Inlay

Inlay covers a range of techniques in sculpture and the decorative arts for inserting pieces of contrasting, often colored materials into depressions in a base object to form ornament or pictures that normally are flush with the matrix.^[1] A great range of materials have been used both for the base or matrix and for the inlays inserted into it. Inlay is commonly used in the production of decorative furniture, where pieces of colored wood, precious metals or even diamonds are inserted into the surface of the carcass using various matrices including clear coats and varnishes. Lutherie inlays are frequently used as decoration and marking on musical instruments, particularly the smaller strings.

Perhaps the most famous example of furniture inlay is that of André-Charles Boulle (1642–1732) which is known as Boulle work and evolved in part from inlay produced in Italy during the late 15th century at the studiolo for Federico da Montefeltro in his Ducal Palace at Urbino, in which trompe-l'œil shelving seems to carry books, papers, curios and mathematical instruments, in eye-deceiving perspective. The similar private study made for him at Gubbio is now in the Metropolitan Museum of Art.

Inlay in wood

In a wood matrix, inlays commonly use wood veneers, but other materials like shells, mother-of-pearl, horn or ivory may also be used. Pietre dure, or coloured stones inlaid in white or black marbles, and inlays of precious metals in a base metal matrix, are other forms of inlay. Master craftspeople who make custom knives continue a tradition of ancient techniques of inlaying precious metals; additionally, many new techniques which use contemporary tools have also been developed and utilized as well by artisans.

Intarsia inlay in wood furniture differs from marquetry, a similar technique that largely replaced it in high-style European furniture during the 17th century,^[2] in that marquetry is an assembly of veneers applied over the entire surface of an object, whereas inlay consists of small pieces inserted on the bed of cut spaces in the base material, of which most remains visible.

Inlay on metals

The history of inlay is very old but it is still evolving alongside new technologies and new materials being discovered today. The technique of metal in metal inlay was sophisticated and accomplished in ancient China as shown in examples of vessels decorated with precious metals, including this ding vessel (pictured) with gold and silver inlay from the Warring States period (403-221 BC).

The French cabinet maker André-Charles Boulle (1642-1732) specialized in furniture using inlays or metal and either wood or tortoiseshell together, the latter acting as the background. This type of inlay is known as "Boulle work".

After learning the skill of smithing from the Navaho in 1872, the Zuni silversmiths cut small chips from crystals and gemstones, pearl shell and coral, to make inlay designs in a base of silver.

In 1990, Vivienne Westwood was inspired by Boulle work, the inlay of precious metals into or onto wood to create a collection with inlay in the manner of Boulle.^{[citation needed]}

In 2016, a subsidiary company of Jean-Raymond Boulle discovered and has filed a patent^[8] for a new type of diamond inlay in keeping with Boulle work, subsequently produced by AkzoNobel for application on cars,^[9]^[10] planes^[11]^[12] and yachts.^[13]

Inlay in stone

The natives of Kerma (c. 2500 BCE – c. 1500 BCE) developed techniques for architectural inlays and glazed quartzite.^[14]^[15] Pietra dura is the usual term in Europe for detailed inlays in contrasting colours of stones, including many semi-precious types; parchin kari is an Indian term. Pietra dura developed from the Roman opus sectile, which was typically used on a larger scale, especially in floors. Cosmatesque work on walls and floors, and smaller objects, was a medieval intermediate stage, continuing ancient opus alexandrinum.

Inlaid artifacts have come down to us from the Ancient Mayan civilization, among them, jade, mother of pearl and onyx inlaid into stone during the era that arts reached a peak during the seven centuries from 200 to 900 AD.

Inlay on fabrics

Vivienne Westwood created her Portrait Collection based on the furniture of André-Charles Boulle.^[16]

Inlay in painting

Kaloust Guedel Introduced the inlay technique into contemporary painting as a philosophical concept.^[17]^[18]

Gallery

Pre-Dynastic Egyptian bone figure with eyes inlaid in lapis lazuli; inlaid eyes are found in sculptures from many periods
Decaying wood inlay on a chest in a Greek monastery.
Ding bronze vessel with gold and silver inlay (damascening) from the Warring States period (403–221 BC) of ancient China (c. 300 BC)
Egyptian bone plaque of a putto, with wax inlay, 4th century
Geometric figure (1537) in wood intarsia by Fra Damiano da Bergamo, Bologna, Italy
Parchin kara (pietra dura) in stone on the Taj Mahal
Nubian wooden box with inlaid ivory, Royal Ontario Museum, Toronto
Marquetry casket, Ottoman Empire (Istanbul or North Africa), 17th–18th century, wood, tortoise shell, bone, ivory inlay.
J. Paul Getty Museum: André-Charles Boulle, 1710, Boulle work inlay
The J. Paul Getty Museum. André-Charles Boulle, 1675–1680; Boulle work inlay, Paris, France.
J. Paul Getty Museum, André-Charles Boulle, Boulle work inlay
J. Paul Getty Museum : André-Charles Boulle, Boulle work inlay tortoiseshell, brass, ebony
Commode André-Charles Boulle, son of Jean Boulle (c. 1710–20). Boulle work brass, tortoiseshell inlay.
Bidriware cup and lid, c. 1850. V&A Museum.
Japanese netsuke in ivory with ink; the eyes are inlaid in shell. 19th century
Egyptian basin with silver inlay (Walters Art Museum)
Japanese lacquerware Photograph Album Cover with ivory inlay, 1865
Japanese: late 19th century, wood with ivory, tortoiseshell, mother-of-pearl inlays; manjū type
Gyerim-ro dagger and sheath, probably originating from the Black Sea region and discovered in a tomb from Silla Kingdom (c. 57 BCE – 935 CE), South Korea. Gyeongju National Museum, Gyeongju.
Mother of pearls inlaid furniture set in An Giang Museum, Vietnam.