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{{Notability|date=June 2011}}
{{Notability|date=June 2011}}
{{Infobox artist
{{Infobox artist
| image = [[File:http://kylemosher.com/wp-content/uploads/2011/06/feel-it-or-not.jpg]]
| image =
| caption = Example of Mosher's work, <br>"feel it or not"
<gallery>
[[File:http://kylemosher.com/wp-content/uploads/2011/06/feel-it-or-not.jpg]]
</gallery>
| caption = Example of Mosher's work, <br>''feel it or not"
| bgcolour = #edebd4
| bgcolour = #edebd4
| name = Kyle Mosher
| name = Kyle Mosher

Revision as of 16:23, 17 June 2011

Kyle Mosher
File:Http://kylemosher.com/wp-content/uploads/2011/06/feel-it-or-not.jpg
Example of Mosher's work,
"feel it or not"
Born
Kyle Mosher
NationalityCanadian
EducationB.F.A. Illustration New Hampshire Institute of Art
Known forCollage
Cut-paper
Multimedia
Notable workn/a
Movementn/a
AwardsSociety of Illustrators – Student Competition Winner 2008

Kyle Mosher (I'm not a crook) (born 1985) is a Canadian born Boston based artist and designer known for his collage and cut-paper style. His enigmatic artwork combines lyrical epigrams from famous musicians most often in the hip-hop genre. His distinctive collage and cut-paper style is executed by combining found imagery with digital as well as more traditional fine art and print making techniques. His work has been featured in streets, galleries and editorials both domestically and internationally. He often goes by the pseudonym, “i'm not a crook,” which, ironically aside from being a famous political and lyrical reference is a response to critics who say he steals his images and lyrics.

The ideas and style for Mosher's work were conceived from studying and observing modern artists like Cezanne, Picasso, and Rauschenberg. Fellow artists have noted that his style is somewhat similar to more contemporary Brazilian artist Eduardo Recife also known as Misprinted Type. He studied and attainted his B.F.A at the New Hampshire Institute of Art under his mentor and New York based illustrator, Lynn Pauley. Mosher has gone on record to state that he is more inspired by “the hustle of emerging musicians” then by other contemporary visual artists often jokingly admitting he missed his true calling of being a musician and performer. Before becoming enthralled with art and design Mosher was a competitive athlete who was plagued by injuries before leaving college and transferring to an art school. He played hockey and attended Nashua High School in Nashua, NH.

Scholarly years (2006–2009)

Kyle Mosher, at the time enrolled at the New Hampshire Institute of Art, began as an illustrator in Manchester, NH. [1] He was inspired by Cezanne's observations of simple forms, Picasso's synthetic cubism as well as Rauschenberg's mixed media collages.[2] From the start he was a freehand illustrator drawing the world around him as interpreted through the combination of traditional simple forms, loose illustrative styles and the use of more modern graphic imagery. In 2007 he studied in Florence, Italy at which point he turned to combining cut-paper techniques into his illustrations. He claims he stole old books from the Italian home that was hosting him and experimented with cutting up the pages to use under his pen and ink illustrations. In 2008 one of his illustrations was sponsored by his teacher and mentor at the time, Lynn Pauley to be entered into the prestigious Society of Illustrators student competition in New York City. The illustration, “Audubon 2” was a late night classroom experiment in which Mosher was furthering his attempts to combine cut-paper techniques and a more traditional illustration style. There was a total of 5,700 entries and his illustration was eventually one of the winners. “Audubon 2” was chosen to be one of ninety-six entries to be a representation of winning student works from around the country at the Society of Illustrators Gallery in New York City.[3] [4]

Professional career (2009–present)

Kyle Mosher currently resides in Boston, MA. His recent work is intended to be enigmatic and often vague in subject matter. It contains graphic images which are worn, used, or made to feel vintage in nature. Mosher has compared his artwork to music. Stating that it is not only intended to make a statement, but it is a “visual performance” intended to stimulate the viewers brain. Just as a song or lyric would create an emotional response for the listener so too he wishes the same response, but visually. His work is most often combined with lyrics from hip-hop artists. He believes writing lyrics is in itself a significant form of art. Asked, “Why do you use lyrics from famous musicians?” He sarcastically responded with, “I would use my own lyrics, but no one has heard them.” He believes the viewer has a stronger connection and the work has a greater impact when they recognize the lyrics. The lyrics are usually intended to motivate, inspire, make a statement or invoke thought. He is influenced by the musician lifestyle; fascinated with creating a form of symphonic art and hustling it as a self sustaining means of income and indulgence. Subjects in his artwork are often, but not limited to: birds, flowers, vintage cars, small children, the elderly, fire hydrants, fans, pillow cases, and various other images that seem to be visual conundrums.[5]

He frequently takes part in guerilla marketing campaigns to promote his work. He has openly noted graffiti artist, Banksy, and his campaigns as the inspiration for his own marketing tactics. He has been featured in numerous online editorials which include: the Proteus Mag, the Phase Collective, bit FUUL mag, peculiar bliss, notofu, notpaper and get a candy.[6][7][8] Most recently his piece, “'cause they know me” was chosen as one of the winning pieces for the Brush's Gallery open submission contest themed, “For the Birds.”

References