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Jo Mora

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Jo Mora
Jo Mora
Born
Joseph Jacinto Mora

(1876-10-22)October 22, 1876
Montevideo, Uruguay
DiedOctober 10, 1947(1947-10-10) (aged 70)
Monterey, California
NationalityUruguayan-born American
Known forPainting, drawing, sculpture, muralist
StyleRealism
SpouseGrace Needham
Children2
WebsiteOfficial Website

Joseph Jacinto Mora (October 22, 1876 – October 10, 1947) was a Uruguayan-born American cowboy, photographer, artist, cartoonist, illustrator, painter, muralist, sculptor, and historian who wrote about his experiences in California. He has been called the "Renaissance Man of the West".

Early life

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Mora was born on October 22, 1876, in Montevideo, Uruguay. His father was the Catalan sculptor, Domingo Mora, and his mother was Laura Gaillard Mora, an intellectual born in the Bordeaux region of France. His elder brother was F. Luis Mora, who would become an artist and the first Hispanic member of the National Academy of Design. The family entered the United States in 1880 and first settled in New York City, and then Perth Amboy, New Jersey.[1]

Jo Mora 1931 Yosemite map

Jo Mora studied art at the Art Students League of New York and the Cowles Art School in Boston. He also studied with William Merritt Chase. He worked as a cartoonist for the Boston Evening Traveller, and later, the Boston Herald.[1]

In the spring of 1903, Mora arrived in Solvang, California. He stayed at the Donohue Ranch. He made plans to travel to the Southwest to paint and photograph the Hopi. He spent time at the Mission Santa Inés; those photographs are now maintained by the Smithsonian Institution. Mora visited many Spanish missions in California that summer by horseback. He followed the "Mission Trail", also called the "Kings Highway".

In 1904, Mora visited Yosemite.[2] Later, in 1904, to 1906, visited Arizona[3] where he took photographs, painted[4] and otherwise recorded the daily life of these Native Americans. Because the Hopi and other tribes have voiced their concerns more recently about photographs depicting religious ceremonies, the tribal nation should be contacted before they are used.[3] He learned the Native languages and made detailed drawings of what he observed.[5]

Career

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In 1907, Mora wrote and illustrated the comic strip Animaldom.[6]

In 1907, Mora returned to California and married Grace Needham. Their son, Joseph Needham Mora, was born on March 8, 1908. The Moras moved to San Jose, California, where Mora continued his work.

On 22 February 1911, the Native Sons of the Golden West Building, in San Francisco, with six terra cotta panels, by Domingo Mora and his son, Jo Mora, was dedicated.[7][8]

In 1915, he served on the International Jury of Awards at the Panama–Pacific International Exposition and displayed six sculptures.[9]

In 1915-16 two of his sculptural commissions were revealed: the bronze memorial tablet with the profile of the late Archbishop Patrick W. Riordan for the Knights of Columbus and the Cervantes Monument in San Francisco's Golden Gate Park.[10][11] By 1919, he was sculpting for the Bohemian Club, including the Bret Harte Memorial plaque, completed in August 1919 and mounted on the outside of the private men's club building in San Francisco.

Carmel-by-the-Sea

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In 1921, the Mora family relocated to Carmel-by-the-Sea, California, the largest art colony on the West Coast, making it their primary residence. He constructed a Craftsman-style home, which is located on the west side of San Carlos Street, the third house south of 1st Avenue.[12][13]

Mora received a commission for the bronze and travertine Cenotaph, for Father Junípero Serra in the Memorial Chapel at the west end of Mission Carmel.[9][14][15][16]

Mora was a director of the Carmel Art Association as early as 1934.[17] His sculptures were exhibited between 1927 and 1934 in various galleries in Carmel.[18]

Jo Mora is a serious sculptor, a responsible amateur actor; when mixed up with pen and ink, a humorist! Comic strips was once his trade. He was famous at it. That was years ago but his art of cartooning bloomed again when in recent years he produced the well known Mora Map of the Monterey Peninsula. Most successful with bronze statue creations which decorate many gardens in East and West. If he has a specialty in figures it is cowboys. He knows his West. Jo Mora will ever be famed for his portrayal of Pancho Lopez, The Bad Man, at Carmel Playhouse. He does everything well and is handsome while doing it. He is happily married-alas!

