Grammy Awards

"Grammy" redirects here. For other uses, see Grammy (disambiguation).

For the February 2, 2025, Grammy Awards, see 67th Annual Grammy Awards.

Grammy
Current: 67th Annual Grammy Awards
Awarded for	Outstanding achievements in the music industry
Country	United States
Presented by	The Recording Academy
First awarded	May 4, 1959 (1959-05-04) (as Gramophone Award)
Website	www.grammy.com
Television/radio coverage
Network	NBC (1959–1970) ABC (1971–1972) CBS (1973–present)

The Grammy Awards, stylized as GRAMMY, and often referred to as the Grammys, are awards presented by the Recording Academy of the United States to recognize outstanding achievements in the music industry. They are regarded by many as the most prestigious and significant awards in the music industry worldwide. They were originally called the Gramophone Awards, as the trophy depicts a gilded gramophone.

The Grammys are the first of the Big Three networks' major music awards held annually, and are considered one of the four major annual American entertainment awards with the Academy Awards (for films), the Emmy Awards (for television), and the Tony Awards (for theater). The first Grammy Awards ceremony was held on May 4, 1959, to honor the musical accomplishments of performers for the year 1958. After the 2011 ceremony, the Recording Academy overhauled many Grammy Award categories for 2012. The 67th Annual Grammy Awards, featuring a total of 94 categories, will be presented on February 2, 2025.

After over fifty years being broadcast on CBS, it was announced on October 30, 2024, that the Grammys would move to ABC, Disney+ and Hulu as part of a ten-year broadcast deal between the Recording Academy and The Walt Disney Company.

History

Most recent Grammy Award winners

Best in 2022–23

Award Album of the Year Record of the Year Winner Taylor Swift (Midnights) Miley Cyrus ("Flowers")   Award Song of the Year Best New Artist Winner Billie Eilish ("What Was I Made For?") Victoria Monét

Previous Album of the Year Harry's House Album of the Year Midnights

The Grammys had their origin in the Hollywood Walk of Fame project in the 1950s. As recording executives on the Walk of Fame committee compiled a list of significant recording industry people who might qualify for a Walk of Fame star, they realized that many leading people in their business would not earn a star on Hollywood Boulevard. They determined to rectify this by creating awards given by their industry similar to the Oscars and the Emmys. After deciding to go forward with such awards, a question remained what to call them. One working title was the 'Eddie', to honor Thomas Edison, the inventor of the phonograph. Eventually, the name was chosen after a mail-in contest whereby approximately 300 contestants submitted the name 'Grammy', with the earliest postmark from contest winner Jay Danna of New Orleans, Louisiana, as an abbreviated reference to Emile Berliner's invention, the gramophone. Grammys were first awarded for achievements in 1958.

The first award ceremony was held simultaneously in two locations on May 4, 1959, the Beverly Hilton Hotel in Beverly Hills, California, and the Park Sheraton Hotel in New York City, New York, with 28 Grammys awarded. The number of awards given grew, at one time reaching over 100, and fluctuated over the years with categories added and removed. The second Grammy Awards, also held in 1959, was the first ceremony to be televised, but the ceremony was not aired live until the 13th Annual Grammy Awards in 1971.

Latin Grammy Awards

Main article: Latin Grammy Awards

The concept of a separate Grammy Awards for Latin music recorded in Spanish or Portuguese began in 1989, as it was deemed too large to fit on the regular Grammys ceremony. The Recording Academy then established the Latin Recording Academy in 1997, and the separate Latin Grammy Awards were first held in 2000. The Latin Grammys honor works recorded in Spanish or Portuguese from anywhere around the world that has been released either in Ibero-America, the Iberian Peninsula, or the United States.

COVID-19 impact (2021–2022)

The 63rd Annual Grammy Awards were postponed from its original January 31, 2021, date to March 14, 2021, due to the music industry impact of COVID-19 pandemic.

The 64th Annual Grammy Awards were also postponed from its original January 31, 2022, date to April 3, 2022, due to health and safety concerns related to the COVID-19 Delta cron hybrid variant. The ceremony was also moved from the Crypto.com Arena in Los Angeles to the MGM Grand Garden Arena in Las Vegas due to the former having scheduling conflicts with sports games and concerts nearly every night through mid-April.

Gramophone trophy

Ted Jensen's 2002 Grammy Award

The gold-plated trophies, each depicting a gilded gramophone, are made and assembled by hand by Billings Artworks in Ridgway, Colorado. In 1990, the original Grammy design was reworked, changing the traditional soft lead for a stronger alloy less prone to damage, making the trophy bigger and grander. Billings developed Grammium, a zinc alloy which they trademarked. Trophies engraved with each recipient's name are not available until after the award announcements, so "stunt" trophies are re-used each year for the ceremony broadcast.

By February 2009, some 7,578 Grammy trophies had been awarded.

