invited John "Jellybean" Benitez, her boyfriend at the time, to work and remix the rest of the album. Madonna is mostly a dance-pop post-disco album, and features the newest technology of the time, including the LM-2 drum machine, Moog bass and Oberheim OB-X synthesizer. Its songs talk mostly about love and partying. Five singles were released from the album: "Everybody" and "Burning Up" were published months before it was completed; neither song made a major impact on the charts. "Holiday" was Madonna's big breakout single, followed by "Lucky Star" and "Borderline".

Upon release, Madonna received generally positive reviews from critics, who highlighted its dance-oriented nature and sound. In the United States, it peaked at number eight on the Billboard 200 and was certified five-times Platinum by the Recording Industry Association of America (RIAA). It reached the Top 10 of the charts in Australia, France, the Netherlands, New Zealand and the United Kingdom, and has sold an estimated 10 million copies worldwide. Between 1983 and 1984, Madonna promoted the album and singles through a series of live appearances in nightclubs and television programs across the United States and Europe. The singles were also included on the Virgin Tour of 1985, Madonna's first concert tour. In retrospective reviews, Madonna has been referred to as one of the greatest debut albums of all time, and one of the best albums from the 1980s. Critics have also said that it helped to make dance music popular again, and "set the standard" of dance-pop for decades afterwards; its influence can be seen in the work of female artists such as Janet Jackson, Debbie Gibson, Kylie Minogue, and Lady Gaga.

Background

[edit]
Madonna singing "Everybody" on the Celebration Tour (2023–2024). Released as her debut single, the song's success led her to be signed up and offered a record deal by Sire Records.

In 1979, Madonna was trying to establish her music career in New York City. She was the drummer of a band called Breakfast Club, which was headed by the Gilroy brothers, Dan and Ed.[5] The following year, after a dispute with Dan, Madonna left the band.[6] She then called her former Michigan boyfriend Stephen Bray, who "readily" agreed to join her on New York.[6] Along with Gary Burke and Brian Syms, they formed a band called The Millionaires. Then, when the Gilroy brothers rejoined the group, they changed their name to Emmy, another of Madonna's many nicknames.[6] In 1981, after attending one of Emmy's gigs at Max's Kansas City, Adam Alter and Camille Barbone from Gotham Records signed a contract with Madonna, who at this point already had a "small downtown cult following in the gay scene".[6] However, the association was short-lived and dissolved the following year due to creative differences between the label and singer: Gotham was interested in rock and roll whereas Madonna wanted to pursue disco.[7]

By 1982, the singer was living with Bray in an unused rehearsal studio.[8] After coming to the realization that "funky dance records were in style on the radio and dance floor", they created a demo tape with four dance tracks, including "Everybody", "Burning Up", and "Ain't No Big Deal", which was described as a "bright Michael Jackson/Donna Summer confection".[7][9] With no record label to back her up, Madonna began pitching the tape on her own, visiting local nightclubs trying to get DJs to play it.[7][8] She managed to get Mark Kamins, the resident DJ at Danceteria nightclub, to play "Everybody", which was met with a positive reception from the crowd.[8][10] Kamins promised Madonna he would help her get a record deal on the condition that he would get to produce it.[10] As he was also an A&R scout for Island Records, Kamins took the tape to his boss Chris Blackwell, but he wasn't impressed nor interested in signing Madonna.[11]

"Madonna is great. She will do anything to be a star, and that's exactly what I look for in an artist: total co-operation... With Madonna, I knew I had someone hot and co-operative, so I planned to build her career with singles, rather than just put an album right away and run the risk of disaster".

—Sire Records A&R executive Michael Rosenblatt on working with the singer.[10]

Kamins then approached Sire Records president Seymour Stein, who at the time was at Lenox Hill Hospital recovering from a heart surgery.[11] Stein had his secretary send the tape to the hospital so he could listen to it; "I liked the hook, I liked Madonna's voice, I liked the feel [...] I liked it all and played it again", the executive recalled.[12] He signed the singer on for three twelve-inch singles with an option for albums;[13] she would get $15,000 for each one, but would also have to pay for all recording costs.[11] Sire A&E executive Michael Rosenblatt, who oversaw the entire process, wanted to release a double-sided single with "Ain't No Big Deal" as A-side and "Everybody" as B-side. "Ain't No Big Deal", however, "did not come out well", so Roseneblatt decided to put "Everybody" on both sides of the record: One version lasted 5:56, while the other was a dub form with a duration of 9:23.[8][10][14] Since he had recorded the demo, Bray argued that he should be the producer for the single, but Stein decided to appoint Kamins, "for the sheer interest of seeing where it would go".[12] Kamins, however, wasn't interested in producing, wanting to focus on A&R instead; he approached musician Kashif to see if he was interested in working on the song, but he turned down the offer.[15] "Everybody" was released as Madonna's debut single on October 6, 1982.[16] It failed to enter the Billboard Hot 100, peaking at number 107 on the Bubbling Under Hot 100.[17] It was more successful on Billboard's Dance Club Songs chart, where it reached the third spot.[18] Music promotor Boby Shaw recalled that, "['Everybody'] made noise enough to give her an album deal".[14]

Development and recording

[edit]

According to Michael Rosenblatt, he wanted the album to have an "R&B feel", hence he brought in Warner Bros. producer Reggie Lucas, who had worked with artists like Roberta Flack and Stephanie Mills. Rosenblatt also felt Madonna needed to work with someone who "could really help her with her vocals. Mark [Kamins]'s strength was grooves, not working with a girl who's never been in the studio before".[13] Upon meeting her, Lucas wasn't impressed with the singer's "boho-punk style", and thought she didn't seem "particularly avant-garde".[19] "Everybody" was recorded at the Bob Blank's Blank Tape Recording Studios in April 1982, in a span of three days.[15][9] Barry Eastmond had been hired as the track's arranger, but left the project after getting into an argument with Madonna; she felt his work was "too slick", and lacked the "edge of the club-land grooves she was hankering after".[9] Rosenblatt made the decision to replace Eastmond's keyboard parts, and it was Arthur Baker, an assistant to Kamins, who brought in Fred Zarr to redo all the keyboards.[9][15]

"[S]he was unhappy with the whole [album], so I went in and sweetened up a lot of music for her, adding some guitars to 'Lucky Star', some voices, some magic. [...] I just wanted to do the best job I could do for her. When we would playback 'Holiday' or 'Lucky Star', you could see that she was overwhelmed by how great it all sounded."

—John "Jellybean" Benitez talking about working with Madonna on the album.

The rest of the songs were recorded at the Sigma Sound Studios in New York.[20] Prior to entering the studio, Madonna wrote three more songs for the album: "Lucky Star", "Think of Me" and "I Know It".[21] The lyrics to "Lucky Star" were written on a yellow legal notepad, while the music was created on a Casiotone keyboard with a cassette player Kamins had given Madonna.[14][11] She wrote it as a thank you to him, and with the hope that he'd play it in his sets at Danceteria.[11][22] One of the earliest recorded versions of "Lucky Star" Madonna and Lucas created was described as being very "R&B-leaning", while another one was heavy on guitars, but due to a negative experience involving Madonna and a rock guitarist, was quickly discarded.[22] Soon however, the singer realized there were not enough songs for the record, to which Lucas then brought two compositions of his own: "Physical Attraction" and "Borderline", written specifically for Madonna.[10][23] The latter was the first song where Lucas used a drum machine instead of a drummer;[13] him and Madonna worked on the track while she was staying at artist Jean-Michel Basquiat's apartment.[13][23] Problems between the singer and Lucas arose, as she felt he was "moving [the songs] away from the sparse form of the original demos", something she did not approve of; the producer ended up leaving the project without altering the tracks.[10] The singer then invited John "Jellybean" Benitez, her boyfriend at the time, to work and remix the remaining songs.[10] In the case of "Burning Up" and "Lucky Star", Benitez added extra guitar riffs and additional vocals; for the latter he also added a "synthesized disco beat with soulful flourishes", and elements of New Wave.[10][24]

Another issue arose after Madonna learned Bray had sold "Ain't No Big Deal" to disco act Barracuda, thus rendering it unavailable for her album.[10] Benitez approached Curtis Hudson and Lisa Stevens-Crowder from band Pure Energy, and asked them for a song.[25] Titled "Holiday", the track was written by Hudson and Stevens-Crowder for Pure Energy, but their label Prism Records decided not to record it.[25] "Holiday" had been previously offered to Mary Wilson from The Supremes, and Phyllis Hyman.[26] After she was given the demo, Madonna quickly recorded the vocals. Benitez assembled the musicians, hummed the music to them, and asked the singer to sing in a "very soulful approach".[27] Hudson played guitar, and his brother Raymond the bass; Madonna herself played the cowbell that can be heard towards the beginning, while background vocals were provided by Norma Jean Wright and Tina Baker.[25] Just before it was completed, Benitez and Madonna took the tape to Zarr, so he could add what the singer referred to as "Zarrisms": "creative flourishes" that would provide the "finishing touches", which ended up being a piano solo towards the end.[28]

Composition

[edit]
"Borderline"
16-second sample of second track "Borderline". Lyrically, the song finds a woman complaining of her lover's chauvinism, while Madonna's vocals were noted as being "more refined" than on her other songs.[5][29]
Problems playing this file? See media help.

