Intruder in the Dust (film)
Intruder in the Dust | |
---|---|
Directed by | Clarence Brown |
Screenplay by | Ben Maddow |
Based on | Intruder in the Dust 1948 novel by William Faulkner |
Produced by | Clarence Brown |
Starring | David Brian Claude Jarman Jr. Juano Hernández |
Cinematography | Robert Surtees |
Edited by | Robert Kern |
Music by | Adolph Deutsch |
Distributed by | Metro-Goldwyn-Mayer |
Release date |
|
Running time | 87 minutes |
Country | United States |
Language | English |
Budget | $988,000[1][2] |
Box office | $837,000[1] |
Intruder in the Dust is a 1949 crime drama film produced and directed by Clarence Brown and starring David Brian, Claude Jarman Jr. and Juano Hernandez. The film is based on the 1948 novel Intruder in the Dust by William Faulkner, and was filmed in Faulkner's hometown of Oxford, Mississippi.
Plot
[edit]The film closely follows the plot line of the Faulkner novel. It tells the story of Lucas Beauchamp, (pronounced 'Bee-cham'), a respectable and independent black man, who is unjustly accused of the murder of white man Vinson Gowrie. Through the help of two teenage boys, the town lawyer and an elderly lady, he is able to prove his innocence.
Cast
[edit]- Juano Hernandez as Lucas Beauchamp
- David Brian as John Gavin Stevens
- Claude Jarman Jr. as Chick Mallison
- Porter Hall as Nub Gowrie
- Elizabeth Patterson as Miss Eunice Habersham
- Will Geer as Sheriff Hampton
- Charles Kemper as Crawford Gowrie
- David Clarke as Vinson Gowrie
- Elzie Emanuel as Aleck
- Lela Bliss as Mrs. Mallison
- Harry Hayden as Mr. Mallison
- Harry Antrim as Mr. Tubbs, prison warder
- Dan White as Will Legate, jailhouse guard
- Gene Roper as son of country store owner
Production
[edit]Clarence Brown, who had been born in Massachusetts but was raised in Tennessee, wanted to do a film version of the book when it was released in 1948. As a mainstay of MGM for over two decades, he asked studio head Louis B. Mayer about doing a film adaptation, but he had his doubts over whether it would be a profitable venture. Dore Schary, recently brought in as a vice president of production, gave support to Brown, which allowed the film to go through. Brown insisted on filming in Oxford, Mississippi, where Faulkner had lived for most of his life.[3]
Reception
[edit]According to Metro-Goldwyn-Mayer records the film earned $643,000 in the U.S. and Canada and $194,000 elsewhere, for a worldwide box office of $837,000.[1][2]
In 1950, David Brian and Juano Hernandez were respectively nominated for Best Supporting Actor and Most Promising Newcomer – Male at the 7th Golden Globe Awards.[4] The film was listed as one of the ten best of the year by The New York Times. Faulkner said of the film: "I'm not much of a moviegoer, but I did see that one. I thought it was a fine job. That Juano Hernandez is a fine actor--and man, too."[5]
More than 50 years later, in 2001, film historian Donald Bogle wrote that Intruder in the Dust broke new ground in the cinematic portrayal of blacks, and Hernandez's "performance and extraordinary presence still rank above that of almost any other black actor to appear in an American movie."[6] The film has been praised by Ralph Ellison and the New York Times.[7]
Of the various race-related features released in 1949 (such as this film and Pinky, released months earlier), author Ralph Ellison cited Intruder in the Dust as “the only film that could be shown in Harlem without arousing unintended laughter, for it is the only one of the four in which Negroes can make complete identification with their screen image.”[3]
On Rotten Tomatoes, the film holds a rating of 93% from 41 reviews.[8]
References
[edit]- ^ a b c The Eddie Mannix Ledger, Los Angeles: Margaret Herrick Library, Center for Motion Picture Study.
- ^ a b Scott Eyman, Lion of Hollywood: The Life and Legend of Louis B. Mayer, Robson, 2005 p 431
- ^ a b "Intruder in the Dust captures the chilling reality of Jim Crow | Library of America". www.loa.org. Retrieved 2023-02-24.
- ^ "Early Black Cinema", True West Magazine, August 2005, p. 22
- ^ "Faulkner's Home, Family and Heritage Were Genesis of Yoknapatawpha County". The New York Times. 7 July 1962. Retrieved 14 April 2011.
- ^ Bogle, Donald (2001). Toms, coons, mulattoes, mammies, and bucks: an interpretive history of Blacks in American films (Fourth ed.). London: Continuum. ISBN 0-8264-1267-X.
- ^ Dargis, Manohla; Scott, A. O. (February 1, 2018). "28 Days, 28 Films for Black History Month" – via NYTimes.com.
- ^ "Intruder in the Dust (1949)" – via www.rottentomatoes.com.
Further reading
[edit]- Fadiman, Regina (1978). Faulkner's "Intruder in the Dust": Novel into Film. Knoxville, Tennessee: University of Tennessee Press.
- Degenfelder, E. Pauline (Spring 1973). "The Film Adaptation of Faulkner's "Intruder in the Dust"". Literature/Film Quarterly. 1 (2): 138–148. JSTOR 43795413.
- Li, Stephanie (Fall 2000). ""Intruder in the Dust" From Novel to Movie: The Development of Chick Mallison". Faulkner Journal. 16 (1/2): 105–118. JSTOR 24908324.
External links
[edit]- 1949 films
- 1949 crime drama films
- American black-and-white films
- American crime drama films
- Films about miscarriage of justice
- Films about race and ethnicity
- Films based on American novels
- Films based on works by William Faulkner
- Films directed by Clarence Brown
- Films scored by Adolph Deutsch
- Films set in Mississippi
- Films shot in Mississippi
- Metro-Goldwyn-Mayer films
- 1940s English-language films
- 1940s American films
- English-language crime drama films