Ceremonies

Edition	Date	Venue	Venue City	Host	Network	Viewers (in millions)
1st	May 4, 1959	Various (including Beverly Hilton Hotel)	Beverly Hills & New York City	Mort Sahl	NBC	—
2nd	November 29, 1959			Meredith Willson
3rd	April 13, 1961			None
4th	May 29, 1962		Chicago, Los Angeles & New York City
5th	May 15, 1963			Frank Sinatra
6th	May 12, 1964			None
7th	April 13, 1965	Beverly Hilton Hotel	Beverly Hills
8th	March 15, 1966	Various	Chicago, Los Angeles, Nashville and New York City	Jerry Lewis
9th	March 2, 1967			None
10th	February 29, 1968
11th	March 12, 1969
12th	March 11, 1970
13th	March 16, 1971	Hollywood Palladium	Los Angeles	Andy Williams	ABC
14th	March 15, 1972	Madison Square Garden	New York City
15th	March 3, 1973	Tennessee Theatre	Nashville		CBS
16th	March 2, 1974	Hollywood Palladium	Los Angeles
17th	March 1, 1975	Uris Theater	New York City
18th	February 28, 1976	Hollywood Palladium	Los Angeles
19th	February 19, 1977					28.86
20th	February 23, 1978	Shrine Auditorium	Los Angeles	John Denver		—
21st	February 15, 1979					31.31
22nd	February 27, 1980			Kenny Rogers		32.39
23rd	February 25, 1981	Radio City Music Hall	New York City	Paul Simon		28.57
24th	February 24, 1982	Shrine Auditorium	Los Angeles	John Denver		24.02
25th	February 23, 1983					30.86
26th	February 28, 1984					51.67
27th	February 26, 1985					37.12
28th	February 25, 1986			Kenny Rogers		30.39
29th	February 24, 1987			Billy Crystal		27.91
30th	March 2, 1988	Radio City Music Hall	New York City			32.76
31st	February 22, 1989	Shrine Auditorium	Los Angeles			23.57
32nd	February 21, 1990			Garry Shandling		28.83
33rd	February 20, 1991	Radio City Music Hall	New York City			28.89
34th	February 25, 1992			Whoopi Goldberg		23.10
35th	February 24, 1993	Shrine Auditorium	Los Angeles	Garry Shandling		29.87
36th	March 1, 1994	Radio City Music Hall	New York City			23.69
37th	March 1, 1995	Shrine Auditorium	Los Angeles	Paul Reiser		17.27
38th	February 28, 1996			Ellen DeGeneres		21.50
39th	February 26, 1997	Madison Square Garden	New York City			19.21
40th	February 25, 1998	Radio City Music Hall		Kelsey Grammer		25.04
41st	February 24, 1999	Shrine Auditorium	Los Angeles	Rosie O'Donnell		24.88
42nd	February 23, 2000	Staples Center				27.79
43rd	February 21, 2001			Jon Stewart		26.65
44th	February 27, 2002					18.96
45th	February 23, 2003	Madison Square Garden	New York City	None		24.82
46th	February 8, 2004	Staples Center	Los Angeles			26.29
47th	February 13, 2005			Queen Latifah		18.80
48th	February 8, 2006			None		17.00
49th	February 11, 2007					20.05
50th	February 10, 2008					17.18
51st	February 8, 2009					19.04
52nd	January 31, 2010					25.80
53rd	February 13, 2011					26.55
54th	February 12, 2012			LL Cool J		39.91
55th	February 10, 2013					28.37
56th	January 26, 2014					28.51
57th	February 8, 2015					25.30
58th	February 15, 2016					24.95
59th	February 12, 2017			James Corden		26.05
60th	January 28, 2018	Madison Square Garden	New York City			19.80
61st	February 10, 2019	Staples Center	Los Angeles	Alicia Keys		19.88
62nd	January 26, 2020					18.70
63rd	March 14, 2021	Los Angeles Convention Center		Trevor Noah		9.23
64th	April 3, 2022	MGM Grand Garden Arena	Las Vegas			9.59
65th	February 5, 2023	Crypto.com Arena	Los Angeles			12.55
66th	February 4, 2024					16.90
67th	February 2, 2025			TBA		TBA

Categories

Main article: List of Grammy Award categories

The "General Field" are four awards which are not restricted by music genre.

• The Album of the Year award is presented to the performer, featured artists, songwriter(s), and/or production team of a full album if other than the performer.
• The Record of the Year award is presented to the performer and/or production team of a single song if other than the performer.
• The Song of the Year award is presented to the songwriter(s) of a single song.
• The Best New Artist award is presented to a promising breakthrough performer (or performers) who in the eligibility year releases the first recording that establishes their public identity (which is not necessarily their first proper release).

To date, three artists have won all four awards, two won all four at once: Christopher Cross (1981) and Billie Eilish (2020). Adele won the Best New Artist award in 2009 and her other three awards in 2012 and 2017. At age 18, Eilish is the youngest artist to have won all four awards.

As of 2024, an additional two awards were added to the "General Field".

• The Producer of the Year, Non-Classical award is presented to a producer for a body of work released during the eligibility period. It was first presented in 1974 and was not previously part of any specific field.
• The Songwriter of the Year, Non-Classical award is presented to an individual who works primarily as a songwriter for a body of work released during the eligibility period. It was first presented in 2023 and was not previously part of any specific field.

Other awards are given for performance and production in specific genres and for other contributions such as artwork and video. Special awards are also given for longer-lasting contributions to the music industry.

Because of the large number of award categories (94 as of 2024), and a desire to feature several performances by various artists, only awards with the most popular interest – typically about 10 to 12, including the four general field categories and one or two categories in the most popular music genres (i.e., pop, rock, country, and rap) – are presented directly at the televised award ceremony. Most other Grammy trophies are presented in a pre-telecast "Premiere Ceremony" in the afternoon before the Grammy Awards telecast.