AllMusic's Stephen Thomas Erlewine and Sal Cinquemai from Slant Magazine noted that Madonna is a dance-pop post-disco album.[3][4] Most of its songs talk about "love, heartbreak and hedonism in general".[30] In his book The Complete Guide to the Music of Madonna, author Rikky Rookbsy wrote that the record's overall sound is "dissonant, upbeat synthetic disco".[10] Instrumentation includes Linn drum machine, Moog bass and the OB-X synthesizer, some of the newest technology from the time.[10] Opening track "Lucky Star" begins with the sound of a "shimmering, programmed" glissando, which is followed by "clanging rhythm guitars, synth atmospherics, and [a] chugging bass";[4] the lyrics are a double-entendre and compare a lover's "heavenly body" with the stars in the sky, while the "simple" refrain refers the nursery rhyme "Star Light, Star Bright".[22][31] Second track "Borderline" has Madonna singing in a more "refined and expressive" way, and lyrically finds a woman complaining of her lover's chauvinism.[5] Its sound has been compared to Stephanie Mills' "Never Knew Love Like This Before" (1980), while the chord progression evokes Bachman-Turner Overdrive's "You Ain't Seen Nothing Yet" (1974);[10][13] the inversions are similar to the sound of the 1970s, specifically disco, Philadelphia soul, and the work of Elton John.[10]

"Burning Up" is a "yearning" New wave-influenced dance track, with lyrics that conflate sex with ambition. It has a "starker" arrangement brought about by bass, single guitar and drum machine.[32][5][9] Also present are tom-tom drum beats ―similar to the ones used on the work of Phil Collins― and electric guitars.[33][34] The refrain is a repetition of the same three lines of the lyrics, while the bridge consists of a series of double entendres that describe what she is prepared to do for her lover, showcasing that she "has no shame" and is "not like the others".[34] Fourth track "I Know It" features "shades of ’60s girl-group melodrama", with instrumentation from piano and saxophone.[34][35] In the song, Madonna brushes off a lover who's hurt her.[4] The next song is "Holiday", which talks about the "universal sentiment" that everybody needs a holiday from their daily lives.[34] It has been noted as being "devoid of any particular structure", and has a chord sequence comparable to that of Cyndi Lauper's "Time After Time" (1984).[34] The refrain is sung by the singer in a "completely deadpan" way, while for the verses, she uses her lower register to give the lyrics a "more positive spin".[36] Present throughout the song are "Chic-styled" guitar flickers, electronic clapping, and synthesized strings.[34]

Sixth track "Think of Me" opens with high staccato piano notes, which are followed by the sound of drums.[34][37] The R&B influenced song features a "slinky" saxophone solo towards the middle, and has Madonna warning her lover to pay attention to her or else she'll leave him.[35][34] Lasting almost seven minutes, "Physical Attraction is the longest song the album.[35] It is a medium-paced track, in which Madonna "tellingly offer[s] her permission to take things to the next level" over a "libidinous" bass line.[4][37] Also present is a spoken section and "Collins-style" drums.[34] Madonna's vocals were doubletracked for album closer "Everybody", which, in her own words, talks about "getting people to dance and lose their inhibitions".[34][38] Billboard's Joe Lynch pointed out that the track "drops the bright, buoyant vibes that characterized the rest of the album and closes it on a dark, sensuous note".[37]

Artwork and release

[edit]

According to Mary Cross, Lucky Star was the album's original title, but Madonna decided to change it, sensing a singular name could have more "star power". Her mother was also an inspiration, as she's "the only other person I have ever heard of named Madonna [...] It's pretty glamorous".[8] The original cover was shot by photographer Edo Bertoglio, while the sleeve was designed by Madonna's friend Martin Burgoyne.[39] According to Seymour Stein, however, Madonna dismissed this cover as it "just wasn't iconic enough".[40] The official cover was shot by photographer Gary Heery and directed by Carin Goldberg.[20] The image shows Madonna with short-cropped platinum hair, wearing a number of black rubber bangles on her hands and a dog chain around her throat.[41] A journalist from Radio & Records described the singer as looking like "Marilyn Monroe crossed with Jean Harlow" in the image.[42] The singer's navel is also prominent on the inner sleeve; she commented: "The picture inside the dust of sleeve of my first album has me, like, in this Betty Boop pose with my belly button showing. Then when people reviews the album, they kept talking about my cute belly button. [...] I think there are other unobvious places on the body that are sexy and the stomach is kind of innocent."[41] Regarding the album photoshoot, Heery recalled:

[Madonna] arrived at my Broadway studio in New York with a small bag of clothes and jewelry, and no entourage. Then, in front of the camera she was explosive, like a great model, but with her own unique style. She came over the next day to see some prints and the proofs, and there was shot after shot to choose from. We agreed on every choice and whittled it down to the album cover images. I had no idea what I had just been a party to.[43]

Madonna was released by Sire Records on July 27, 1983.[18] The singer dedicated the album to her father, Tony Ciccone, with whom her relationship had not been good up until the release. In an interview with Time magazine, Madonna explained: "My father had never believed that what I was doing here [in New York] was worthwhile, nor did he believe that I was up to any good. [...] It wasn't until my first album came out and my father started hearing my songs on the radio that he stopped asking the questions".[44] In 1985, in the "midst of 'Madonnanamania'", the album was re-released in Europe, Australasia and certain Asian and Latin American territories as Madonna: The First Album, with a different cover created by George Holy.[45][46] This image shows the singer with crucifixes as earrings. Of this, she said that, "[wearing a crucifix] is kind of offbeat and interesting. I mean, everything I do is sort of tongue-in-cheeks. Besides, [they] seem to go with my name".[8] On May 22, 2001, Warner Bros. released a remastered version of the album with its original artwork and additional remixes of "Burning Up" and "Lucky Star".[47][48] It was reissued on crystal clear vinyl on November 8, 2019.[49]

Promotion

[edit]

Live performances and tour

[edit]
See also: The Virgin Tour
Backstage picture of Madonna and her entourage during the Virgin tour.

Prior to the album's release, Madonna promoted the singles through a series of live appearances in nightclubs and television programs across the United States and Europe. She performed "Everybody" as part of Haoui Montaug's No Entiendes cabaret revue on December 18, 1982, on the second-floor stage of Danceteria.[50] In 1983, she travelled to the United Kingdom and presented "Everybody" and "Burning Up" at London's Camden Palace, and Manchester's The Haçienda.[51][52] "Holiday" was sung on June 4 at New York's Studio 54, and on October 13 at the Camden Palace.[50][53] The following year, Madonna performed "Holiday" on British television program Top of the Pops, where she was joined by her brother Christopher Ciccone;[54] she also sang it on Discoring, The Tube, The Haçienda, and on American television series American Bandstand and Solid Gold.[26][55][56][57][58] Finally, in February 1984, Madonna appeared on The Dance Show and performed "Borderline", joined by her brother, and dancer Erika Belle.[59]

The album's singles were included on the Virgin tour, Madonna's first concert tour, which visited cities in the US and Canada from April to June 1985.[60][61][62] Warner Bros. wanted to cash in on the success of Madonna's second studio album Like a Virgin (1984) and officially announced the tour on April 6.[63][64] Despite mixed critical reviews, the tour was a commercial success, with Billboard reporting a gross of $3.3 million ($9.35 million in 2023 dollars[65]);[66] all 17,672 tickets for the concert at New York City's Radio City Music Hall sold out in a record-breaking 34 minutes.[67][68] On top of that, young girls would show up to the concerts dressed in a style similar to Madonna's.[69] One of the Detroit concerts was filmed and released in VHS as Madonna Live: The Virgin Tour.[70]

Singles

[edit]
Madonna performing third single "Holiday" on 2015―2016's Rebel Heart Tour. The song was her first entry on the Billboard Hot 100, peaking at number 16.

