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Revision as of 18:29, 20 March 2015
The relevance of particular information in (or previously in) this article or section is disputed. (October 2014) |
ARGO IS ANIMATED | |
---|---|
Directed by | Martin Scorsese |
Screenplay by | John Logan |
Produced by | Graham King Tim Headington Martin Scorsese Johnny Depp |
Starring | Ben Kingsley Sacha Baron Cohen Asa Butterfield Chloë Grace Moretz Ray Winstone Emily Mortimer Christopher Lee Jude Law |
Cinematography | Robert Richardson |
Edited by | Thelma Schoonmaker |
Music by | Howard Shore |
Production companies | |
Distributed by | Paramount Pictures |
Release dates |
|
Running time | 126 minutes[1] |
Country | United States |
Language | English |
Budget | $150-170 million[2] |
Box office | $185.8 million[3] |
Hugo is a 2011 American 3D historical adventure drama film directed and co-produced by Martin Scorsese and adapted for the screen by John Logan. Based on Brian Selznick's novel The Invention of Hugo Cabret, it is about a boy who lives alone in the Gare Montparnasse railway station in Paris in the 1930s. A co-production between Graham King's GK Films and Johnny Depp's Infinitum Nihil, the film stars Ben Kingsley, Sacha Baron Cohen, Asa Butterfield, Chloë Grace Moretz, Ray Winstone, Emily Mortimer, Jude Law, Helen McCrory, and Christopher Lee.
Hugo is Scorsese's first film shot in 3D, of which the filmmaker remarked: "I found 3D to be really interesting, because the actors were more upfront emotionally. Their slightest move, their slightest intention is picked up much more precisely."[4] The film was released in the United States on November 23, 2011.[5]
The film was received with critical acclaim, with many critics praising its visual design, acting and direction. However, it was financially unsuccessful, grossing only $185 million at the box office and barely surpassing its budget. Hugo received eleven 2011 Academy Award nominations (including Best Picture), more than any other film that year, and won five Oscars: Best Cinematography, Best Art Direction, Best Sound Mixing, Best Sound Editing and Best Visual Effects.[6] It was also nominated for eight BAFTAs, winning two, and was nominated for three Golden Globe Awards, earning Scorsese his third Golden Globe for Best Director.
Plot
In 1931, 12-year-old Hugo Cabret lives in Paris with his father, a widowed, but kind and devoted master clockmaker. Hugo's father takes him to see films and loves those of Georges Méliès best of all.
When Hugo's father dies in a museum fire, Hugo is taken away by his alcoholic uncle, who maintains the clocks in the railway station of Gare Montparnasse. The uncle teaches him how to tend to the clocks, then disappears. Hugo lives a secretive life in the station's hidden chambers and passageways, maintaining the clocks, avoiding the vindictive Station Inspector Gustave and his doberman Maximilion, and working on his father's most ambitious project: repairing a broken automaton – a mechanical man designed to write with a pen. Hugo begins stealing the parts he needs for the automaton, but a toy-store owner catches him and confiscates his carefully drawn blueprints.
The automaton is missing a critical part: a heart–shaped key. Convinced the machine contains a message from his father, Hugo goes to desperate lengths to fix it. He gains the assistance of Isabelle, the toy shop owner's goddaughter. He introduces her to the movies, which her godfather has never let her see. Remarkably, Isabelle turns out to have the automaton's key. When they use it to activate the automaton, it produces a drawing of a film scene Hugo remembers his father telling him about. They discover the film was created by Isabelle's godfather, Georges Méliès—a cinema legend, now neglected and disillusioned—and that the automaton was his beloved creation from his days as a magician. Searching the Méliès household for clues, they find a cache of the filmmaker's fantastic drawings. However, Méliès catches them in the act, admonishes Isabelle, and banishes Hugo from their home.
Hugo and Isabelle travel to Paris's great Film Academy Library, where they find a book with photos and biographical information about Méliès. They meet René Tabard, a film expert who venerates Méliès, and who—like most of the film world—assumes Méliès is dead, as he was never seen after World War I brought an abrupt halt to his career. René shows Hugo and Isabelle the collection of rare Méliès memorabilia in his Library office. When he learns Méliès is alive and living in Paris, he is incredulous, then excited at the possibility of meeting the great man.
