Hamid Al Shaeri
Hamid al-Shaeri حميد الشاعري | |
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| Background information | |
| Birth name | Abdelhamid Ali Ahmed al-Shaeri |
| Born | November 29, 1961 Benghazi, United Kingdom of Libya |
| Genres | Arabic pop |
| Occupation(s) | Musician, Singer |
| Years active | 1983-present |
| Formerly of | Sons of Africa |
Abdelhamid Ali Ahmed al-Shaeri (Arabic: عبد الحميد علي أحمد الشاعري, romanized: ʿAbd al-Ḥamīd ʿAlī Aḥmad ash-Shāʿirī; born 29 November 1961), better known as Hamid al-Shaeri (also al-Sha'eri and al-Sha'iri; Arabic: حميد الشاعري, romanized: Ḥamīd ash-Shāʿirī), is an Egyptian-Libyan singer, songwriter, and producer, who lives in Egypt.[1] He is considered one of the most influential figures in Arabic pop and has been credited for incorporating Western music styles of synth-pop, western dance, and rock and roll influences alongside traditional Arabic musical features, which came to be known as El Geel.
Born in Benghazi to an Egyptian mother and Libyan father, al-Shaeri first achieved notice in Libya as a founding member of the Sons of Africa during the 1970s, before choosing to move to his maternal country Egypt, where he released his first album, Ayonha, in 1983. Initially unsuccessful, al-Shaeri received widespread critical and commercial acclaim with his second album, Raheel (1984).[2] In addition to his solo work, al-Shaeri has also been noted for his work as producer, including the songs "Law Leki" (1988) performed by Ali Hemeida, and "Ainy" (1997), performed by Hisham Abbas.[3]
Early life
[edit]Al-Shaeri was born in 1961 in Benghazi to a Libyan father and an Egyptian mother. One of sixteen children, al-Shaeri was raised in a polygamous household; his mother died when he was 13. He briefly studied aviation in the United Kingdom, where he was first exposed to synth-pop, though his father originally forbade him from pursuing a career as a musician.[4][5]
Career
[edit]After returning to Libya, al-Shaeri briefly served as an organist in the Libyan Radio Band, before becoming a founding member of the Sons of Africa group, composed of Arab and African musicians, which found particular success within Libya.[1] Al-Shaeri subsequently moved to Alexandria, Egypt, reportedly after witnessing the public burning of Western music instruments.[3]
After moving from Alexandria to Cairo, al-Shaeri released his first album, Ayonha, in 1983. Composed of songs recorded during his time in Libya, the United Kingdom, and Egypt, the album found limited commercial and critical success during its initial release.[4] Al-Shaeri's second album, Raheel (1984), received much more acclaim, in addition to it being a commercial success in Egypt.
In addition to his solo career, al-Shaeri also worked as a producer from the 1980s. His song "Law Leki" (1988), performed by Ali Hemeida, featured cymbals and drum machines alongside traditional Libyan clapping and cymbals; the song has since been called emblematic of the al-Jeel genre, which al-Shaeri spearheaded; the song's production techniques were described as "dominating" the next decade of Arabic pop music.[4]