2012 category restructuring

On April 6, 2011, the Recording Academy announced a significant overhaul of many Grammy Award categories for 2012. The number of categories was cut from 109 to 78. The most substantial change was eliminating the distinction between male and female soloists and between collaborations and duo/groups in various genre fields (pop, rock, rhythm and blues [R&B], country, and rap). Additionally, several instrumental soloist categories were discontinued; recordings in these categories now fall under general categories for best solo performances.

In the rock field, the hard rock and metal album categories were combined. The Best Rock Instrumental Performance category was also eliminated.

In R&B, the distinction between best contemporary R&B album and other R&B albums has been eliminated, consolidated into one Best R&B Album category.

In rap, the categories for best rap soloist and best rap duo or group have been merged into the new Best Rap Performance category.

The roots category had the most eliminations. Up through 2011, there were separate categories for regional American music forms, such as Hawaiian, Native American, and Zydeco/Cajun music. A consistently low number of entries in these categories led the Recording Academy to combine these music variations into a new Best Regional Roots Music Album, including polka, which had lost its category in 2009.

In same-genre fields, the traditional and contemporary blues categories and the traditional and contemporary folk categories each were consolidated into one per genre due to the number of entries and the challenges in distinguishing between contemporary and traditional blues and folk songs. In the world music field, the traditional and contemporary categories also were merged.

In the classical field, its main category Best Classical Album, was discontinued because most recipients in the category had also won in other classical categories for the same album. Classical recordings are now eligible for the main Album of the Year category.

A few minor name changes were also made to better reflect the nature of the separate categories. The Recording Academy determined that the word "gospel" in the gospel genre field tends to connote images and sounds of traditional soul gospel to the exclusion of Contemporary Christian Music (CCM). Therefore, the field and some categories were renamed as Gospel/Contemporary Christian Music.

Since 2012

Since 2012, small adjustments have been made to lists of categories and genre fields. The number of categories has risen from 78 in 2012 to 84 since 2017. In 2020, amid the George Floyd protests, several urban, rap, and Latin music categories were renamed. In 2022, the number of awards was increased from 86 to 91. Performance categories were added for the Americana and alternative music genres alongside new categories for video game score and spoken word poetry albums. A songwriter category (non-classical) and a song for social change category were also added and several categories were adjusted slightly.

In 2023, several key changed were announced for the 66th Annual Grammy Awards, set to take place in 2024. Three new categories were announced, bringing the total number to 94, the highest since the peak of 109 in 2010. In addition, both Producer of the Year, Non-Classical and Songwriter of the Year, Non-Classical, were moved to the General Field, the first time new categories had been added to this field since the concept of the Big Four was established. The total number of fields was consolidated from 26 to 11 to ensure that all voting members would be able to exercise their allocated ten genre votes, as some members were prevented from doing so previously due to some fields only containing one category.

Entry process and selection of nominees

Members of the National Academy of Recording Arts and Sciences (NARAS), both media companies and individuals, may nominate recordings for consideration. Entries are made and submitted online. When a work is entered, review sessions are held that involve over 150 recording industry experts, to determine that the work has been entered in the correct category.

The resulting lists of eligible entries are then circulated to voting members, each of whom may vote to nominate in the general fields (Record of the Year, Album of the Year, Song of the Year, and Best New Artist) and in up to nine out of 30 other fields on their ballots. The five recordings that earn the most votes in each category become the nominees, while in some categories (craft and specialized categories) review committees determine the final five nominees. There may be over five nominees if a tie occurs in the nomination process.

Although members of the Academy of Motion Picture Arts and Sciences generally are invited to screenings or are sent DVDs of films nominated for Oscars, NARAS members do not receive nominated recordings, but instead receive access to a private online listening service.

Final voting

After nominees have been determined, final voting ballots are sent to NARAS voting members, who may then vote in the general field and cast ten votes in various genre categories spread to three of the eleven fields. Members are encouraged, but not required, to vote only in their fields of expertise. Ballots are tabulated secretly by the independent accounting firm Deloitte Touche Tohmatsu. After vote tabulation, winners are announced at the Grammy Awards. The recording with the most votes in a category wins, and it is possible to have a tie (in which case the two [or more] nominees who tie are considered winners). Winners are presented with a Grammy Award; those who do not win receive a medal for their nomination.

In both voting rounds, Academy members are required to vote solely based on quality, without consideration for sales, chart performance, personal friendships, regional preferences or company loyalty. Gifts may not be accepted. Members are urged to vote in a manner that preserves the integrity of the academy and their member community. Although registered media companies may submit entries, they have no vote.

Certificates

In many categories, certificates are presented to those ineligible for a Grammy Award but who did contribute to a winning recording. These certificates are known as Participation Certificates or Winners Certificates. Those eligible for a certificate can apply for one in the weeks after the Grammy ceremony.

Special honors

Grammy Legend

Main article: Grammy Legend Award

A special Grammy Award of merit is occasionally awarded to recognize "ongoing contributions and influence in the recording field". It has come to be known as the Grammy Legend Award and the Grammy Living Legend Award at different ceremonies. As of 2018, fourteen solo musicians and one band have received this award.