— Carmel Pine Cone[19]

During the Great Depression, Mora created the "Carmel Dollar" as part of Carmel's program, offering unemployed residents scrip for public service, exchangeable for groceries and essentials; a three-cent stamp on the certificate's back acknowledged their efforts. When full, merchants accepted the certified scrip for goods or a dollar.[20][21]

Architect Robert Stanton collaborated closely with Mora on multiple projects. In 1937, Stanton was the architect for the Monterey County Courthouse, which incorporated Mora's bas-relief panels, column caps, and figurative heads on both the building's exterior and its interior courtyard.[22]

Statue of Junipero Serra in Carmel Woods.

On July 22, 1922, for the opening day of the Carmel Woods subdivision, Mora had carved and painted a wooded statue of Padre Junípero Serra, which was installed within a small wooden shrine, surrounded by plants and a pair of wooden benches at the entrance to the development, at the intersection of Camino del Monte and Alta Avenue.[23][24]

In 1925, he designed the commemorative half dollar for the California Diamond Jubilee. During this period he also illustrated a number of books, made large murals, and published charts, maps (cartes) and diagrams of the West and Western themes. Beginning in 1937, Mora wrote and illustrated children's books about the West. In 1939, a Works Progress Administration project was completed, with Mora bas-relief sculpture adorning the King City High School Auditorium building.

Pebble Beach

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In 1931 Jo, his wife, and daughter Patricia moved to nearby Pebble Beach into a newly built home. Five years later in the adjoining large studios he completed his massive diorama, Discovery of the San Francisco Bay by Portola, for the California Pavilion at the 1939-40 Golden Gate International Exposition on Treasure Island. At a length of almost 100 feet, with 64 sculptures of Spaniards and Indians and over 200 animals, it was said "to surpass anything of its kind at the Fair."[25][26] He fashioned smaller dioramas for the Will Rogers Memorial Museum in Claremore, Oklahoma, and the Sutter's Fort Museum in Sacramento, California.[27][28]

In 1928, Mora made the "El Paseo" sculpture in the courtyard of the El Paseo Building on Dolores Street and 7th Avenue in Carmel. It is a terracotta sculpture of a Californio man and a Señorita woman.[29]

In the early 1930s, Mora was commissioned by Earl F. Graft to decorate the Carmel Dairy Building in Carmel. Mora made three large interior dairy murals above a soda fountain (no longer present) and a sculptured a metal lamp in the shape of a cowbell that still hangs above the buildings front door. He showed animal figures dressed as humans, many recognizable as local Carmel residents. He also designed the menus, Christmas cards, and milk bottles, with these animal characterizations, and a cow that served as the logo. The Santa Rosa Republican described Mora's work with an article having the title: "Carmel's Prosaic Dairy is Art."[30][29]

Between 1908 and the late 1940s his sculptures, illustrations,[31] watercolors and etchings were frequently exhibited across the United States.[9][32][33]

Death

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Mora died October 10, 1947, in Monterey, California. His last book, Californios, which was devoted to the life of the rancheros of Alta California, was published posthumously.[34][35][36]

In music

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Coinage

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Mora designed the 1925 California Diamond Jubilee half dollar.

Works

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  • Ford, Tirey Lafayette; Mora, Jo (1926). Dawn and the dons; the romance of Monterey. San Francisco: A.M. Robertson. OCLC 948436391.
  • Mora, Jo Jr. (1933). A Log of the Spanish Main: A Jo Mora Diary. San Francisco: Jo Mora, Jr. OCLC 652341703.
  • Mora, Jo (1946). Trail Dust and Saddle Leather. C. Scribner's Sons. ISBN 978-0-598-51246-8.
  • Mora, Jo (1949). Californios, the Saga of the Hard-riding Vaqueros: America's First Cowboys. Doubleday. OCLC 961562.

