Freddy Rodríguez (artist)
Freddy Rodríguez | |
|---|---|
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| Born | 1945 |
| Died | October 10, 2022 (aged 76–77) Queens, New York |
| Nationality | American |
| Education | Art Students League of New York, New School for Social Research, Fashion Institute of Technology |
| Occupation | Artist |
| Awards | Painters & Sculptors Grant, Joan Mitchell Foundation, 1995
Creating a Living Legacy, Joan Mitchell Foundation, 2013 Smithsonian Artist Research Fellowship, 2016 New York Community Trust—Oscar Williams & Gene Derwood Award, 2020 |
| Website | freddyrodriguez |
Freddy Rodríguez (1945 – October 10, 2022) was an American artist born in the Dominican Republic, who lived and worked in New York since 1963. Much of his work takes the form of large hard-edge geometric abstractions. His paintings have been widely exhibited and are held in several important collections.
Early life
[edit]Freddy Rodríguez was born in Santiago de los Caballeros in the Dominican Republic in 1945.[1][2] He comes from a family of Dominican artists including Yoryi Morel.
In 1963, Rodríguez immigrated to the United States for political reasons, during the period after the Rafael Trujillo assassination in 1961.[3] In New York, he often visited the Metropolitan Museum of Art, where he was particularly inspired by the work of El Greco, Rembrandt, Goya, and Van Gogh. At the Museum of Modern Art he preferred Pablo Picasso, Paul Cézanne and Piet Mondrian.
He studied painting at the Art Students League of New York under Sidney Dickinson; and at The New School with John Dobbs and Carmen Cicero. He also studied textile design at the Fashion Institute of Technology.[4]
Career
[edit]In the 1980s, he joined several other visual artists including Bismark Victoria, Eligio Reynoso, Magno Laracuente and Tito Canepa to form "Dominican Visual Artists of New York." This group was successful in obtaining sponsorship for exhibitions of Dominican Art in popular locations.[5] In 1991, the New York Foundation for the Arts named him "Gregory Millard Fellow in Painting." In 1992, he was an NYSCA Artist in Residence at El Museo del Barrio.[6] Rodríguez was a contributing artist to the Flight 587 Memorial located at Belle Harbor, Queens and dedicated in 2006.[7][8]
Rodríguez's artistic practice was influenced by Rembrandt, Paul Cézanne and Piet Mondrian. His style incorporates elements of Abstract Expressionism, Pop and Minimalism. In 2011 the Smithsonian American Art Museum acquired three of his early works, painted in the early 1970s. Tall and narrow, the abstract paintings named Danza Africana, Amor Africano, and Danza de Carnaval represent the energy of Dominican music through vibrant colors and zigzagging lines.[9] A reviewer has discussed the political messages in his work, mourning the impact of colonialism and subsequent dictatorships on the original Caribbean paradise, saying, "The political messages are subsumed by the artist's desire to create beautiful paintings fusing Renaissance and modern traditions. Integrating illusionistic space with flattened surfaces, and contrasting loose and tight brushstrokes, the artist enters a dialogue with centuries of art concerned with these same pictorial issues."[10] His 1974 painting Y me quedé sin nombre is the first work by a Dominican-born New York artist to be acquired by the Whitney Museum of American Art.[11]
Rodríguez died on October 10, 2022 in Queens, New York[12]
Exhibitions
[edit]Rodríguez has exhibited widely in museums, galleries, biennials, and art fairs. In 1994, Rodríguez's work was shown as part of the American contingent at the IV Bienal Internacional de Pintura en Cuenca, Ecuador. Other American artists exhibiting at this show were Donald Locke, Philemona Williamson, Whitfield Lovell and Emilio Cruz.[13]
Selected Permanent Collections
[edit]- Whitney Museum of American Art, New York[14]
- Smithsonian American Art Museum, Washington, DC[15]
- National Portrait Gallery, Washington, DC[16]
- El Museo del Barrio, New York[17][18]
- National Gallery of Art, Washington, DC[19]
References
[edit]- Citations
- ^ Anreus, Alejandro (1999). Freddy Rodríguez: In This House, Trujillo is Chief! En Esta Casa Trujillo es el Jefe (in English and Spanish). Jersey City, NJ: Jersey City Museum. p. 10.