Salute to Industry Icons Award

The Grammy Salute to Industry Icons Award honors those who have made innovative contributions to the music industry. Recipients include:

• Herb Alpert and Jerry Moss
• Irving Azoff
• Martin Bandier
• Richard Branson
• Clive Davis
• Prince
• Ahmet Ertegun
• David Geffen
• Berry Gordy
• Lucian Grainge
• Jay-Z
• Debra L. Lee
• Doug Morris
• Mo Ostin
• L.A. Reid
• Sean Diddy Combs
• Julie Greenwald and Craig Kallman
• Rob Stringer
• Jon Platt

Venue

Main article: List of Grammy Award ceremony locations

The Crypto.com Arena in Los Angeles has served as the venue for the Grammy Awards since 2000

Before 1971, Grammy Award ceremonies were held in different locations on the same day. Originally New York City and Los Angeles were the host cities. Chicago joined as a host city in 1962 and Nashville became a fourth location in 1965.

The 1971 ceremony at the Hollywood Palladium in Los Angeles was the first to take place in one location. In 1972, the ceremony was then moved to Madison Square Garden's Felt Forum in New York City, then moved in 1973 to Nashville's Tennessee Theatre. From 1974 to 2003, the Grammys were held in various venues in New York City and Los Angeles, including New York's Madison Square Garden and Radio City Music Hall; and Los Angeles' Shrine Auditorium, Staples Center and Hollywood Palladium.

In 2000, the Crypto.com Arena (known as the Staples Center from 1999 to 2021) became the permanent home of the award ceremonies. The Grammy Museum was built across the street from the Crypto.com Arena in LA Live to preserve the history of the Grammy Awards. Embedded on the sidewalks on the museum streets are bronze disks, similar to the Hollywood Walk of Fame, to honor each year's top winners, Record of the Year, Best New Artist, Album of the Year, and Song of the Year. Since 2000, the Grammy Awards have taken place outside of Los Angeles only three times. New York City's Madison Square Garden hosted the awards in 2003 and in 2018, while the MGM Grand Garden Arena in Las Vegas hosted in 2022.

The annual awards ceremony at the Crypto.com Arena requires the local sports teams such as the Los Angeles Kings, Los Angeles Lakers and Los Angeles Sparks to play an extended length of road games.

Leading winners

Main article: Grammy Award records

With 32 Grammy Awards, Beyoncé is the artist with the most Grammy wins. U2, with 22 Grammy Awards, holds the record for most awards won by a group.

Criticism

Commercialism

When Pearl Jam won a Grammy for the Best Hard Rock Performance in 1996, the band's lead singer Eddie Vedder commented on stage, "I don't know what this means. I don't think it means anything." In 2008, Glen Hansard, leader of the Irish rock group The Frames, stated that the Grammys represent something outside of the real world of music "that's fully industry based". He said he was not particularly interested in attending that year's ceremony, even though he had been nominated for two awards. Maynard James Keenan, lead singer of progressive rock band Tool, did not attend the Grammy Awards ceremony to receive one of the band's awards, explaining that:

I think the Grammys are nothing more than some gigantic promotional machine for the music industry. They cater to a low intellect and they feed the masses. They don't honor the arts or the artist for what he created. It's the music business celebrating itself. That's basically what it's all about.

The Grammys have also been criticized for generally awarding or nominating more commercially successful albums rather than critically successful ones. In 1991, Sinéad O'Connor became the first musician to refuse a Grammy, boycotting the ceremony after being nominated for Record of the Year, Best Female Pop Vocal Performance, and Grammy Award for Best Alternative Music Performance. O'Connor would go on to win the latter award. She said her reasoning came from the Grammys' extreme commercialism. In 2024, Rhiannon Giddens described the financial strain of attending the ceremony for middle and working class musicians. She criticized the Recording Academy for introducing a policy of charging nominees $1200 for a plus one, saying the policy "makes it ever more obvious who is valued, and more specifically what (that would be lots of money, for the folks in the back)." A Billboard article clarified that the new policy was a tiered system, ranging from $375 to $2000 for a ticket to attend the pre-telecast ceremony.

Reactions to nominations and awards

The Grammys also have been criticized for snubbing awards to some nominated artists. The organization's awards journey states that nominees and winners are determined solely by voting members of the Recording Academy and that voting members are active creative professionals involved in the recording process, such as performers, songwriters, producers, and engineers.

Nomination review committees, composed of anonymous industry figures, were established following the 37th Grammy Awards, which attracted criticism for the slate of Album of the Year nominations. The winner, Tony Bennett's live album MTV Unplugged, competed against the live classical album The Three Tenors in Concert 1994, Seal's second eponymous album, and the twelfth albums from Bonnie Raitt and Eric Clapton, both longtime musical mainstays. Not nominated that year were several albums that would later be recognized as classics, including Nas's debut album Illmatic, Oasis's debut album Definitely Maybe, Hole's album Live Through This, Jeff Buckley's Grace, and the debut album from Wu-Tang Clan. The nomination review committees would be disbanded in 2021 following criticism of the lack of nominations for The Weeknd's album After Hours.