Bibliography

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  • When I Get Wound Up Writing I'm a Bad Article to Squelch: The Written Words of Jo Mora by Peter Hiller.[41] (2008) ISBN 0-615-23139-X.
  • The Life and Times of Jo Mora: Iconic Artist of the American West by Peter Hiller.[42] Published by the Book Club of California, San Francisco, CA. October 2019. ISBN 978-0-692-05342-3.
  • The Life and Times of Jo Mora: Iconic Artist of the American West by Peter Hiller.[43] Published by Gibbs-Smith, Layton, Utah. April, 2021. ISBN 978-1-423-65735-4 (Hardcover)

Museum Catalogs

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  • The Year of the Hopi: Paintings and Photographs by Joseph Mora, 1904-'06, Smithsonian Institution, Washington, D. C., 1979
  • Jo Mora: Artist and Writer, Monterey Museum of Art, 1998
  • Back to the Drawing Board with Artist Jo Mora, Monterey History and Art Association, Monterey, CA, 2003
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References

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  1. ^ a b Hiller, Peter (2021). The Life and Times of Jo Mora, Iconic Artist of the American West. Layton, Utah: Gibbs Smith. ISBN 978-1-423-65735-4.
  2. ^ "Who is Jo Mora? – Mariposa Arts Council". www.mariposaartscouncil.org.
  3. ^ a b "The University of Tulsa McFarlin Library". 2007-08-22. Archived from the original on 2007-08-22. Retrieved 2022-12-31.
  4. ^ "Lot - Joseph Jacinto Mora (1876-1947 Monterey, CA)". www.johnmoran.com.
  5. ^ Pecina, Ron and Pecina, Bob. Neil David's Hopi World. Schiffer Publishing Ltd., 2011. ISBN 978-0-7643-3808-3; pp.8,9,54,55.
  6. ^ "Selected Newspaper Cartoon Artists, 1898-1909". Retrieved 2022-12-31.
  7. ^ "Native Sons of the Golden West". www.artandarchitecture-sf.com.
  8. ^ "History of the NSGW Building". nsgw.org.
  9. ^ a b c Edwards, Robert W. (2012). Jennie V. Cannon: The Untold History of the Carmel and Berkeley Art Colonies, Vol. 1. Oakland, Calif.: East Bay Heritage Project. pp. 191, 265, 522–525, 690. ISBN 978-1-4675-4567-9. An online facsimile of the entire text of Vol. 1 is posted on the Traditional Fine Arts Organization website ("Jennie V. Cannon: The Untold History of the Carmel and Berkeley Art Colonies, vol. One, East Bay Heritage Project, Oakland, 2012; by Robert W. Edwards". Archived from the original on 2016-04-29. Retrieved 2016-06-07.).
  10. ^ The Oakland Tribune, 5 September 1915, p. 19.
  11. ^ The Wasp (San Francisco, CA), 9 September 1916, p. 11.
  12. ^ "Homes of Famous Carmelites" (PDF). ci.carmel.ca.us. Carmel-by-the-Sea, California. 1992. Retrieved 2023-04-11.
  13. ^ Dramov, Alissandra; Momboisse, Lynn A. (2016). Historic Homes And Inns Of Carmel-by-the-Sea. Carmel-by-the-Sea, California: Arcadia Publishing. p. 19. ISBN 978-1-4671-0303-9. Retrieved 2023-04-02.
  14. ^ "About - The Official Jo Mora". jomoratrust.com.
  15. ^ "Komanecky, Michael K.: Jo Mora and the Missions of California, in: Anales del Instituto de Investigaciones Esteticas, Vol. 91, 2007, 207- 217" (PDF).