The twelve-inch single of "Everybody" was released on October 6, 1982.[16] Due to its R&B elements and not including Madonna's image on the cover artwork, marketing for the song gave the impression that she was a black artist.[13] That misconception was cleared with the song's music video, which was directed by Ed Steinberg, and shows the singer and two backup dancers performing at New York's Paradise Garage.[8] "Burning Up" was released in a double-sided single with "Physical Attraction" on March 9, 1983.[71] It was Madonna's first top twenty hit in Australia and, like its predecessor, peaked at number three on the Dance Club Songs chart.[72][18] The music video was directed by Steve Barron and shows the singer writhing submissively in the middle of the street.[9] Some authors noted that the visual was an introduction to the singer's "sexual politics".[9][11] The double-sided release of "Lucky Star" and "Holiday" was issued on mid August 1983, and became Madonna's first number one on Billboard's Dance Club Songs chart.[18]

On September 7, "Holiday" was released as the album's third stand-alone single;[73] considered Madonna's breakthrough, it was her first entry on the Hot 100, where it reached the 16th position.[74] "Holiday" also reached the top ten in the United Kingdom, where it remains one of Madonna's best selling singles.[54] In Europe and the United Kingdom, "Lucky Star" was first published on September 9,[75] whereas in the United States it was released almost one year later, on August 8, 1984.[76] "Lucky Star" peaked at number four on the Hot 100, becoming the singer's first top-five hit.[77] The music video was directed by Arthur Pierson, and shows the singer, her brother Christopher, and Belle dancing in front of a white backdrop.[78] Following the clip's release, the singer's fashion and style became a trend among the young generation of the time.[22]

In the United States, "Borderline" was released on February 15, 1984, as the fourth single from the album;[59] in the United Kingdom, it was published as the album's fifth single on June 2, 1984.[21] To "keep the Madonna mania going on", a second European release was done in January 1986.[79][59] It was commercially successful: in 1984, it gave Madonna her first top-ten hit on the Hot 100.[77] The 1986 release saw success across Europe - it became the singer's second number one in Ireland, and reached the top 3 in the United Kingdom, Belgium and The Netherlands.[80] In the music video, which was directed by Mary Lambert, Madonna portrays the girlfriend of a Hispanic man, to whom she returns after being enticed to pose and model for a white British photographer.[29] Author Douglas Kellner pointed out that with the visual, the singer broke the taboo of interracial relationships.[81]

Video compilation

[edit]

A VHS video compilation titled Madonna was made available in December 1984; it included the videos for "Borderline", "Burning Up", "Like a Virgin", and a "special extended dance mix" of "Lucky Star".[82] The release topped Billboard's Music Videocassette chart from April 13 to November 9, 1985, and was the year's best selling music videocassette.[83][84] Additionally, Madonna was certified platinum by the Recording Industry Association of America (RIAA) for shipments of 100,000 units, and was recognized as the "Best Selling Video Cassette Merchandised as Music Video" by the National Association of Recording Merchandisers.[85][86] According to The Saturday Evening Post, the video has sold over one million copies.[87] To promote the release, a party was held on Chicago's Cabaret Metro on February 9, 1985. Dubbed "The Virgin Party", it drew a crowd of around 1,200 people; attendees were encouraged to wear white, and for $5 admission fees, were able to view the Madonna videocassette and the music video of the then-upcoming "Material Girl". The event was organized as a drive to promote music videos, which at that point did not have a large market.[88]

Critical reception

[edit]
Professional ratings
Review scores
SourceRating
AllMusic[3]
Blender[89]
Christgau's Record GuideA−[90]
Entertainment WeeklyA[91]
Pitchfork8.2/10[92]
Rolling Stone[93]
The Rolling Stone Album Guide[94]
Slant Magazine[33]
Spin Alternative Record Guide8/10[95]

Madonna received generally positive reviews.[96][97][98] Stephen Thomas Erlewine gave it a perfect 5/5 rating and wrote: "This is [an album] where all of the elements may not particularly impressive on their own — the arrangement, synth, and drum programming are fairly rudimentary; Madonna's singing isn't particularly strong; the songs, while hooky and memorable, couldn't necessarily hold up on their own without the production — but taken together, it's utterly irresistible". He further singled out "Holiday", "Lucky Star" and "Borderline" among the album's best.[3] To the staff of Billboard, "the songs are pretty standard dance tunes, but [Madonna] has the pipes and presence to make them a bit special".[99] From Rolling Stone, Don Shewey expressed: "Madonna [...] has a voice that takes some getting used to. [...] Then you notice its one distinguishing feature, a girlish hiccup that [she] uses over and over until it’s irritating as hell. Finally, you get hooked, and you start looking forward to that silly little catch in her voice". The author also singled out the "pristine" production, ultimately concluding that, "without overstepping the modest ambitions of minimal funk, Madonna issues an irresistible invitation to the dance".[93] From The Plain Dealer, Laura DeMarco classiffied it as a "sparkly, lightweight release, full of club-disco joie de vivre paired with New York art-scene grit".[100]

Matthew Rettenmund, author of Encyclopedia Madonnica, deemed it "one of the most auspicious musical debuts of the 80s [...] a seamlessly sweet, lyrically coy, infectiously kinetic dance album".[45] Writing for the Evening Standard, El Hunt said it was a "disco-infused debut [that] feels wrenched straight out of Danceteria", which contains "all of the hallmarks of Eighties synth-pop, but still sounds futuristic in the process".[101] Similarly, The Quietus' Matthew Lindsay deemed it "both cutting edge and quaint by the time of its release". Lindsay went on to name it one of the singer's best works, and a "simple soundtrack to complicated times".[9] Jill Mapes for Pitchfork added that, "part of what gives Madonna such affecting rhythm is its use of electronic instruments that sounded like the future then and typify the '80s sound now".[92] Jim Farber from Entertainment Weekly opined: "[Madonna] might have wound up just another post-disco dolly if [the songs on the album] didn't announce her ability to fuse club beats with peerless pop".[91] Reviewing the album in 2001, Sal Cinquemani said Madonna sounds "just as fresh today as it did almost two decades ago".[33] The staff of Billboard felt that, "while it’s certainly not her most mature album, [Madonna] shows the nascent pop star at her most ebullient".[102]

Vice named it "just really fucking fun to dance to [...] bright, sexy, and unfussy pop [that] doesn't falter once".[103] To the Portland Mercury's Mark Lore, "despite the disco influence, Madonna is punk rock in attitude and even, to an extent, style [...] The synthesizers here are just as dark and bracing as those found on Devo and Gary Numan records".[104] According to Daryl Easley, In his book Madonna: Blond Ambition, "[Madonna] represents the heat and rush of a city [New York] and marks the last time [she] would be writing directly at street level".[105] While the staff of The Advocate highlighted the singles, they felt album cuts such as "I Know It" and "Think of Me", "sound like B-sides for a Lisa Lisa single".[106] Despite naming it, "at once endearingly cautious [...] and shockingly self-assured", Joseph Earp from Australian website Junkee referred to Madonna as "uneven, but in an exciting rather than disappointing way".[107] A mixed review came from Gay Times' Sam Damshenas and Daniel Megarry, who wrote: "This album is a classic, but [...] it lack[s] the innovation and direction of her later works".[108] Daryl Easley added that, "given the album's three producers and the relative lack of light and shade, the whole thing sounds a trifle flat".[109]

