Jump to content

Gavriil Skorodumov

From Wikipedia, the free encyclopedia
(Redirected from Gabriel Scorodomoff)
Gavriil Skorodumov
Гавриил Иванович Скородумов
Self-Portrait in the Print Room of the Hermitage, c. or after 1785, watercolor, Russian Museum, Saint Petersburg
Born(1755-03-12)March 12, 1755
DiedJuly 12, 1792(1792-07-12) (aged 37)
Resting placeSmolensky Cemetery, Saint Petersburg
NationalityRussian
Education
Alma materImperial Academy of Arts (1773)
Known for
AwardsBig Gold Medal of the Imperial Academy of Arts (1772)[1]
ElectedMember Academy of Arts (1785)

Gavriil Ivanovich Skorodumov (Russian: Гавриил Иванович Скородумов; 12 March 1755 – 12 July 1792)[2] was a Russian Empire engraver, draftsman, and painter, best known for his stipple prints. The most notable printmaker from the Catherinian era, Skorodumov had an active career that spanned three decades, and was regarded as the first Russian-born artist to gain international acclaim.[3]

Biography

[edit]

He was born into a family of hereditary craftsmen. In 1764, he was admitted to the Imperial Academy of Arts, where he studied painting and engraving with Grigoriy Srebrenitsky [ru], Johann Stenglin and Anton Losenko. In 1772, he graduated with a large gold medal for his engraving, Lot with His Daughters, after a painting by Louis-Jean-François Lagrenée. The medal came with a grant for travelling abroad.

The following year, he and Mikhail Belsky, another grant recipient, went to London together. He studied in the workshop of the famous engraver, Francesco Bartolozzi, where he learned engraving techniques that were not in use in Russia (stippling and the "crayon manner"). Before he had finished his studies, he was already taking orders from local publishers, reproducing works by Joshua Reynolds and Benjamin West. He established his fame with 24 engravings based on works by Angelica Kaufman, an especially fashionable artist.

Although he was supposed to leave England in 1776, he continued to put off his return to Russia for as long as possible. He finally yielded in 1782, when he heard that Empress Catherine admired his work and would "give him a thousand two hundred rubles and a thousand for the trip, if only he promised not to be lazy".[4] Upon his arrival in St. Petersburg, she named him Court Engraver and caretaker of engravings at the Hermitage Museum, with a salary of 1,200 Rubles, an apartment worth 600 Rubles, and his own personal printer.

Things did not go as well as planned, however. Within a few months of his arrival, the Empress was apparently tired of his constant complaints and hinted that he was free to leave if he wished. In 1783, she noted that nobody had seen any of his works. In the Spring of 1784, she suspended his salary until he had something to show for it.[4] Nobody knows for certain why his productivity declined, although drinking has been suggested as a likely cause. In 1789, Ivan Krylov published a satire in his magazine, Почта духов, in which one of the characters, an artist named Trudolyubov (Hardworking), laments that he misses England, was better paid there, and is so depressed that he became a drunkard.[5]

During the last few years of his life, he managed to produce some engravings and portrait miniatures. In 1791, he began work on an album, with twelve scenes of St. Petersburg, that was never completed. On the day of his death, he was the guest of a merchant named Strunnikov. After dinner, he laid down on some damp grass to take a nap. By evening, he had become deranged, and was dead before morning, aged only thirty-seven.[6]

Works

[edit]

References

[edit]
  1. ^ Kondakov 1915, p. 439.
  2. ^ Komelova 1996, p. 823; Bénézit 2006, p. 882.
  3. ^ Gabriel Scorodomoff. Fine Arts Museums of San Francisco. Retrieved 11 February 2016.
  4. ^ a b Письма Екатерины II к Гримму… (Letters from Catherine to Grimm), Русского Исторического Общества, 1878
  5. ^ "Почта духов", СПб, 1789, pp. 123, 124.
  6. ^ Rovinsky 1895, col. 890.
  7. ^ A Sultana. Victoria & Albert Museum. Retrieved 11 February 2016.

Further reading

[edit]
Contemporary sources
General studies
  • Adaryukov, Vladimir Y. [in Russian]. State Museum of Fine Arts, Moscow (ed.). Гравюры Г. И. Скородумова (exhibition catalogue) (in Russian). Moscow: State Museum of Fine Arts. OCLC 54194454.
  • Komelova, Galina N. (1974). "Русский гравёр Гавриил Иванович Скородумов. 1755–1792". Труды Государственного Эрмитажа (in Russian). 15. Leningrad: Aurora: 36–57.
  • Mishina, Yelena A. (2000). Russian Museum, Saint Petersburg (ed.). Гавриил Иванович Скородумов, 1754–1792 (collection catalogue) (in Russian). Saint Petersburg: Palace Editions. ISBN 5-93332-032-3.
  • Mishina, Yelena A. (2003). Гаврила Скородумов [Gabriel Skorodoomoff] (catalogue raisonné) (in Russian). Saint Petersburg: Ars. ISBN 5-900351-44-0. OCLC 55501949.
  • Nekrasova, Yekaterina A. [in Russian] (1954). Гаврила Иванович Скородумов. Массовая библиотека (in Russian). Moscow: Iskusstvo. OCLC 749056578.
Specialty studies
  • Nekrasova, Yelena A. (1956). "Портрет в творчестве Г. И. Скородумова". In Fyodorov-Davydov, Alexei A. [in Russian] (ed.). Материалы по теории и истории искусства (collected papers) (in Russian). Moscow: Moscow University Press. pp. 118–132. OCLC 427304560.
  • Sevostyanova, Galina A. (1989). "Английский период в творчестве Г. И. Скородумова". In Reznitskaya, O. A. (ed.). Вопросы изучения отечественного искусства (collected papers) (in Russian). Leningrad: Repin Institute of Arts. pp. 45–53. LCCN 90-202899. OCLC 22594985.
Additional notes
Reference books
[edit]

Media related to Gavriil Skorodumov at Wikimedia Commons