At the 38th Annual Grammy Awards, artist Mariah Carey was nominated for six awards for her album Daydream, including Album of the Year and Record of the Year for her single "One Sweet Day". Although critics believed Carey would be "cleaning up" that year, Carey ultimately lost in all her nominated categories that night, much to the shock of critics and Carey herself. In 2011, Los Angeles Times journalist Randall Roberts criticized the exclusion of Kanye West's My Beautiful Dark Twisted Fantasy from Album of the Year nominations for the 54th Grammy Awards. He described West's album as "the most critically acclaimed album of the year, a career-defining record". Roberts went on to criticize the Grammy Awards for being "mired in the past" and out of touch with "new media" and trends among music listeners such as music sharing, stating:

The major nominations for the 54th annual awards clearly show that the recording academy has been working overtime to be all-inclusive, but more significantly, they also reveal a deep chasm between its goals and the listening habits of the general population...The focus is still on the old music industry model of cash-cow hits, major label investments and commercial radio...

In an article for Time, journalist Touré also responded to the snub and expressed general displeasure with the awards, stating "I don't pretend to understand the Grammys. I have never been able to discern a consistent logic around who gets nominated or who gets statues. I comprehend the particular logic of the Oscars, but not the big awards for music. My normal state of confusion around what drives Grammy decisions was exponentialized this week when, to the shock of many, Kanye's masterpiece My Beautiful Dark Twisted Fantasy was not nominated for a Grammy for Album of the Year." He went on to compare understanding the Grammy Awards to Kremlinology and commented on The Recording Academy's exclusion of more "mature" hip hop albums as Album of the Year nominees, noting that it occasionally opts to nominate "pop-friendly" hip hop albums instead.

In a 2011 profile for The New York Times after the 53rd Grammy Awards, frontman Justin Vernon of indie band Bon Iver was asked about the Grammys and how he would react to a nomination for his group, to which he responded:

You know, I was thinking about that a couple of months ago, someone asked me that, and I was like "I would go and I would" – and I don't think the Bon Iver record is the kind of record that would get nominated for a Grammy – "I would get up there and be like, 'This is for my parents, because they supported me,' because I know they would think it would be stupid of me not to go up there. But I kinda felt like going up there and being like: "Everyone should go home, this is ridiculous. You should not be doing this. We should not be gathering in a big room and looking at each other and pretending that this is important." That's what I would say.

He reaffirmed this sentiment and commented about the Grammys, saying:

[Ninety-eight] percent of the people in that room, their art is compromised by the fact that they're thinking that, and that they're hoping to get that award. And who is that award given by? It's like they think it's literally handed down by the musical-history gods. And I don't know who the voters are. Like, I have a friend who's a voter who was like, "I had to be a voter because I don't trust the other voters." And I was like, "Me either!" And it's just not important and people spend too much time thinking about it.

Bon Iver subsequently received four nominations in November for the 54th Grammy Awards. After winning, Vernon said in his acceptance, "It's really hard to accept this award. There's so much talent out here [...] and there's a lot of talent that's not here tonight. It's also hard to accept because you know, when I started to make songs I did it for the inherent reward of making songs, so I'm a little bit uncomfortable up here."

In his article "Everything Old Is Praised Again", Jon Caramanica of The New York Times criticized Grammy voters for being "conservative" and disregarding more "forward-looking" music and wrote in response to the 54th Grammy Awards, "for the umpteenth time, the Grammys went with familiarity over risk, bestowing album of the year honors (and several more) on an album that reinforced the values of an older generation suspicious of change." He cited the Grammy successes of Lauryn Hill's The Miseducation of Lauryn Hill (1998), Norah Jones' Come Away with Me (2003), and Adele's 21 (2011) as examples of "the Grammys drop[ping] a boatload of awards on a young female singer-songwriter and her breakthrough album". Of Kanye West's absence from the ceremony, Caramanica stated, "He didn't even bother to show up for the broadcast, which was well enough because hip-hop was almost completely marginalized."

In an article for The Huffington Post, music executive and author Steve Stoute criticized the Recording Academy and the Grammy Awards for having "lost touch with contemporary popular culture" and noted "two key sources" for it: "(1) over-zealousness to produce a popular show that is at odds with its own system of voting and (2) fundamental disrespect of cultural shifts as being viable and artistic." Stoute accused the academy of snubbing artists with more cultural impact, citing respective losses by the critical and commercial successes in Eminem's The Marshall Mathers LP (2000) and Kanye West's Graduation (2007) in the Album of the Year category. Stoute asserted:

As an institution that celebrates artistic works of musicians, singers, songwriters, producers and technical specialists, we have come to expect that the Grammys upholds all of the values that reflect the very best in music that is born from our culture. Unfortunately, the awards show has become a series of hypocrisies and contradictions, leaving me to question why any contemporary popular artist would even participate. [...] While there is no doubt in my mind of the artistic talents of Steely Dan or Herbie Hancock, we must acknowledge the massive cultural impact of Eminem and Kanye West and how their music is shaping, influencing and defining the voice of a generation. It is this same cultural impact that acknowledged the commercial and critical success of Michael Jackson's Thriller in 1984.