Rikky Rooksby, author of The Complete Guide to the Music of Madonna, dismissed it as "musical candyfloss - okay in the right spot at the right time", further noting that the overall sound and production have aged and "now sound rather harsh"; "if you already own the singles or The Immaculate Collection, you can live without this album", he concluded.[10] Even though he praised its catchiness, John Murph from streaming service Tidal expressed that, "nothing [on the album] suggested someone who would become a worldwide icon with a career spanning four decades. The music was very much in the same spirit as the bubbly, synth-laced dance tracks released by the likes of Shannon, the System and Irene Cara".[110]

Commercial performance

[edit]

In the United States, the album debuted on the Billboard 200 chart at number 190 on the week of September 3, 1983.[18] It had a slow and steady climb, ultimately peaking at number eight the week ending October 20, 1984, more than a year after its release.[111] Madonna also reached the 20th position of the Top R&B/Hip-Hop Albums chart.[112] Within a year, the album had sold 2.8 million copies in the United States.[113] By the end of 1985, it ranked 25th on the Hot 100.[114] After 17 years since its release, the album was certified five-times Platinum by the Recording Industry Association of America (RIAA) for shipment of five million copies across United States.[115] With the advent of the Nielsen SoundScan era in 1991, the album sold a further 450,000 copies as of August 2010.[116] In Canada, the album debuted at number 87 on the RPM chart on March 10, 1984.[117] After 6 weeks, on April 14, it reached number 57.[118] Madonna re-entered the chart at number 95 on August 4;[119] it reached its peak at 16 during its 29th week on the chart, where it remained for a total of 47 weeks.[120][121] Madonna was 1984's 50th best selling album in Canada.[122]

In the United Kingdom, the record debuted at the 85th position of the albums chart on the week ending February 11, 1984;[123] almost two months later, on the week April 20, it reached number 37.[124] On July 13, 1985, following the Madonna: The First Album re-release, it re-entered the chart at number 91, eventually peaking at 6 five weeks later.[125][126] On December, the album was certified Platinum by the British Phonographic Industry (BPI) for shipment of 300,000 copies.[127] Throughout Europe, the record saw a moderate success; in Spain, despite not charting during its inicial release, it was certified Gold by the Productores de Música de España (PROMUSICAE) association for shipments of 50,000 copies.[128] It wasn't until November 2019 that Madonna entered the Spanish album charts at number 35.[129] The album reached the top ten of the charts in the Netherlands and France;[130][131] it saw less success in Sweden and Italy, where it barely cracked the top 50.[132][133] Madonna went on to reach the 14th spot on the European Top 100 Albums chart.[134]

In Australia, the album peaked at the 10th spot of the Kent Music Report albums chart, and received a Triple Platinum certification by the Australian Recording Industry Association (ARIA).[135] In New Zealand, it reached the chart's sixth spot and was certified Platinum by the Recording Industry Association of New Zealand (RIANZ).[136][137] In Japan, Madonna reached the 20th position of the Oricon albums chart.[138] In Hong Kong, it was granted a Platinum certification for shipments of 20,000 copies.[139] Worldwide, Madonna has sold over 10 million copies.[140][49]

Legacy

[edit]

"A sexy, forward-thinking record that took pop in a new direction. Its success showed that, with the right diva at the helm, music similar to disco could find a place in the white mainstream—a call to the dance floor answered by everyone from Kylie to Robyn to Gaga to Madonna herself".

—Pitchfork's Jill Mapes commenting on the album.[92]

Madonna has been referred to as one of the greatest debut albums of all time.[102][141][142][143] It has also been mentioned among the best albums from the 1980s.[144][145][146] With the album, the singer has been credited with "revolutionizing" dance music. Stephen Thomas Erlewine wrote: "[Madonna's] eponymous debut isn't simply good, it set the standard for dance-pop for the next 20 years".[3] Erlewine went on to explain that the album was released in an era where disco was seen as an "anathema" to mainstream music; by incorporating "great pop songs with stylish, state-of-the-art beats", Madonna had a "huge role in popularizing dance music as popular music again", Erlewine concluded.[3] Similarly, Spin's Michaelangelo Matos said that it "reinvigorated disco for a generation that wanted nothing to do with polyester suits, ending an era and birthing a new one".[147] Rosenblatt himself went on to explain: "There was disco, and there was new wave. And there was nothing in the middle [...] Madonna was really coming out of the new wave clubs in a way that never really happened before. Nobody was doing the disco/new wave thing, [the] R&B thing the way Madonna did".[14] The staff of Rolling Stone added that, "[Madonna] put downtown New York electro grooves all over the Top 40".[141] In Vice's ranking of the "99 Greatest Dance Albums of All Time" —where Madonna came in at number 26— the staff concluded that with the record, the singer "provided the New York City dance scene a much needed post-disco palate cleanser and drew the blueprint for future dance pop".[103] Joey Guerra from the Houston Chronicle elaborated:

The album's blend of pop, disco, New Wave and R&B is ubiquitous today. But at the time, it was a revelation. Disco had been metaphorically demolished a few years earlier. New Wave was still seen by many as eccentric and weird. Madonna, who came up in New York City's club scene, tempered those sounds with her fierce ambition and desire to be a superstar.[148]

Janet Jackson smiling towards the camera.
Debbie Gibson smiling towards the camera.
Rolling Stone credited the album for "pointing the direction" for female singers of the time, such as Janet Jackson (left) and Debbie Gibson (right).[149]

Santiago Fouz-Hernández and Freya Jarman-Ivens, authors of Madonna's Drowned Worlds, wrote that the album features "several key trends that have continued to define [Madonna's] success [...] a strong dance-based idiom, catchy hooks [and] highly polished arrangements". They came to the conclusion that the singer introduced a style of "upbeat dance music" that would prove "particularly appealing" to gay audiences.[150] Paste's Matt Michell declared: "Without Madonna, the landscape of dance music suffers greatly. It’s the best debut album of the 1980s by a woman, and, perhaps, one of the greatest debuts of all time".[142] Both Andrew Morton and Martin Charles Strong agreed that the album helped to make Madonna a household name and to establish her base as an artist.[51][151] According to some publications, the singer and album's influence can be seen in the work of other female artists such as Janet Jackson, Debbie Gibson, Britney Spears, Beyoncé, Lady Gaga and Kylie Minogue.[149][92][148] Marcus Wratten from PinkNews added: "Her music is, and always will be, the blueprint for the best pop records of our generation. And it all began with Madonna".[35]

For Entertainment Weekly, Kyle Anderson wrote: "Madonna’s sound, and of course her look, would be heavily copied for years to come, but [the album] heralded something much bigger: the arrival of the pop diva as a singular force who put personality above all else".[152] Mark Lore added that, "[Madonna] had a confidence and sexuality that hadn't been captured since Donna Summer. It was just what pop music needed".[104] Finally, for Rolling Stone, the album's biggest achievement was "introducing the most important female voice in the history of modern music".[141]

Track listing

[edit]
Side one[20]
No.TitleWriter(s)Producer(s)Length
1."Lucky Star"Madonna
5:30
2."Borderline"LucasLucas5:18
3."Burning Up"Madonna
  • Lucas
  • Benitez[a]
3:41
4."I Know It"MadonnaLucas3:45
Side two[20]
No.TitleWriter(s)Producer(s)Length
5."Holiday"
Benitez6:08
6."Think of Me"MadonnaLucas4:53
7."Physical Attraction"Lucas
  • Lucas
  • Benitez[a]
6:35
8."Everybody"MadonnaMark Kamins4:57
Total length:40:47
2001 remastered edition (bonus tracks)[48]
No.TitleRemixer(s)Length
9."Burning Up" (12" Version)Benitez5:59
10."Lucky Star" (New Mix)Benitez7:15
Total length:54:01

Notes

  • ^a signifies a remixer/additional producer
  • An extended version of "Everybody" (6:02) is used on the 2001 remastered edition of the album.[48]
  • A remix of "Holiday" (3:51) is used on digital releases of the album.[153]