Hugo and Isabelle invite René to the Méliès home, where they encounter Méliès's wife, Jeanne, whom René immediately recognizes as the star of many of Méliès films. René, who has brought a small projector, shows the group his copy of Méliès's surviving film, A Trip to the Moon. When Méliès finds the four in his parlour, he is outraged, but Jeanne convinces him to cherish his glorious accomplishments rather than regretting his lost dream. He recounts his history as a film-maker and his bankruptcy during The Great War (World War I), finishing with the sad tale of donating his beloved automaton to a museum where it was ignored and destroyed in a fire.
Realizing that his automaton is Méliès's creation, Hugo races back to the train station to retrieve it. However, he is spotted by Inspector Gustave, who chases Hugo through the station. As he approaches one of the train platforms, Hugo stumbles and the machine flies from his grasp, landing on the tracks. As he struggles to retrieve it, a train approaches, and the Inspector rescues Hugo a split second before the train would have crushed him. Before the Inspector is able to take Hugo to the orphanage, Méliès arrives and claims Hugo as his child, and the Inspector lets him go.
In the final scene, Méliès—accompanied by his wife, his goddaughter, and Hugo—is the honoured guest at a grand celebration, where his invaluable contributions to cinema are acknowledged and praised.
Cast
- Ben Kingsley as Georges Méliès / Papa Georges
- Sacha Baron Cohen as Inspector Gustave Dasté
- Asa Butterfield as Hugo Cabret
- Chloë Grace Moretz as Isabelle
- Ray Winstone as Claude Cabret
- Emily Mortimer as Lisette
- Jude Law as Hugo's father
- Helen McCrory as Jeanne d'Alcy / Mama Jeanne
- Michael Stuhlbarg as René Tabard
- Christopher Lee as Monsieur Labisse
- Frances de la Tour as Madame Emile
- Richard Griffiths as Monsieur Frick
- Marco Aponte as a train engineer assistant
- Kevin Eldon as policeman
- Gulliver McGrath as young Tabard
- Angus Barnett as a cinema manager
- Ben Addis as Salvador Dalí
- Emil Lager as Django Reinhardt
- Robert Gill as James Joyce
Michael Pitt, Martin Scorsese, and Brian Selznick have cameo roles.
Production
Pre-production
GK Films acquired the screen rights to The Invention of Hugo Cabret shortly after the book was published in 2007. Initially, Chris Wedge was signed in to direct the adaptation and John Logan was contracted to write the screenplay.[7] The film was initially titled Hugo Cabret. Several actors were hired, including Ben Kingsley, Sacha Baron Cohen, Asa Butterfield, Chloë Grace Moretz and Helen McCrory. Jude Law, Ray Winstone, Christopher Lee, Frances de la Tour and Richard Griffiths later joined the project. Hugo was originally budgeted at $100 million but overran with a final budget of between $156 million and $170 million.[8] In February 2012, Graham King summed up his experience of producing Hugo: "Let's just say that it hasn't been an easy few months for me — there's been a lot of Ambien involved".
Filming
Production began in London on June 29, 2010. The first shooting location was at the Shepperton Studios in London.[9] The Nene Valley Railway near Peterborough also loaned their original Compagnie Internationale des Wagons-Lits rolling stock to the studio.[10][11]
In August 2010, production moved to Paris for two weeks. Locations included the Sainte-Geneviève Library, and the Sorbonne (where a lecture hall was converted into a 1930s cinema hall) in the 5th arrondissement and the Théâtre de l'Athénée and its surrounding area in the 9th. High school Lycée Louis-le-Grand served as the film's base of operations in Paris; its cafeteria served 700 meals a day for the and crew.[12]
Music
The film's soundtrack includes an Oscar-nominated original score composed by Howard Shore, and also makes prominent use of the Danse macabre by Camille Saint-Saëns and Gnossienne No. 1 by Erik Satie.