In 2020, Canadian artist Abel Tesfaye, known by his stage name The Weeknd, was shut out from the Grammys when his fourth studio album, After Hours, received no nominations at the 63rd Annual Grammy Awards. This came as a surprise to critics, fans, and Tesfaye himself, who had a successful run in 2020 with the success of both his album and the single "Blinding Lights". Tesfaye responded by social media calling the Grammys "corrupt". Speculation arose that the announcement of his then-upcoming Super Bowl performance, as well as the discrepancy of being nominated as pop music versus R&B, contributed to the snubs. Harvey Mason, Jr., CEO of the Recording Academy, responded by saying:

We understand that The Weeknd is disappointed at not being nominated. I was surprised and can empathize with what he's feeling. His music this year was excellent, and his contributions to the music community and broader world are worthy of everyone's admiration. We were thrilled when we found out he would be performing at the upcoming Super Bowl and we would have loved to have him also perform on the Grammy stage the weekend before. Unfortunately, every year, there are fewer nominations than the number of deserving artists. But as the only peer-voted music award, we will continue to recognize and celebrate excellence in music while shining a light on the many amazing artists that make up our global community. To be clear, voting in all categories ended well before The Weeknd's performance at the Super Bowl was announced, so in no way could it have affected the nomination process. All Grammy nominees are recognized by the voting body for their excellence, and we congratulate them all.

Formatting

The Grammys' eligibility period runs from October 1 of one year until September 30 of the next year. Records released in the fourth quarter of a given year are not eligible for that year's awards (the submissions and first round ballots are underway at that time). This is despite the quarter falling during the Christmas and holiday season, when many physical albums have been traditionally released and are heavily purchased for holiday gift giving, and when Christmas music is at its natural peak.

Fans unfamiliar with the Grammys voting window perennially hold a mistaken notion that a favorite artist has then been snubbed; for example, Adele's album 25 was released in November 2015 and thus was ineligible for nomination for the 2015 awards, despite its massive sales, earning its Grammys (including Album of the Year) instead in 2017. Conversely, the Grammys often recognize work more than a year after it was released. Taylor Swift's 1989 won Album of the Year in 2016, even though the album came out in October 2014.

Accusations of racial bias

Main article: Accusations of racial bias in Grammy Awards

The Grammys have also been accused of a racist bias against black recording artists. In a 2017 interview Canadian artist Drake accused the awards of seeing him only as a rapper and not as a pop-music artist due to his previous work and heritage. He criticized the snubbing of "One Dance" for the Record of the Year award and the nomination of "Hotline Bling" for Best Rap Song and Best Rap/Sung Performance, despite it not being a rap song. The Atlantic's Spencer Kornhaber accused the Grammys of "sidelining a black visionary work in favor of a white traditionalist one". Drake did not attend the 2017 awards ceremony where he was nominated. He had a performance in Manchester, England on February 12, 2017, the same night as the ceremony. Frank Ocean was vocal about boycotting the same Grammy Awards and did not submit his album Blonde for award consideration as a protest.

The Grammys were also criticized after the 59th Annual Grammy Awards when Adele's 25 (as mentioned above, released in late 2015) won Album of the Year over Beyoncé's album Lemonade (released in April 2016), which many music publications believed should have won the award. Steve Knopper of Rolling Stone magazine believed that she lost due to the Grammy voters being all white males and for her pro-Black performance during the Super Bowl 50 halftime show. USA Today also criticized Beyoncé's loss stating that "Black artists have struggled to win album of the year". They also felt 25 won only due to the album's record-breaking sales rather than having cultural significance and the large impact that Lemonade had in 2016. Adele also expressed that Lemonade should have won over her for Album of the Year, stating in her acceptance speech:

I can't possibly accept this award. And I'm very humbled and I'm very grateful and gracious. But my artist of my life is Beyoncé. And this album to me, the Lemonade album, is just so monumental. Beyoncé, it's so monumental. And so well thought out, and so beautiful and soul-baring and we all got to see another side to you that you don't always let us see. And we appreciate that. And all us artists here adore you. You are our light.

In 2019, for the first time since Outkast won Album of the Year in 2004, rap artists won major award nominations outside the rap categories when Childish Gambino won the first Song and Record of the Year awards ever for a rap song. Hispanic and Latino Americans (the largest minority in America) are also considered to be under-represented at the Grammy Awards, and their music is prone to be shifted to the categories of the Latin Grammy Awards unless they have a mainstream following.

In April 2022, the late Indian singer Lata Mangeshkar was omitted from the In Memoriam segment, and the nation's domestic media criticized the Grammys and Oscars for their Western-centric view of artists receiving attention over those throughout the rest of the world.

Issues with women

The Grammys have also been criticized for their treatment of female artists specifically. Notably at the 60th Annual Grammy Awards in 2018, New Zealand singer Lorde made headlines after turning down an offer to perform at the ceremony. She suggested that she was invited to perform alongside several other artists in a tribute to Tom Petty but was refused a solo slot, despite being nominated for the Album of the Year award and stated that each male nominee was allowed a solo performance. Lorde's mother Sonja Yelich also criticized the Grammys, pointing out an article that only nine percent of the nominees at the previous six Grammy ceremonies were women. After the ceremony, several media outlets reported that the ceremony had failed women, specifically pointing to the most nominated female artist SZA who failed to win in any of her five nominated categories, and to the Best Pop Solo Performance category which included four female nominees but was won by Ed Sheeran. Neil Portnow, president of the Recording Academy, sparked controversy after stating in an interview that female artists needed to "step up" in order to win awards. Portnow's comments were criticized by many female musicians including Pink, Katy Perry, Vanessa Carlton, Sheryl Crow, Iggy Azalea, Halsey, and Charli XCX. They also caused the hashtag #GrammysSoMale to trend on social media.