Personnel

[edit]

Adapted from the album's liner notes.[20]

Charts

[edit]

Certifications and sales

[edit]

Notes

[edit]
  1. ^ According to RPM, the album attained sales of over platinum-equivalent as of 1985.[181] A platinum meant 100,000 copies at that time in Canadian terms.[182]

References

[edit]
  1. ^ Mitchell, Matt (July 21, 2023). "The 50 Greatest Synth-Pop Albums of All Time". Paste. Retrieved July 22, 2023.
  2. ^ Hunt, El (March 21, 2024). "Don't go for second best, baby: all Madonna's albums, ranked on the 35th anniversary of Like a Prayer". Evening Standard.
  3. ^ a b c d e f Erlewine, Stephen Thomas. "Madonna > Madonna > Overview". AllMusic. Archived from the original on June 2, 2012. Retrieved November 11, 2023.
  4. ^ a b c d e "Madonna's debut album at 40: Every track ranked". Slant Magazine. July 26, 2023. Archived from the original on July 26, 2023. Retrieved November 26, 2023.
  5. ^ a b c d Taraborrelli 2008, pp. 54–55
  6. ^ a b c d Cross 2007, pp. 20–22
  7. ^ a b c Gnojewski 2008, pp. 60–63
  8. ^ a b c d e f g Cross 2007, pp. 23–26
  9. ^ a b c d e f g h Lindsay, Matthew (June 13, 2013). "Lucky Star: Madonna's debut album, 35 years on". The Quietus. Archived from the original on September 23, 2022. Retrieved July 8, 2023.
  10. ^ a b c d e f g h i j k l m n Rooksby 2004, pp. 10–11
  11. ^ a b c d e f Morton 2001, pp. 106–107
  12. ^ a b "How I met Madonna, by Seymour Stein, the man who signed her". Variety. June 14, 2018. Archived from the original on June 16, 2018. Retrieved July 15, 2023.
  13. ^ a b c d e f Howe, Sean (July 29, 2013). "How Madonna became Madonna: An oral history". Rolling Stone. Archived from the original on September 23, 2020. Retrieved August 12, 2023.
  14. ^ a b c d Heching, Dan (July 29, 2023). "Madonna at 40: An oral history of the Queen of Pop's debut album". CNN. Archived from the original on July 29, 2023. Retrieved August 6, 2023.
  15. ^ a b c Magennis, Peter (January 27, 2013). "Everything from 'Everybody'". Record Collector. Archived from the original on February 15, 2013. Retrieved July 16, 2023.
  16. ^ a b "Madonna.com > Discography > Everybody". Icon: Official Madonna Website. Archived from the original on January 2, 2010. Retrieved August 12, 2023.
  17. ^ "Bubbling Under the Hot 100" (PDF). Billboard. Vol. 94, no. 54. December 25, 1982. p. 85. ISSN 0006-2510. Archived (PDF) from the original on July 8, 2023. Retrieved July 8, 2023.
  18. ^ a b c d e Kaulfield, Keith (July 27, 2013). "Madonna Turns 30: A look back at the Queen of Pop's debut album". Billboard. Archived from the original on July 30, 2013. Retrieved November 12, 2023.
  19. ^ "Madonna's 50 greatest songs: 'Borderline' (from Madonna, 1983)". Rolling Stone. July 27, 2016. Archived from the original on July 13, 2019. Retrieved May 1, 2023.
  20. ^ a b c d e Madonna (LP, Vinyl, CD). Madonna. Sire Records. 1983. 9 23867-1.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  21. ^ a b Bego 2000, p. 85
  22. ^ a b c d "Madonna's 50 greatest songs: 'Lucky Star' (from 'Madonna', 1983)". Rolling Stone. July 27, 2016. Archived from the original on May 28, 2019. Retrieved June 10, 2023.
  23. ^ a b Williams, Chris (July 27, 2013). "The 'vicious competition for credit' over launching Madonna's career". The Atlantic. Archived from the original on July 30, 2013. Retrieved August 18, 2023.(subscription required)
  24. ^ Erlewine, Stephen Thomas (July 26, 2023). "40 years of Madonna: The Queen of Pop's greatest songs, ranked - 22. 'Lucky Star' (1983)". The A.V. Club. Retrieved August 3, 2023.
  25. ^ a b c Kantor, Justin (February 1, 2012). "Interview: Curtis Hudson & Lisa Stevens, songwriters of Madonna's "Holiday" (Part 1)". Blogcritics. Archived from the original on December 12, 2013. Retrieved May 19, 2023.
  26. ^ a b Elliot, Mark (July 27, 2022). "Holiday: Behind the song that started Madonna's lifelong chart stay". This Is Dig!. Archived from the original on July 27, 2022. Retrieved May 27, 2023.
  27. ^ O'Brien 2008, pp. 106–107
  28. ^ Morton 2001, p. 158
  29. ^ a b Fouz-Hernández & Jarman-Ivens 2004, pp. 140–141
  30. ^ Marin, Ricardo (November 2, 2013). "[#Vintage909] Madonna — Madonna (1983)" (in Spanish). Ibero 90.9. Archived from the original on September 1, 2018. Retrieved November 20, 2023.
  31. ^ Mason, Stewart (1983). "Lucky Star by Madonna". AllMusic. Archived from the original on June 10, 2023. Retrieved June 9, 2023.
  32. ^ Gerard, Chris (July 30, 2013). "Madonna's self-titled debut, 30 years later". Metro Weekly. Archived from the original on September 7, 2015. Retrieved June 3, 2023.
  33. ^ a b c Cinquemani, Sal (September 9, 2001). "Review: Madonna, Madonna (Remaster)". Slant Magazine. Archived from the original on February 10, 2019. Retrieved November 11, 2023.
  34. ^ a b c d e f g h i j Rooksby 2004, pp. 12–14
  35. ^ a b c d Wratten, Marcus (July 27, 2023). "40 years of Madonna: Ranking every track on the Queen of Pop's iconic debut album". PinkNews. Archived from the original on July 27, 2023. Retrieved July 27, 2023.
  36. ^ Mason, Stewart (1983). "Madonna > "Holiday" > Overview". AllMusic. Archived from the original on May 20, 2023. Retrieved May 20, 2023.
  37. ^ a b c Lynch, Joe (July 27, 2024). "Ranking all the songs on Madonna's iconic debut: 'Holiday', 'Borderline' & beyond". Billboard. Retrieved November 26, 2023.
  38. ^ Perrone, Pierre (May 15, 2013). "Mark Kamins: DJ and producer who helped launch Madonna's career". The Independent. Archived from the original on April 3, 2023. Retrieved July 15, 2023.
  39. ^ Reid, Raziel (November 13, 2013). "Gay of the day: Martin Burgoyne". Xtra Magazine. Archived from the original on August 3, 2021. Retrieved November 24, 2023.
  40. ^ Stein & Murphy 2018, p. 215
  41. ^ a b Metz & Benson 1999, p. 45
  42. ^ "Futures: Hear today, hear tomorrow" (PDF). Radio & Records (449): 106. September 2, 1983. Retrieved November 11, 2023.
  43. ^ Heery, Gary. Non Fiction: Photographs & Stories. Sydney, Australia: Gary Heery Office. pp. 1–2. Archived from the original on July 25, 2021. Retrieved June 13, 2016 – via Issuu.
  44. ^ Clerk 2002, p. 42
  45. ^ a b Rettenmund 1995, pp. 110–111
  46. ^ Andrews 2022, p. 11
  47. ^ Paoletta, Michael (August 18, 2001). "Reviews & Previews: Vital Reissues" (PDF). Billboard. Vol. 33, no. 113. p. 17. ISSN 0006-2510. Retrieved May 19, 2023.
  48. ^ a b c Madonna (Remastered Edition) (CD). Madonna. Sire Records. Warner Bros. 2001. 9362479032.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  49. ^ a b c Lavin, Will (September 24, 2019). "Madonna's first four albums to be reissued on stunning crystal clear vinyl". NME. Archived from the original on September 26, 2019. Retrieved November 12, 2023.
  50. ^ a b Katz & Kott 2018, p. 92
  51. ^ a b Morton 2001, pp. 118–119
  52. ^ Elliot, Mark (July 27, 2022). "Holiday: Behind the song that started Madonna's lifelong chart stay". This Is Dig!. Archived from the original on July 27, 2022. Retrieved May 27, 2023.