Historical references
The backstory and primary features of Georges Méliès' life as depicted in the film are largely accurate: He became interested in film after seeing a demonstration of the Lumière brothers' camera;[13] he was a magician and toymaker; he experimented with automata; he owned a theatre (Theatre Robert-Houdin); he was forced into bankruptcy; his film stock was reportedly melted down for its cellulose; he became a toy salesman at the Montparnasse station, and he was eventually awarded the Légion d'honneur medal after a period of terrible neglect. Many of the early silent films shown in the movie are Méliès's actual works, such as Le voyage dans la lune (1902). However, the film does not mention Méliès' two children, his brother Gaston (who worked with Méliès during his film-making career), or his first wife Eugénie, who was married to Méliès during the time he made films (and who died in 1913). The film shows Méliès married to Jeanne d'Alcy during their filmmaking period, when in reality they did not marry until 1925.
The automaton's design was inspired by one made by the Swiss watchmaker Henri Maillardet, which Selznick had seen in the Franklin Institute, Philadelphia,[14] as well as the Jaquet-Droz automaton "the writer".[15] A portion of the scene with Harold Lloyd in Safety Last! (1923), hanging from the clock, is shown when the main characters sneak into a movie theater. Later, Hugo similarly hangs from the hands of a large clock on a clock tower to escape a pursuer like Lloyd in Safety Last!.
Several viewings of the film L'Arrivée d'un train en gare de La Ciotat are portrayed, depicting the shocked reaction of the audience — although this view is in doubt.[16]
Emil Lager, Ben Addis, and Robert Gill make cameo appearances as the father of Gypsy jazz guitar, Django Reinhardt, the Spanish surrealist painter, Salvador Dalí, and the Irish writer James Joyce, respectively. The names of all three characters appear towards the end of the film's cast credit list.[17]
The book that Monsieur Labisse gives Hugo as a gift, Robin Hood le proscrit (Robin Hood the outlaw), was written by Alexandre Dumas in 1864 as a French translation of an 1838 work by Pierce Egan the Younger in England. The book is symbolic, as Hugo must avoid the "righteous" law enforcement (Inspector Gustave) to live in the station and later to restore the automaton both to a functioning status and to its rightful owner.
Reception
Box office performance
Hugo earned $15.4 million over its Thanksgiving weekend debut. It went on to earn US$73,864,507 domestically and $111,905,653 overseas, for a worldwide gross of $185,770,160.[3]
Despite praise from critics, Hugo was cited as one of the year's notable box office flops. Its perceived failure was due to competition with Disney's The Muppets and Summit's Breaking Dawn Part 1.[18] The film was estimated to have made a net loss of $100 million.[19]
Producer Graham King said that the film's box office results were painful. "There's no finger-pointing — I'm the producer and I take the responsibility," he said. "Budget-wise, there just wasn't enough prep time and no one really realized how complicated doing a 3D film was going to be. I went through three line-producers because no one knew exactly what was going on. Do I still think it's a masterpiece that will be talked about in 20 years? Yes. But once the schedule started getting out of whack, things just spiraled and spiraled and that's when the avalanche began."[20]
Critical reception
Hugo received universal critical acclaim. It currently holds a 94% "Certified Fresh" rating on aggregate review site Rotten Tomatoes based on 224 reviews, with an average score of 8.4/10. The site's main consensus reads "Hugo is an extravagant, elegant fantasy with an innocence lacking in many modern kids' movies, and one that emanates an unabashed love for the magic of cinema." Metacritic gave the film an average score of 83 based on 41 reviews, indicating "universal acclaim".[21]