Before the 61st Annual Grammy Awards in 2019, singer Ariana Grande decided not to perform or attend that year's ceremony over a disagreement about the song choices for her performance. An anonymous source told Variety that Grande felt "insulted" when producers refused to let the singer perform her latest single "7 Rings". They compromised by having her perform the song as part of a medley, but the condition that the producers choose the second song led Grande to withdraw from the show. The source said that the same stipulations were not imposed on other performers. Grande later accused Grammy producer Ken Ehrlich of lying about why she dropped out of the show. Ehrlich had said that Grande "felt it was too late for her to pull something together". Grande responded:

I can pull together a performance over night and you know that, Ken; it was when my creativity and self expression was stifled by you, that I decided not to attend. I hope the show is exactly what you want it to be and more.

Despite the controversy, Grande won for Best Pop Vocal Album and in 2020 performed at the 62nd Annual Grammy Awards when nominated for five awards, including Album of the Year, but won none. Despite past controversies, female artists dominated the 63rd Annual Grammy Awards, with the big four awards being awarded entirely to women. Several women also broke records at that ceremony.

In May 2018, it was revealed that money intended for the Recording Academy charity MusiCares was siphoned off to pay for the cost overruns of hosting the 60th Annual Grammy Awards at New York City's Madison Square Garden. Concerning the controversies of hosting that year's Grammy Awards in New York, Dana Tomarken, the former executive vice president of the MusiCares foundation claimed wrongful termination. She alleges that she was fired for pushing back against the Academy's "boys club". She claimed that by having the MusiCares Person of the Year Tribute to Fleetwood Mac at Radio City Music Hall, the event had to forgo its traditional VIP dinner and silent auction. She had already been offered a deal to have the event at the Barclays Center in Brooklyn. The Barclays Center is owned by AEG, which competes directly with The Madison Square Garden Company which owns Madison Square Garden and Radio City. Irving Azoff, who then had a joint venture with the Madison Square Garden Company, told Tomarken that the event can not be held at Barclays and had to be held at Radio City. Oak View Group, which is associated with Azoff, received 300 of the highest price tickets to the MusiCares event at Radio City. Oak View Group was supposed to sell them as a package deal which also included tickets to the Grammy Awards themselves. MusiCares was promised to receive $1.5 million from those tickets according to Tomarken. Those 300 tickets were never sold and were then returned to MusiCares, which resulted in a loss.

In June 2019, rapper Nicki Minaj spoke up against the Grammys for allegedly blackballing her after her controversial performance of "Roman Holiday" at the 54th Annual Grammy Awards. Minaj claimed that producer Ken Ehrlich, who had previously accepted the performance, wanted her to cancel it last minute due to what he excused as the passing of Whitney Houston. Minaj however refused his request and performed anyway. She accused that shortly after the performance, Ehrlich had snubbed her from winning the Best New Artist category, which was awarded to Bon Iver. In October 2022, Minaj went after the Grammys again for snubbing her song "Super Freaky Girl" from the rap categories at the 65th Annual Grammy Awards and instead placing it in the pop categories. By way of comparison, Minaj mentioned Latto's 2021 song "Big Energy" being potentially considered for the rap categories, saying that if Minaj's own single is not being qualified as a rap song, neither should be Latto's. She also accused the Grammys of purposely placing her in those categories to favor other artists over her, such as Adele and Harry Styles. After Minaj's comments, Latto later responded to her in a series of tweets, leading them into a back-and-forth argument. Subsequently, Minaj's song was not nominated for any categories for the ceremony, while Latto received nominations for the Best New Artist category as well as the Best Melodic Rap Performance category for the latter song.

Recording Academy CEO Deborah Dugan was placed on leave on January 16, 2020, after a complaint of bullying from a member of staff (according to an anonymous New York Times source), ten days before the 62nd Annual Grammy Awards. Dugan had complained internally, alleging a broken system of voting that was subject to conflicts of interest and unnecessary spending. On the nominations for the 61st Annual Grammy Awards, she stated that the voting process was an "outrageous conflict of interest" with several nominated artists sitting on the voting boards of their prospective categories. She claimed that "one artist who initially ranked 18 out of 20 in the 2019 'Song of the Year' category ended up with a nomination". She also claimed that a few artists like Ed Sheeran and Ariana Grande had the votes to be nominated for the category, but were ultimately omitted.

In 2020, comedy star Tiffany Haddish turned down the invitation to host the 63rd Annual Grammy Awards pre-telecast premiere ceremony when they said that she would have to pay her own way. In an exclusive interview with Variety, Haddish revealed that she was told to cover the cost of hair, makeup, and wardrobe for the three-hour event, adding, "I don't know if this might mean I might not get nominated ever again, but I think it's disrespectful". When contacted, the Recording Academy explained that the premiere ceremony is not a CBS program and is hosted by the Academy, a not-for-profit organization, meaning that artists, hosts and performers have to perform free every year. They also noted that the issue would have no impact in Haddish's future nomination.