  53. ^ Denselow, Robin (October 15, 1983). "From the archive: Madonna at Camden Palace". The Guardian. Archived from the original on February 22, 2014. Retrieved May 19, 2023.
  54. ^ a b Myers, Justin (February 7, 2014). "Official Charts Flashback: 30 years since Madonna's first Top 10 hit". Official Charts Company. Archived from the original on March 7, 2015. Retrieved May 19, 2023.
  55. ^ Tassoni 1993, p. 62
  56. ^ Brown, Ben (March 9, 2021). "The night Madonna played at The Hacienda". Manchester's Finests. Archived from the original on March 9, 2021. Retrieved May 13, 2023.
  57. ^ Mitchell, John (April 19, 2012). "Dick Clark, thank you for introducing Madonna to the world". MTV. Archived from the original on October 6, 2022. Retrieved May 13, 2023.
  58. ^ Morgan 2015, p. 35
  59. ^ a b c Elliot, Mark (February 15, 2023). "Borderline: The story behind Madonna's breakout hit song". This is Dig!. Archived from the original on March 28, 2023. Retrieved June 16, 2023.
  60. ^ "Madonna.com > Tours > The Virgin Tour". Icon: Official Madonna website. Archived from the original on December 27, 2014. Retrieved September 18, 2019.
  61. ^ Grayer Moore 2015, p. 113
  62. ^ Vivinetto, Gina (September 9, 2015). "Madonna's 9 tours: Ranked". The Advocate. Archived from the original on July 8, 2020. Retrieved August 28, 2021.
  63. ^ Taraborrelli 2008, p. 90
  64. ^ Sippel, John (April 6, 1985). "Madonna's first major US tour to begin April 10" (PDF). Billboard. Vol. 97, no. 14. p. 42A. ISSN 0006-2510. Retrieved November 11, 2023.
  65. ^ 1634–1699: McCusker, J. J. (1997). How Much Is That in Real Money? A Historical Price Index for Use as a Deflator of Money Values in the Economy of the United States: Addenda et Corrigenda (PDF). American Antiquarian Society. 1700–1799: McCusker, J. J. (1992). How Much Is That in Real Money? A Historical Price Index for Use as a Deflator of Money Values in the Economy of the United States (PDF). American Antiquarian Society. 1800–present: Federal Reserve Bank of Minneapolis. "Consumer Price Index (estimate) 1800–". Retrieved February 29, 2024.
  66. ^ Metz & Benson 1999, p. 119
  67. ^ Claro 2000, p. 71
  68. ^ Bego, Mark (June 25, 1985). "Our lady of Rock video". Lawrence Journal-World. Archived from the original on November 10, 2021. Retrieved November 11, 2023.
  69. ^ Morton 2001, p. 133
  70. ^ Madonna (1985). Madonna Live: The Virgin Tour (VHS). Warner Home Video.
  71. ^ "Madonna.com > Discography > Burning Up". Icon: Official Madonna website. Archived from the original on July 12, 2012. Retrieved August 12, 2023.
  72. ^ a b Kent, David (1993). Australian Chart Book 1970–1992. Australian Chart Book, St Ives, N.S.W. ISBN 0-646-11917-6.
  73. ^ "Madonna.com > Discography > Holiday". Icon: Official Madonna Website. Archived from the original on January 2, 2010. Retrieved May 27, 2023.
  74. ^ Caulfield, Keith (July 27, 2023). "Four decades of Madonna: A look back at the Queen of Pop's debut album on the charts". Billboard. Archived from the original on July 27, 2023. Retrieved December 5, 2023.
  75. ^ "New Singles" (PDF). Music Week: 24. September 3, 1983. Retrieved September 11, 2021.
  76. ^ "Madonna.com > Discography > Lucky Star". Icon: Official Madonna Website. Archived from the original on January 2, 2010. Retrieved May 27, 2023.
  77. ^ a b Caulfield, Keith (August 16, 2017). "Madonna's 40 biggest Billboard hits". Billboard. Archived from the original on November 19, 2021. Retrieved December 10, 2023.
  78. ^ Ciccone & Leigh 2008, pp. 81–82
  79. ^ "Highlights" (PDF). Music & Media. 3 (4): 19. February 1, 1986. Archived (PDF) from the original on July 2, 2023. Retrieved July 2, 2023.
  80. ^ Dean 2003, p. 523
  81. ^ Kellner 1995, pp. 269–270
  82. ^ "A Vision of Madonna" (PDF). Billboard. Vol. 96, no. 49. December 8, 1984. p. 108. ISSN 0006-2510. Retrieved November 11, 2023.
  83. ^ a b "Music Videocassette Chart Review" (PDF). Billboard. Vol. 97, no. 14. November 23, 1985. p. VM-14. ISSN 0006-2510. Retrieved November 11, 2023.
  84. ^ "Top Music Videocassettes" (PDF). Billboard. Vol. 97, no. 52. December 28, 1985. p. T-32. ISSN 0006-2510. Retrieved November 11, 2023.
  85. ^ a b "American video certifications – Madonna – Madonna – Four Clips". Recording Industry Association of America. Retrieved December 5, 2023.
  86. ^ Grein, Pul (March 22, 1986). "Bruce tops NARM best-seller awards" (PDF). Billboard. Vol. 98, no. 12. p. 3. ISSN 0006-2510. Retrieved November 11, 2023.
  87. ^ a b Brownfield, Troy (July 31, 2023). "By the numbers: Madonna debuted 40 years ago". The Saturday Evening Post. Archived from the original on August 1, 2023. Retrieved November 11, 2023.
  88. ^ McCormick, Moira (March 23, 1985). "Chicago nightclub launches music cross-promotion" (PDF). Billboard. Vol. 97, no. 12. p. 28. ISSN 0006-2510. Retrieved November 11, 2023.
  89. ^ Power, Tony. "Madonna, Madonnna". Blender. Archived from the original on August 18, 2004. Retrieved November 12, 2023.
  90. ^ Christgau, Robert. "Consumer Guide Album - Madonna: Madonna [Sire, 1983]". Christgau's Record Guide: The '80s. Archived from the original on March 22, 2017. Retrieved November 11, 2023.
  91. ^ a b Farber, Jim (July 27, 2001). "The girl material". Entertainment Weekly. Archived from the original on November 2, 2015. Retrieved November 12, 2023.
  92. ^ a b c d Mapes, Jilll (August 16, 2017). "Madonna - Madonna". Pitchfork. Archived from the original on August 16, 2017. Retrieved May 20, 2023.
  93. ^ a b Shewey, Don (September 19, 1983). "Home > Music > Album Reviews > Madonna". Rolling Stone. Archived from the original on September 1, 2018. Retrieved November 11, 2023.
  94. ^ "Madonna: Album Guide". Rolling Stone. Archived from the original on July 5, 2011. Retrieved November 11, 2023.
  95. ^ Sheffield, Rob (1995). "Madonna". In Weisbard, Eric; Marks, Craig (eds.). Spin Alternative Record Guide. Vintage Books. pp. 235–236. ISBN 0-679-75574-8.
  96. ^ Lindores, Mark (February 26, 2015). "Classic Album: Madonna – Madonna". Classic Pop. Archived from the original on March 24, 2023. Retrieved June 14, 2024. Madonna's eponymous debut album was released on 27 July 1983 to largely positive reviews
  97. ^ Mitchell, John (August 16, 2011). "Happy Birthday, Madonna!". MTV News. Archived from the original on June 9, 2024. Retrieved June 14, 2024. Madonna is released on Sire Records to positive reviews and strong radio play.
  98. ^ Jacobs, Matthew (July 27, 2013). "Madonna's Most Controversial Moments: A Look Back At The Singer's 30-Year Legacy". HuffPost. Archived from the original on September 23, 2023. Retrieved June 14, 2023. The album received mostly positive reviews
  99. ^ "Top Album Picks" (PDF). Billboard. Vol. 93, no. 35. August 27, 1983. p. 48. ISSN 0006-2510. Retrieved November 12, 2023.