Outside of the Arab world, al-Shaeri received renewed attention in 2017 when his song "Ayonha" was featured on Habibi Funk's seventh compilation. American music website Pitchfork described the song as the "most exciting track" on the album.[6] As a result of renewed interest in al-Shaeri's work, a 2022 compilation of his early songs, entitled The SLAM! Years (1983-1988), was released, also by Habibi Funk.[1]
Politics
[edit]Al-Shaeri was critical of Libyan leader Muammar Gaddafi, and following the outbreak of the First Libyan Civil War, he wrote several songs that were used by the Libyan opposition movement. He described Gaddafi as a "disgrace to Libyans", and called on Egyptians to support Libyan citizens.[7]
Criticism
[edit]Al-Shaeri faced criticism for "infringing" on Arabic culture and heritage. Egyptian composer Helmy Bakr accused al-Shaeri and other up and coming musicians at the time of tarnishing traditional Arabic music due to their lack of musical education. Al-Shaeri refuted this, stating his musical instinct was more important than his musical knowledge. Al-Shaeri and Bakr appeared to reconcile in 1998 when they both contributed to the operetta The Arab Dream.[3]
Discography
[edit]Solo albums
[edit]| Year | Original Title | Translation | Label | Main Tracks |
|---|---|---|---|---|
| 1983 | Ayonha | Her Eyes | Slam! | Ayonha |
| 1984 | Raheel | Expat | Raheel | |
| 1986 | Akeed | For Sure | Samra | |
| 1988 | Janna | Paradise | Janna | |
| Seneen | Years | Seneen | ||
| 1990 | Hekaya | Story | El Sharq | Maganeen |
| Shaabiyat Vol. 1 | Popular Music Vol. 1 | Sout El Hob | Ana Saber | |
| 1991 | Shara | Badge | El Sharq | Jaljely |
| Shaabiyat Vol. 2 | Popular Music Vol. 2 | Sout El Hob | Al Bahr | |
| Inta Al Nass Al Helo - with Shereen Wagdi | You're the Beautiful Story | Al Jazira | Inta Al Nass Al Helo | |
| Kawahel | Ankles | El Sharq | Kawahel | |
| Halaweit Zaman | Sweets From the Past | Rotana | Sawaah | |
| 1993 | Lewin | Where to | High Quality | Lewin |
| Hodoa Moakat | Temporary calm | Gayez | ||
| Ishr Al Bondok - Soundtrack from Khairy Beshara's Motion Picture | Hazlenut Peel | Mogiphone | Al Koha | |
| 1995 | Sadeeq | Friend | Megastar | Kol Haga |
| Wahashtina Ya Shadia | I Miss You Shadia | Sono Cairo | Asmarany Allon | |
| 1996 | Halawtak Ya Fawzi | Sings Mohamed Fawzi | Fattouma | |
| Hayartouna | You Confused Us | Megastar | Boss Shouf | |
| 1997 | Shaabiyat Vol. 3 | Popular Music Vol. 3 | Sout El Hob | Raksat Al Magnouna |
| Ainy | My Eye | Alam El Phan | Ainy - with Hisham Abbas | |
| Ishtaknalkom | We Missed You | Megastar | Washrah Laha | |
| 1998 | Tegannin Ya Farid | Sings Farid El Atrache | Alby Wa Moftaho | |
| 1999 | Bahebbik Ya Fairuz | Sings Fairuz | New Sound | Sa'alouni Annass |
| 2000 | Ghazaly | My Dear | Alam El Phan | Ghazaly - with Moustafa Amar |
| 2006 | Roh El Samara | Spirit of My Love | Roh El Samara |
Collaborative work
[edit]| Year | Original Title | Translation | Featured Singer | Label |
|---|---|---|---|---|
| 1990 | Betkalem Gad | I Speak the Truth | Simone | Americana |
| Halal Alek | It's Your Fault | Hisham Abbas | ||
| 1997 | Ainy | My Eye | Alam El Phan | |
| 1998 | Kahil Eleain | Beautiful Eyes | Fares | High Quality |
| 2000 | Ghazaly | My Dear | Moustafa Amar | Alam El Phan |
| 2006 | Leish | Why | Dalinda | Mazzika |
| 2020 | Zahmet El Ayam | Busy Days | Hisham AbbasMoustafa AmarEhab Tawfik | Camp |
| Ya Donia Dawara | The Round World | Youssef | ||