Roger Ebert of the Chicago Sun-Times gave the film four out of four stars saying "Hugo is unlike any other film Martin Scorsese has ever made, and yet possibly the closest to his heart: a big-budget, family epic in 3-D, and in some ways, a mirror of his own life. We feel a great artist has been given command of the tools and resources he needs to make a movie about – movies."[22] Peter Rainer of The Christian Science Monitor gave it a "B+" grade and termed it as "an odd mixture: a deeply personal impersonal movie" and concluded that "Hugo is a mixed bag but one well worth rummaging through."[23] Christy Lemire said that it had an "abundant love of the power of film; being a hardcore cinephile (like Scorsese) might add a layer of enjoyment, but it certainly isn't a prerequisite for walking in the door" besides being "slightly repetitive and overlong".[24] Michael Phillips of the Chicago Tribune rated it three stars and described it as "rich and stimulating even when it wanders" explaining "every locale in Scorsese's vision of 1931 Paris looks and feels like another planet. The filmmaker embraces storybook artifice as wholeheartedly as he relays the tale's lessons in the importance of film preservation."[25] Joe Morgenstern of The Wall Street Journal said that "visually Hugo is a marvel, but dramatically it's a clockwork lemon".[26]
Hugo was selected for the Royal Film Performance 2011 with a screening at the Odeon, Leicester Square in London on 28 November 2011 in the presence of the Prince of Wales and the Duchess of Cornwall in support of the Cinema and Television Benevolent Fund.[27]
Richard Corliss of Time named it one of the Top 10 Best Movies of 2011, saying "Scorsese's love poem, rendered gorgeously in 3-D, restores both the reputation of an early pioneer and the glory of movie history – the birth of a popular art form given new life through a master's application of the coolest new techniques".[28]
James Cameron called Hugo "a masterpiece" and that the film had the best use of 3D he had seen, surpassing even his own acclaimed films.[29]
Top ten lists
The film appeared on the following critics' lists of the top ten films of 2011:
Critic | Publication | Rank |
---|---|---|
David Denby | The New Yorker | 1st[30] |
Sean Hobbit | Freelance | 1st |
Elizabeth Weitzman | New York Daily News | 1st |
Harry Knowles | Aint It Cool News | 1st[31] |
Shawn Levy | The Oregonian (Portland) | 1st[32] |
Glenn Kenny | MSN Movies | 2nd |
Luke Wulfensmith | Freelance | 2nd |
Peter Hartlaub | San Francisco Chronicle | 2nd[33] |
Richard Corliss | Time | 2nd[34] |
Roger Ebert | Chicago Sun-Times | 4th[35] |
Lisa Schwarzbaum | Entertainment Weekly | 4th[36] |
Peter Paras | E! Online | 5th |
— | MTV | 5th[37] |
Todd McCarthy | The Hollywood Reporter | 6th[38] |
Peter Travers | Rolling Stone | 6th[39] |
— | TV Guide | 7th[40] |
J. Hoberman | The Village Voice | 8th[41] |
Noel Murray | A.V. Club | 9th[42] |
Mark Kermode | BBC Radio 5 Live | 9th[43] |
Kim Morgan | MSN Movies | 9th[44] |
Keith Phipps | A.V. Club | 9th[45] |
Sean Axmaker | MSN Movies | 10th[46] |
Glenn Heath Jr. | Slant Magazine | 10th[47] |
Jeff Simon | The Buffalo News | —[48] |
Manohla Dargis | The New York Times | — |
Phillip French | The Observer | — |
Accolades
Award | Date of ceremony | Category | Recipients and nominees | Result |
---|---|---|---|---|
Academy Awards[49][50] | 26 February 2012 | Best Picture | Graham King and Martin Scorsese | Nominated |
Best Director | Martin Scorsese | Nominated | ||
Best Adapted Screenplay | John Logan | Nominated | ||
Best Cinematography | Robert Richardson | Won | ||
Best Original Score | Howard Shore | Nominated | ||
Best Art Direction | Dante Ferretti, Francesca Lo Schiavo | Won | ||