In 2022, the Grammys were criticized for nominating, and subsequently awarding, Louis C.K. a Best Comedy Album prize for his comedy special Sincerely Louis C.K. The album made light of, and included jokes about, the multiple sexual misconduct revelations he had admitted to years earlier. In 2023, the Grammys faced significant backlash for debuting a new award called the Dr. Dre Global Impact Award, due to the rapper's history of violence against women.

TV broadcasts and ratings

Before the first live Grammys telecast in 1971 on ABC, a series of filmed annual specials in the 1960s called The Best on Record was broadcast on NBC. The first Grammy Award telecast took place on the night of November 29, 1959, as an episode of the NBC anthology series NBC Sunday Showcase, which normally was devoted to plays, original TV dramas, and variety shows. Until 1971, awards ceremonies were held in both New York and Los Angeles, with winners accepting at one of the two venues. Television producer Pierre Cossette bought the rights to broadcast the ceremony from the National Academy of Recording Arts and Sciences and organized the first live telecast. CBS bought the rights in 1973 after moving the ceremony to Nashville, Tennessee; the American Music Awards were created for ABC by the late Dick Clark as a result.

The Recording Academy announced on June 21, 2011, that it had reached a new deal with CBS to keep the awards show on the network for another 10 years. As part of the new contract, the network would also air a "nominations concert" special in the last week of November, where nominations would be released during a special exclusive to CBS, rather than at a traditional early-morning press conference to a multi-network press pool. This was ended after the 2016 concert due to low ratings and criticism about the announcement format, and as of the 2017 nominations, they have been revealed in a roundtable conversation with Recording Academy representatives during CBS Mornings, though since 2020, it has returned to a traditional noontime Eastern press release statement and highlight of in-show award nominees on social media. In 2016, the Grammys became the first awards show to regularly air live annually in all U.S. territories, and for decades, alongside the Academy Awards, Primetime Emmy Awards and Tony Awards, the shows have aired live in over 150 countries worldwide.

From 2004 to 2019, the Grammys were held on the second Sunday of February (the week after the Super Bowl), with two exceptions: if that day was February 14 (Valentine's Day), it was moved to the following day; if it was a Winter Olympics year, it was held earlier on the last Sunday of January (the week before the Super Bowl). Starting in 2020, the Academy Awards ceremony would move back to the second Sunday of February, forcing the Grammys to move back to the last Sunday of January to avoid conflict with either the Oscars or the Super Bowl. To allow enough time for preparation, the cutoff date for eligible recordings would move from September 30 to August 31. This change reduced the eligibility period for the 2020 awards to eleven months (October 1, 2018 – August 31, 2019), a month shorter than usual.

On October 30, 2024, the Recording Academy announced a ten-year broadcast deal with Disney, which sees the Grammys move to ABC, Disney+, and Hulu starting in 2027; the move ends the Grammys' over-50-year relationship with CBS.

Viewership by year

Year	Viewers (Millions)	Rating/Share (Households)	Average Ad Price (30s)	Source(s)
1974	N/A	30.3/52	N/A
1975	N/A	16.4/30	N/A
1976	N/A	23.8/47	N/A
1977	28.86	21.3/38	N/A
1978	N/A	26.6/44	N/A
1979	31.31	21.9/34	N/A
1980	32.39	23.9/39	N/A
1981	28.57	21.2/34	N/A
1982	24.02	18.2/29	N/A
1983	30.86	25.6/33	N/A
1984	51.67	30.8/45	N/A
1985	37.12	23.8/35	N/A
1986	30.39	20.3/32	$205,500
1987	27.91	18.3/27	$264,200
1988	32.76	21.1/33	$299,900
1989	23.57	16.0/26	$318,300
1990	28.83	18.9/31	$330,600
1991	28.89	18.8/31	$319,200
1992	23.10	16.2/27	$352,900
1993	29.87	19.9/31	$401,500
1994	23.69	16.1/24	$407,700
1995	17.27	11.8/19	$399,100
1996	21.50	14.6/23	$304,800
1997	19.21	13.4/22	$346,300
1998	25.04	17.0/27	$315,600
1999	24.88	16.6/26	$472,000
2000	27.79	17.3/27	$505,500
2001	26.65	16.7/26	$574,000
2002	18.96	11.9/19	$573,900
2003	24.82	14.7/23	$610,300
2004	26.29	15.7/24	$654,600
2005	18.80	11.6/18	$703,900
2006	17.00	10.9/17	$675,900
2007	20.05	12.1/19	$557,300
2008	17.18	10.3/16	$572,700
2009	19.04	10.3/16	$592,000
2010	25.80	TBD	$426,000
2011	26.55	10.0/25	$630,000
2012	39.91	14.1/32	$768,000
2013	28.37	10.1/25	$850,000–$900,000+
2014	28.51	9.9/25	$800,000–$850,000
2015	25.30	8.5/23	$1,000,000
2016	24.95	7.7/22	$1,200,000
2017	26.05	7.8/22
2018	19.80	5.9/21
2019	19.88	5.6/22
2020	18.70	5.4/22
2021	9.23	2.1/22
2022	9.59
2023	12.55
2024
2025

See also

• List of Grammy Award winners and nominees by country

External links

• Official website
• Grammy Awards winners at Grammy.com (searchable database)
• CBS: Grammys Official broadcast for Grammys