  100. ^ DeMarco, Laura (August 30, 2013). "30 years of Madonna: How the Queen of Pop used controversy, MTV and a talent for reinvention to craft one of the most successful careers in music history (with slideshow)". The Plain Dealer. Archived from the original on July 26, 2020. Retrieved November 22, 2023.
  101. ^ Hunt, El (October 12, 2023). "Don't go for second best, baby: All Madonna's albums, ranked". Evening Standard. Archived from the original on October 17, 2023. Retrieved November 10, 2023.
  102. ^ a b "Madonna's albums ranked from worst to best". Billboard. March 9, 2015. Archived from the original on November 18, 2021. Retrieved November 16, 2023.
  103. ^ a b "The 99 greatest dance albums of all time". Vice. July 14, 2015. Archived from the original on October 16, 2020. Retrieved November 16, 2023.
  104. ^ a b Lore, Mark (October 14, 2015). "Madonna's monumental first album". Portland Mercury. Archived from the original on July 26, 2022.
  105. ^ Easlea 2012, p. 16
  106. ^ "Madonna's 13 studio albums ranked". The Advocate. January 23, 2015. Archived from the original on July 15, 2019. Retrieved June 10, 2023.
  107. ^ Earp, Joseph (April 23, 2020). "Virgins, prayers and lots of sex: All 14 Madonna albums, ranked from worst to best". Junkee. Archived from the original on April 27, 2020. Retrieved November 11, 2023.
  108. ^ Damshenas, Sam; Megarry, Daniel (June 17, 2019). "We ranked every single Madonna album from worst to best". Gay Times. Archived from the original on August 13, 2020. Retrieved November 11, 2023.
  109. ^ Easlea 2012, p. 21
  110. ^ Murph, John (November 12, 2019). "Madonna's Like a Virgin turns 35". Tidal. Archived from the original on July 23, 2022. Retrieved April 10, 2024.
  111. ^ a b "Madonna Chart History (Billboard 200)". Billboard. Retrieved November 16, 2023.
  112. ^ a b "Madonna Chart History (Top R&B/Hip-Hop Albums)". Billboard. Retrieved November 16, 2023.
  113. ^ Metz & Benson 1999, p. 111
  114. ^ a b c "1985: The year in music & video - Top Pop Albums / Top Videocassette Sales" (PDF). Billboard. Vol. 97, no. 52. December 28, 1985. p. T-19 and T-32. ISSN 0006-2510. Retrieved November 13, 2023.
  115. ^ a b "American album certifications – Madonna – Madonna". Recording Industry Association of America. Retrieved December 5, 2023.
  116. ^ Grein, Paul (August 11, 2010). "Week Ending Aug. 8, 2008: Taylor Swift Returns". Yahoo! Music. Archived from the original on August 16, 2010. Retrieved November 11, 2023.
  117. ^ "Top Albums/CDs - Volume 40, No. 1 Mar 10, 1984". RPM. Library and Archives Canada. March 10, 1984. Archived from the original on April 2, 2015. Retrieved November 11, 2023.
  118. ^ "Top Albums/CDs - Volume 40, No. 6, April 14 1984". RPM. Library and Archives Canada. April 14, 1984. Archived from the original on November 26, 2020. Retrieved November 13, 2023.
  119. ^ "Top Albums/CDs - Volume 40, No. 22, August 04 1984". RPM. Library and Archives Canada. August 4, 1984. Archived from the original on June 8, 2021. Retrieved November 13, 2023.
  120. ^ "Top Albums/CDs - Volume 41, No. 11, November 17 1984". RPM. Library and Archives Canada. November 17, 1984. Archived from the original on December 29, 2017. Retrieved November 12, 2023.
  121. ^ "Top Albums/CDs - Volume 42, No. 3, March 30 1985". RPM. Library and Archives Canada. March 30, 1985. Archived from the original on July 28, 2021. Retrieved November 12, 2023.
  122. ^ a b "Top 100 Albums of 1984". RPM. Library and Archives Canada. January 5, 1985. Archived from the original on February 3, 2018. Retrieved November 16, 2023.
  123. ^ "Official Albums Chart Top 100: 05 February 1984 - 11 February 1984". Official Charts Company. Archived from the original on February 18, 2018. Retrieved November 12, 2023.
  124. ^ "Official Albums Chart Top 100: 15 April 1984 - 21 April 1984". Official Charts Company. Archived from the original on February 18, 2018. Retrieved November 12, 2023.
  125. ^ "Official Albums Chart Top 100: 07 July 1985 - 13 July 1985". Official Charts Company. Archived from the original on February 17, 2018. Retrieved November 12, 2023.
  126. ^ a b "Official Albums Chart Top 100". Official Charts Company. Retrieved November 16, 2023.
  127. ^ a b "British album certifications – Madonna – Madonna (The First Album)". British Phonographic Industry. Retrieved December 5, 2023.
  128. ^ a b Salaverri, Fernando (September 2005). Sólo éxitos: año a año, 1959–2002 (1st ed.). Spain: Fundación Autor-SGAE. ISBN 84-8048-639-2.
  129. ^ a b "Spanishcharts.com – Madonna – Madonna (The First Album)". Hung Medien. Retrieved November 16, 2023.
  130. ^ a b "Dutchcharts.nl – Madonna – Madonna (The First Album)" (in Dutch). Hung Medien. Retrieved November 16, 2023.
  131. ^ a b "Lescharts.com – Madonna – Madonna (The First Album)". Hung Medien. Retrieved November 16, 2023.
  132. ^ a b "Swedishcharts.com – Madonna – Madonna (The First Album)". Hung Medien. Retrieved November 16, 2023.
  133. ^ a b "Italiancharts.com – Madonna – Madonna (The First Album)". Hung Medien. Retrieved November 16, 2023.
  134. ^ a b "European Top 100 Albums" (PDF). Eurotipsheet. 2 (43): 15. October 25, 1985. Retrieved November 13, 2023.
  135. ^ a b "ARIA Charts – Accreditations – 1996 Albums" (PDF). Australian Recording Industry Association. Retrieved July 14, 2021.
  136. ^ a b "Charts.nz – Madonna – Madonna (The First Album)". Hung Medien. Retrieved November 16, 2023.
  137. ^ a b Scapolo, Dean (2007). The Complete New Zealand Music Charts 1966–2006 (Illustrated ed.). Maurienne House. ISBN 978-1-877443-00-8.
  138. ^ a b c Okamoto, Satoshi (2006). Oricon Album Chart Book: Complete Edition 1970–2005. Roppongi, Tokyo: Oricon Entertainment. p. 349. ISBN 4-87131-077-9.
  139. ^ a b "IFPIHK Gold Disc Award − 1989". IFPI Hong Kong. Retrieved December 5, 2023.
  140. ^ a b Finn, Natalia (October 10, 2007). "Madonna remaking the brand". E! Online. Archived from the original on October 1, 2012. Retrieved November 11, 2023.
  141. ^ a b c "100 best debut albums of all time: 16. Madonna". Rolling Stone. March 22, 2013. Archived from the original on September 1, 2018. Retrieved November 16, 2023.
  142. ^ a b "The 100 greatest debut albums of all time". Paste. November 6, 2023. Archived from the original on November 10, 2023. Retrieved November 16, 2023.
  143. ^ Cahalin, Ryan (March 19, 2021). "Best debut albums: 20 must-hear early works of genius". This is Dig!. Archived from the original on March 19, 2021. Retrieved November 16, 2023.
  144. ^ "Top 40 80s debut albums". Classic Pop. December 19, 2021. Archived from the original on January 25, 2022. Retrieved November 12, 2023.
  145. ^ "Best albums of the 1980s". Slant Magazine. March 5, 2012. Archived from the original on March 14, 2012. Retrieved November 17, 2023.
  146. ^ "The 10 best albums from 1983". Slant Magazine. March 16, 2020. Archived from the original on March 17, 2020. Retrieved November 12, 2023.