Best Costume Design | Sandy Powell | Nominated | ||
Best Visual Effects | Robert Legato, Joss Williams, Ben Grossmann, and Alex Henning | Won | ||
Best Film Editing | Thelma Schoonmaker | Nominated | ||
Best Sound Editing | Philip Stockton and Eugene Gearty | Won | ||
Best Sound Mixing | Tom Fleischman and John Midgley | Won | ||
Argentine Academy of Cinematography Arts and Sciences Awards[51] | December 5, 2012 | Best Foreign Film | Graham King, Timothy Headington, Martin Scorsese, and Johnny Depp | Won |
Alliance of Women Film Journalists[52][53] | 10 January 2012 | Best Picture | Graham King and Martin Scorsese | Nominated |
Best Director | Martin Scorsese | Nominated | ||
Best Adapted Screenplay | John Logan | Nominated | ||
Best Cinematography | Robert Richardson | Nominated | ||
Best Editing | Thelma Schoonmaker | Won | ||
American Society of Cinematographers[54] | 12 February 2012 | Outstanding Achievement in Cinematography in a Feature Film | Robert Richardson | Nominated |
Art Directors Guild[55] | 4 February 2012 | Period Film | Dante Ferretti | Won |
Australian Academy of Cinema and Television Arts Awards[56] | 27 January 2012 | Best Film – International | Graham King and Martin Scorsese | Nominated |
Best Direction – International | Martin Scorsese | Nominated | ||
Boston Society of Film Critics Award | 11 December 2011 | Best Director | Martin Scorsese | Won |
Best Film | Graham King and Martin Scorsese | Nominated | ||
Best Cinematography | Robert Richardson | Nominated 2nd place | ||
Best Editing | Thelma Schoonmaker | Nominated 2nd place | ||
BAFTA[57][58] | 12 February 2012 | Best Director | Martin Scorsese | Nominated |
Best Cinematography | Robert Richardson | Nominated | ||
Best Original Score | Howard Shore | Nominated | ||
Best Sound | Philip Stockton, Eugene Gearty, Tom Fleischman and John Midgley | Won | ||
Best Editing | Thelma Schoonmaker | Nominated | ||
Best Production Design | Dante Ferretti and Francesca Lo Schiavo | Won | ||
Best Costume Design | Sandy Powell | Nominated | ||
Best Makeup and Hair | Morag Ross and Jan Archibald | Nominated | ||
Broadcast Film Critics Association | Best Picture | Graham King and Martin Scorsese | Nominated | |
Best Director | Martin Scorsese | Nominated | ||
Best Young Actor/Actress | Asa Butterfield | Nominated | ||
Best Adapted Screenplay | John Logan | Nominated | ||
Best Cinematography | Robert Richardson | Nominated | ||
Best Editing | Thelma Schoonmaker | Nominated | ||
Best Production Design/Art Direction | Dante Ferretti, Francesca Lo Schiavo | Won | ||
Best Score | Howard Shore | Nominated | ||
Best Costume Design | Sandy Powell | Nominated | ||
Best Visual Effects | Robert Legato | Nominated | ||
Best Sound | Philip Stockton, Eugene Gearty, Tom Fleischman and John Midgley | Nominated | ||
Chicago Film Critics Association[59][60] | 7 January 2012 | Best Film | Graham King and Martin Scorsese | Nominated |
Best Director | Martin Scorsese | Nominated | ||
Best Cinematography | Robert Richardson | Nominated | ||
Best Score | Howard Shore | Nominated | ||
David di Donatello Awards[61] | 4 May 2012 | Best Foreign Film | Nominated | |
Detroit Film Critics Society[62] | 16 December 2011 | Best Film | Graham King and Martin Scorsese | Nominated |
Best Director | Martin Scorsese | Nominated | ||
Florida Film Critics Circle Awards[63] | 19 December 2011 | Best Director | Martin Scorsese | Won |
Best Film | Graham King and Martin Scorsese | Nominated | ||
Best Production Design/Art Direction | Dante Ferretti and Francesca Lo Schiavo | Won | ||
Golden Globe Awards[64][65] | 15 January 2012 | Best Director | Martin Scorsese | Won |
Best Motion Picture – Drama | Graham King and Martin Scorsese | Nominated | ||
Best Original Score | Howard Shore | Nominated | ||
Golden Trailer Awards[66] | 31 May 2012 | Best Animation/Family | "Imagine" | Nominated |