| El Helween Bezyada | Enough Beautiful People | Joury |
Producer credits
[edit]| Year | Artist | Original Title | Translation | Label | Main Track |
|---|---|---|---|---|---|
| 1986 | Ahmed Mounib | Meshtakin | I Miss You | Rondo | Al Leila Ya Samra |
| 1987 | Lebleba | Bint Misr Al Gedida | The New Girl From Egypt | Alam El Phan | Bint Misr Al Gedida |
| 1988 | Ali Hamida | Lolaky | If It Weren't For You | El Sharq | Lolaky |
| 1989 | Amr Diab | Shawa'na | We Missed Each Other | Delta Sound | Shawa'na |
| Randa | Meen Adda | Who's Good Enough | Audio Club | Damak T'eel | |
| Simone | Betkalem Gad | I Speak the Truth | Americana | Betkalem Gad | |
| 1990 | Hanan | Ray'a | Calm | Slam! | Maak |
| Amr Diab | Mayal | Leaning | Delta Sound | Meen Gherik | |
| Fares | Sehrak | Your Mystery | High Quality | Sehrak | |
| 1991 | Simone | Allo | Delta Sound | Rekka | |
| Moustafa Amar | Wassaf | Describer | Slam! | Makateeby | |
| 1992 | Eskandarani | Born in Alexandria | Eskandarani | ||
| Amr Diab | Ayamna | Our Days | Delta Sound | El Madi | |
| Hisham Abbas | Hala | Situation | Americana | Halal Alek | |
| Ehab Tawfik | Rasamtek | I Drew You | Slam! | Amarna | |
| 1993 | Hanan | Testahel | You Deserve It | Testahel | |
| 1994 | Hisham Abbas & Alia | Taala | Come | Americana | Wana Aamal Eh |
| Amr Diab | We Yloumouni | And They Blame Me | Delta Sound | We Yloumouni | |
| Moustafa Amar | Seket El A'shi'n | Lovers Railway | Slam! | Bahebak | |
| 1995 | Eftekerni | Think of Me | Elle Shabakni | ||
| 1996 | Hisham Abbas | Zay Al Awal | Like the First Time | Americana | Adik |
| Amr Diab | Nour El Ain | Light of the Eye | Alam El Phan | Nour El Ain | |
| 1998 | Awedouny | Make Me Get Used to It | Awedouny | ||
| Hisham Abbas | Ya Leila | Oh Night | Africana | Ya Leila | |
| Wael Kfoury | Shobbak Al Hob | Window of Love | Music Box | Kalb Wa Jorh Wa Chawk | |
| Fares | Tani | Again | High Quality | Tani | |
| 1999 | Amr Diab | Amarain | Two Moons | Alam El Phan | Betwaheshny |
| Moustafa Amar | Eineik Wahshany | I Miss Your Eyes | Founoon | Ah Min Khoudoudoh | |
| 2000 | Hisham Abbas | Habibi Dah | That's My Love | Delta Sound | Mush Hayin Alaya |
| 2004 | Fadl Shaker | Saharny Al Shoq | Love Kept Me Awake | Rotana | Ya Habibi |
References
[edit]- ^ a b c Van Nguyen, Dean (14 March 2022). "The Origins of Egyptian Music Legend Hamid Al Shaeri". Bandcamp. Retrieved 6 July 2023.
- ^ "حميد الشاعري يحتفل بعيد ميلاده وسط نجوم التسعينيات.. صور". Gololy (in Arabic). 30 November 2018. Retrieved 6 July 2023.
- ^ a b c Hammond, Andrew (2005). Pop Culture Arab World!: Media, Arts and Lifestyle. London: Bloomsbury Academic. p. 170. ISBN 9781851094493.
- ^ a b c Ciantar, Philip (2016). The Ma'luf in Contemporary Libya: An Arab Andalusian Musical Tradition. Abingdon-on-Thames: Taylor & Francis. p. 20. ISBN 9781317024583.
- ^ Rugoff, Lazlo (18 January 2022). "Hamid Al Shaeri's '80s Egyptian disco pop collected in new Habibi Funk LP". The Vinyl Factory. Retrieved 6 July 2023.
- ^ Beta, Andy (11 December 2017). "Habibi Funk: An Eclectic Selection of Music From the Arab World". Pitchfork. Retrieved 6 July 2023.
- ^ "Hameed Al Sha'eri considers Muamar Gaddafi a disgrace". Al Bawaba. 26 February 2011. Retrieved 6 July 2023.
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