  16. ^ "Mora Chapel". 2008-10-24. Archived from the original on 2008-10-24. Retrieved 2022-12-31.
  17. ^ "Art Group Files Corporation Papers". The San Bernardino County Sun. 17 Jan 1934. p. 13. Retrieved 2020-04-23.
  18. ^ Minturn James, Eleanor (7 August 1931). "North Lights". Carmel Pine Cone. Retrieved 2024-02-05.
  19. ^ "Who's Who-and Here". Carmel Pine Cone. Carmel-by-the-Sea, California. 1928-12-14. pp. 9–15. Retrieved 2022-10-17.
  20. ^ Richard Flower (2014). "Carmel In The Great Depression". Stories of Old Carmel: A Centennial Tribute From The Carmel Residents Association. Carmel-by-the-Sea, California: Carmel Residents Association. pp. 152–153.
  21. ^ Jerry Gervase (April 18, 2014). "Carmel Dollars, a local way to ease the hardships of the Great Depression" (PDF). The Carmel Pine Cone. Carmel-by-the-Sea, California. p. 6. Archived from the original (PDF) on 2022-07-06. Retrieved 2023-08-14.
  22. ^ "Robert Stanton". The Living New Deal. May 24, 2019. Retrieved 2023-08-20.
  23. ^ "Carmel Woods Sale July 22". The San Francisco Examiner. San Francisco, California. 15 Jul 1922. p. 9. Retrieved 2021-01-04 – via Newspapers.com.
  24. ^ "Carmel Woods takes shape and sell well, Serra honored with statue" (PDF). The Carmel Pine Cone. 2019-09-20. p. 31. Archived from the original (PDF) on 2021-12-19. Retrieved 2021-12-17.
  25. ^ The Oakland Tribune, 13 October 1938, p. 4; 25 June 1939, p.B-7.
  26. ^ Carmel Pine Cone, 21 October 1938, p.10.
  27. ^ The Carmel Cymbal, 27 September 1940, p. 6.
  28. ^ The Oakland Tribune, 24 August 1946, p. 1-C.
  29. ^ a b Kent L. Seavey (January 20, 2002). "Department Of Parks And Recreation" (PDF). National Park Service. Retrieved March 24, 2022.
  30. ^ "Carmel's Prosaic Dairy is Art". Santa Rosa Republican. Santa Rosa, California. 9 Oct 1933. p. 3. Retrieved March 24, 2022.
  31. ^ "Collection of Nine 9 Hotel del Monte Menus by Joseph Jacinto Jo. MORA on Main Street Fine Books & Manuscripts". Main Street Fine Books & Manuscripts.
  32. ^ "Joseph Jacinto Mora".
  33. ^ "Joseph Jacinto Mora | 77 Artworks | MutualArt". www.mutualart.com.
  34. ^ New York Times: 20 June 1949, p. 17; 26 June 1949, p.BR-10.
  35. ^ Los Angeles Times, 10 July 1949, p. 4-5.
  36. ^ "No Title". 2022-09-01. Archived from the original on 2022-09-01. Retrieved 2022-12-31.
  37. ^ Tarquinio, Holly (15 September 2016). "The Evolution of the Cowboy – 1933 Jo Mora". Quarter Horse News. Retrieved 2 September 2021.
  38. ^ Mora, Jo. ""Evolution of the Cowboy": Levi's Round-Up of Cowboy Lore". rare maps.
  39. ^ Lane, Baron (August 29, 2018). "5 Things You May Not Know About The Byrds' 'Sweetheart of the Rodeo'". Twang Nation. Retrieved 2018-08-30.
  40. ^ A, Great Basin; E (2012-04-21). "Mike Beck". Music at the Martin. Retrieved 2021-10-22.
  41. ^ "Monterey County's Prolific Artist Unveiled – Carmel Magazine". carmelmagazine.com.
  42. ^ "Jo Mora Remembered".
  43. ^ "The Life and Times of Jo Mora". Western Horseman. June 4, 2021.
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