Best Animation/Family TV Spot | Nominated | |||
Grammy Awards[67] | 10 February 2013 | Best Score Soundtrack For Visual Media | Howard Shore | Nominated |
Hugo Awards (Science Fiction Achievement Awards) | 2 September 2012 | Best Dramatic Presentation (Long Form) | Martin Scorsese and John Logan | Nominated |
Indiana Film Critics Association | Best Film | Graham King and Martin Scorsese | Nominated | |
Best Musical Score | Howard Shore | Nominated | ||
Las Vegas Film Critics Society | 13 December 2011 | Best Film | Graham King and Martin Scorsese | Nominated |
Best Family Film | Won | |||
Best Film Editing | Thelma Schoonmaker | Won | ||
Best Youth in Film | Asa Butterfield | Won | ||
National Board of Review[68] | Best Film | Graham King and Martin Scorsese | Won | |
Best Director | Martin Scorsese | Won | ||
New York Film Critics Circle Award | 29 November 2011 | Best Director | Martin Scorsese | Nominated 2nd place |
Best Film | Graham King and Martin Scorsese | Nominated 3rd place | ||
Online Film Critics Society Awards | 2 January 2012 | Best Picture | Graham King and Martin Scorsese | Nominated |
Best Director | Martin Scorsese | Nominated | ||
Best Cinematography | Robert Richardson | Nominated | ||
Phoenix Film Critics Society | 27 December 2011 | Best Picture | Graham King and Martin Scorsese | Nominated |
Best Director | Martin Scorsese | Nominated | ||
Best Adapted Screenplay | John Logan | Nominated | ||
Best Cinematography | Robert Richardson | Nominated | ||
Best Production Design | Dante Ferretti | Won | ||
Best Costume Design | Sandy Powell | Nominated | ||
Best Visual Effects | Robert Legato | Won | ||
Best Live Action Family Film | Nominated | |||
Satellite Awards | 19 December 2011 | Best Picture | Graham King and Martin Scorsese | Nominated |
Best Director | Martin Scorsese | Nominated | ||
Best Art Direction and Production Design | Dante Ferretti and Francesca Lo Schiavo | Nominated | ||
Best Cinematography | Robert Richardson | Nominated | ||
Best Visual Effects | Robert Legato | Won | ||
San Diego Film Critics Society Awards | 14 December 2011 | Best Production Design | Dante Ferretti | Won |
Best Film | Graham King and Martin Scorsese | Nominated | ||
Best Director | Martin Scorsese | Nominated | ||
Best Adapted Screenplay | John Logan | Nominated | ||
Best Cinematography | Robert Richardson | Nominated | ||
Best Editing | Thelma Schoonmaker | Nominated | ||
Best Score | Howard Shore | Nominated | ||
Saturn Awards[69] | 20 June 2012 | Best Fantasy Film | Nominated | |
Best Actor | Ben Kingsley | Nominated | ||
Best Performance by a Younger Actor | Asa Butterfield | Nominated | ||
Chloë Grace Moretz | Nominated | |||
Best Director | Martin Scorsese | Nominated | ||
Best Writing | John Logan | Nominated | ||
Best Music | Howard Shore | Nominated | ||
Best Costume | Sandy Powell | Nominated | ||
Best Production Design | Dante Ferretti | Won | ||
Best Editing | Thelma Schoonmaker | Nominated | ||
Washington D.C. Area Film Critics Association Awards[70] | 5 December 2011 | Best Director | Martin Scorsese | Won |
Best Art Direction | Dante Derretti | Won | ||
Best Film | Graham King and Martin Scorsese | Nominated | ||
Best Acting Ensemble | Nominated | |||
Best Adapted Screenplay | John Logan | Nominated | ||
Best Cinematography | Robert Richardson | Nominated | ||
Best Score | Howard Shore | Nominated | ||
World Soundtrack Academy | 20 October 2012 | Best Soundtrack Award | Howard Shore | Nominated |
Composer of the Year | Nominated | |||
Young Artist Award[71] | 6 May 2012 | Best Performance in a Feature Film - Leading Young Actor | Asa Butterfield | Nominated |
Best Performance in a Feature Film - Leading Young Actress | Chloë Grace Moretz | Won |
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- ^ "The American Society of Cinematographers Nominates". The ASC. January 11, 2011. Retrieved February 20, 2012.