  147. ^ Matos, Michaelangelo (December 2005). "The definitive guide to classic Disco". Spin. 21 (12): 112. ISSN 0886-3032. Retrieved November 20, 2023.
  148. ^ a b Guerra, Joey (July 27, 2023). "Back to the future: Madonna's debut album, released 40 years ago today, is still pop perfection". Houston Chronicle. Retrieved November 20, 2023.(subscription required)
  149. ^ a b "100 Best albums of the eighties: Madonna, Madonna". Rolling Stone. November 16, 1989. Archived from the original on February 10, 2019. Retrieved November 20, 2023.
  150. ^ Fouz-Hernández & Jarman-Ivens 2004, pp. 59–61
  151. ^ Strong 2004, p. 927
  152. ^ Anderson, Kyle (July 26, 2013). "30 Year ago, the world met Madonna". Entertainment Weekly. Archived from the original on August 5, 2017. Retrieved November 12, 2023.
  153. ^ "Apple Music – Madonna by Madonna". Apple Music. July 27, 1983. Archived from the original on October 4, 2020. Retrieved October 8, 2020.
  154. ^ "Austriancharts.at – Madonna – Madonna (The First Album)" (in German). Hung Medien. Retrieved November 16, 2023.
  155. ^ "Top RPM Albums: Issue 9548". RPM. Library and Archives Canada. Retrieved November 16, 2023.
  156. ^ "Lista prodaje 16. tjedan 2018. (16.04.2018. - 22.04.2018.)" (in Croatian). HDU. Archived from the original on August 28, 2022. Retrieved November 12, 2023.
  157. ^ Juul, Jacob Chapelle (September 4, 2006). "13 Madonna-album på top 100 efter koncert". Gaffa (in Danish). Archived from the original on September 20, 2020. Retrieved November 12, 2023.
  158. ^ Pennanen, Timo (2021). "Sisältää hitin: 1 January 1960 – 30.6.2021" (PDF) (in Finnish). Musiikkiarkisto. pp. 156–157. Archived from the original (PDF) on August 26, 2021. Retrieved November 12, 2023.
  159. ^ "Offiziellecharts.de – Madonna – Madonna (The First Album)" (in German). GfK Entertainment Charts. Retrieved November 16, 2023.
  160. ^ "Εβδομάδα: 18/2018" (in Greek). IFPI Greece. Archived from the original on November 29, 2012. Retrieved November 12, 2023.
  161. ^ "Album Top 40 slágerlista – 2018. 17. hét" (in Hungarian). MAHASZ. Retrieved November 16, 2023.
  162. ^ "Official Scottish Albums Chart Top 100". Official Charts Company. Retrieved November 16, 2023.
  163. ^ a b c "Music Divas & Rock Bands Top South African Certifications". Music Industry News Network. May 2, 2002. Archived from the original on July 9, 2003. Retrieved November 12, 2023.
  164. ^ "Diisco & Dance! Top Albums" (PDF). Music Week: 39. February 8, 1984. Retrieved November 16, 2023.
  165. ^ "Madonna Chart History (Top Dance/Electronic Albums)". Billboard. Retrieved November 16, 2023.
  166. ^ "Music on Video" (PDF). Music Week: 32. October 5, 1985. Retrieved November 16, 2023.
  167. ^ "Top 15 Music Videos" (PDF). Cash Box. 49 (5): 26. July 13, 1985. ISSN 0008-7289. Retrieved November 16, 2023.
  168. ^ "Top lista vinila - Strana - 11/2019" (in Croatian). HDU. Archived from the original on December 9, 2019. Retrieved November 16, 2023.
  169. ^ "Alphabetized Top 200 Albums" (PDF). Cash Box. 455 (31): 64. December 31, 1983. ISSN 0008-7289. Retrieved November 17, 2023.
  170. ^ "Australia's Top 10 Albums of 1984" (PDF). Billboard. Vol. 97, no. 45. November 9, 1985. p. A-24. ISSN 0006-2510. Retrieved November 16, 2023.
  171. ^ "Top Black Albums" (PDF). Billboard. Vol. 96, no. 51. December 22, 1984. p. TA-22. ISSN 0006-2510. Retrieved November 16, 2023.
  172. ^ "The Cash Box Year-End Charts: 1984". Cash Box. December 29, 1984. Archived from the original on October 22, 2007. Retrieved November 12, 2023.
  173. ^ "Jaaroverzichten - Album 1985" (in Dutch). Dutch Top 40. Archived from the original on May 11, 2014. Retrieved November 16, 2023.
  174. ^ "End of Year charts: Albums 1985". NZ Music Charts. Archived from the original on May 11, 2015. Retrieved November 16, 2023.
  175. ^ "Jaaroverzichten: Alben 1986" (in Dutch). Dutch Top 40. Archived from the original on August 21, 2014. Retrieved November 13, 2023.
  176. ^ "Top 100 Albums: January to December 1986" (PDF). Music Week: 25. January 24, 1987. ISSN 0265-1548. Retrieved November 13, 2023.
  177. ^ "Year-end Music Video" (PDF). Record Mirror: 35. January 11, 1986. ISSN 0144-5804. Retrieved November 16, 2023.
  178. ^ "LA NUEVA MADONNA". Somos (in Spanish) (832–848). Editorial Atlántida: 24. 1992. Archived from the original on September 27, 2021. Retrieved December 4, 2023 – via Google Books. [c]uando en el ' 83 vendió 9 milloInes (millones) de copias de su primer álbum, nadie creía que Madonna podía ser capaz de superarse a sí misma [...] Sólo en la Argentina , se vendieron 140 . 000 placas del primer LP
  179. ^ "How Madonna straddles innocence and decadence". The Canberra Times. September 15, 1985. p. 46. Archived from the original on December 30, 2021. Retrieved December 5, 2023. Her first album, Madonna, sold more than 2 million copies in the US (250,000 in Australia)
  180. ^ Garcia, Sérgio (October 31, 1993). "No banco com Madonna". Jornal do Brasil (in Portuguese): 30. Archived from the original on September 23, 2020. Retrieved December 5, 2023.
  181. ^ a b "Geffen's Vision Quest features Madonna cuts" (PDF). RPM. Vol. 41, no. 23. February 16, 1985. p. 9. Archived from the original (PDF) on January 17, 2022. Retrieved December 5, 2023.
  182. ^ "Certification Definitions". Music Canada. Archived from the original on July 14, 2014. Retrieved December 5, 2023.
  183. ^ "French album certifications – Madonna – Madonna (The First Album)" (in French). InfoDisc. Retrieved December 5, 2023. Select MADONNA and click OK. 
  184. ^ "Gold-/Platin-Datenbank (Madonna; 'Madonna (The First Album)')" (in German). Bundesverband Musikindustrie. Retrieved December 5, 2023.
  185. ^ "אלבומים ומכירות בארץ" [Albums and sales in Israel]. LaIsha (in Hebrew). August 13, 2001. p. 56. Archived from the original on August 10, 2023. Retrieved December 5, 2023.
  186. ^ "Gold & Platinum Awards 1987" (PDF). Music & Media. December 26, 1987. p. 44. Retrieved July 7, 2019.
  187. ^ Ferraris, Gabriele (June 9, 1991). "Curva in discesa". La Stampa (in Italian). p. 23. Archived from the original on April 26, 2021. Retrieved December 5, 2021. Fino a quel momento, Madonna era, anche per il mercado italiano, una stella in constante ascesa: 210 mila copie vendute dell' album d'esordio nell '83
  188. ^ "Dutch album certifications – Madonna – The First Album" (in Dutch). Nederlandse Vereniging van Producenten en Importeurs van beeld- en geluidsdragers. Retrieved December 5, 2023. Enter The First Album in the "Artiest of titel" box. Select 1986 in the drop-down menu saying "Alle jaargangen".
  189. ^ "ARIA Charts – Accreditations – 1991 DVDs" (PDF). Australian Recording Industry Association. Retrieved December 5, 2023.

Bibliography

[edit]
[edit]
Retrieved from "https://wiki.riteme.site/w/index.php?title=Madonna_(album)&oldid=1256257855#Video_compilation"