- ^ Kilday, Gregg (January 3, 2012). "Art Directors Nominate Movies as Different as 'Harry Potter' and 'The Girl with the Dragon Tattoo'". The Hollywood Reporter. Retrieved January 15, 2012.
- ^ "AACTA Awards winners and nominees 2011" (PDF). Australian Academy of Cinema and Television Arts (AACTA). January 31, 2012. Retrieved February 20, 2012.
- ^ "Orange BAFTA Film Awards 2012 winners list — in full". Digital Bits. Retrieved February 20, 2012.
- ^ "BAFTA 2012 the winners — the full list". The Guardian. London. February 12, 2012. Retrieved February 20, 2012.
- ^ "Tree of Life Leads CFCA Nominations with 7; Descendants, Drive Follow with 6". Chicago Film Critics Association. 2011. Retrieved February 21, 2012.
- ^ "CFCA Names Tree of Life Best Picture". Chicago Film Critics Association. Retrieved February 21, 2012.
- ^ Lyman, Eric J. (April 12, 2012). "Marco Tulio Giordana Drama Earns 16 Nominations for Italy's Top Film Honors". The Hollywood Reporter. Prometheus Global Media. Retrieved December 9, 2012.
- ^ "Best of 2011". Detroit Film Critics Society. Retrieved December 20, 2011.
- ^ "Florida Film Critics swoon for 'The Descendants'". The Miami Herald. December 19, 2011. Retrieved February 20, 2012.
- ^ "Golden Globes 2012 the winners — the full list". The Guardian. London. January 16, 2012. Retrieved February 21, 2012.
- ^ "Golden Globes 2012: The Full List". The Hollywood Reporter. January 15, 2012. Retrieved February 21, 2012.
- ^ "The 13th Annual Golden Trailer Awards". Goldentrailer.com. Retrieved December 8, 2012.
- ^ Brooks, Brian (December 8, 2012). "'The Hunger Games' And 'The Muppets' Top Grammy Awards Movie Nominees". Movieline. Retrieved December 6, 2012.
- ^ "Hugo Named Best Film by NBR". AwardsDaily. December 1, 2011. Retrieved February 21, 2012.
- ^ Goldberg, Matt (February 29, 2012). "Saturn Award Nominations Announced; HUGO and HARRY POTTER Lead with 10 Nominations Each". Collider. Retrieved March 1, 2012.
- ^ "The 2011 WAFCA Awards". dcfilmcritics. December 19, 2011. Retrieved February 21, 2012.
- ^ "33rd Annual Young Artist Awards". YoungArtistAwards.org. Retrieved March 31, 2012.
External links
- Official website
- Hugo at IMDb
- Hugo at the AFI Catalog of Feature Films
- Template:BFI Explore
- Hugo at Box Office Mojo
- Hugo at Rotten Tomatoes
- Hugo at Metacritic
- Hugo, Deep Staging and Keyframed Camera Work Comes to 3D Movies
- 3D Stereoscopic Cinematography review of Hugo 3D on the 3-D Stereoscopic Film and Animation Blog
- 2011 films
- 2010s adventure films
- 2010s drama films
- 2010s mystery films
- 2011 3D films
- American 3D films
- American adventure drama films
- American films
- American mystery films
- Best Art Direction Academy Award winners
- Best Sound Mixing Academy Award winners
- English-language films
- Fictional versions of real people
- Film scores by Howard Shore
- Films about filmmaking
- Films about films
- Films about magic and magicians
- Films about orphans
- Films based on American novels
- Films directed by Martin Scorsese
- Films set in 1931
- Films set in Paris
- Films shot in London
- Films shot in Paris
- Films that won the Best Sound Editing Academy Award
- Films that won the Best Visual Effects Academy Award
- Films whose cinematographer won the Best Cinematography Academy Award
- Films whose director won the Best Director Golden Globe
- Georges Méliès
- Paramount Pictures films
- Rail transport films
- Robot films
- Screenplays by John Logan
- Steampunk films