- ^ Genzlinger, Neil (2022-11-05). "Freddy Rodríguez, 76, Artist Who Explored His Dominican Roots, Dies". The New York Times. ISSN 0362-4331. Retrieved 2022-11-08.
- ^ Anreus, Alejandro (1999). Freddy Rodriguez: In This House Trujillo is Chief! En Esta Casa Trujillo es Jefe (in English and Spanish). Jersey City, New Jersey: Jersey City Museum. p. 10.
- ^ Alegría & Ruffinelli 1990, p. 240.
- ^ Zakrzewski Brown 1999, p. 174.
- ^ New York City...
- ^ Genzlinger, Neil (5 November 2022). "Freddy Rodríguez, 76, Artist Who Explored His Dominican Roots, Dies". The New York Times. Retrieved 12 October 2023.
- ^ "Flight 587 Memorial". Americans for the Arts. 15 May 2019. Retrieved 12 October 2023.
- ^ Ramos 2012.
- ^ Alegría & Ruffinelli 1990, p. 96.
- ^ "Freddy Rodríguez enters the permanent collection of The Whitney Museum of American Art". Arte Al Dia. Retrieved 13 October 2023.
- ^ Greenberger, Alex (14 October 2022). "Freddy Rodríguez, Painter Who Highlighted Racial Inequities in the U.S., Dies at 77". ARTnews. Retrieved 12 October 2023.
- ^ Lovell & Lippard 2003, p. 119.
- ^ "Freddy Rodríguez". Whitney Museum of American Art. Retrieved 13 October 2023.
- ^ "Freddy Rodríguez". Smithsonian American Art Museum. Retrieved 12 October 2023.
- ^ "I'm Big Papi". National Portrait Gallery. Retrieved 13 October 2023.
- ^ ""Voces y Visiones: Highlights from El Museo del Barrio's Permanent Collection"". Time Out New York Kids. 3 June 2010. Retrieved 13 October 2023.
- ^ Osorio, Camila (13 August 2019). "The Battle Over the Soul of El Museo del Barrio". The New Yorker. Retrieved 13 October 2023.
- ^ Rodríguez, Freddy (1990), Paradise for a Tourist Brochure, retrieved 2023-02-10
- Abalos, David T. (1998). La Comunidad Latina in the United States: Personal and Political Strategies for Transforming Culture. Greenwood Publishing Group. p. 117. ISBN 978-0-275-95892-3. Retrieved 2012-08-10.
- Alegría, Fernando; Ruffinelli, Jorge (1990). Paradise Lost Or Gained?: The Literature of Hispanic Exile. Arte Publico Press. ISBN 978-1-55885-037-8. Retrieved 2012-08-10.
- Anreus, Alejandro (2008). "Freddy Rodríguez". Retrieved 2012-08-10.
- "Freddy Rodriguez". ArtSlant. Archived from the original on 2013-10-11. Retrieved 2012-08-10.
- Lovell, Whitfield; Lippard, Lucy R. (2003-03-01). The Art of Whitfield Lovell: Whispers from the Walls. Pomegranate. p. 119. ISBN 978-0-7649-2447-7. Retrieved 2012-08-05.
- New York City Department of Cultural Affairs. "Freddy Rodriguez". Archived from the original on 2009-08-25. Retrieved 2012-08-10.
- Ramos, E. Carmen (July 3, 2012). "Preparing for Our America: Music and Abstraction, Works by Freddy Rodríguez". Eye Level. Smithsonian American Art Museum. Retrieved 2012-08-10.
- Smithsonian American Art Museum (2011). "Participant bios for Encuentros: Artistic Exchange between the U.S. and Latin America" (PDF). Archived from the original (PDF) on 2011-11-23. Retrieved 2012-08-10.
- Zakrzewski Brown, Isabel (1999). Culture and Customs of the Dominican Republic. Greenwood Publishing Group. p. 174. ISBN 978-0-313-30314-2. Retrieved 2012-08-10.
Further reading
[edit]- Anreus, Alejandro. Ed. Freddy Rodriguez: In this house, Trujillo is chief! = En esta casa Trujillo es el jefe. Exh cat. Jersey City, NJ: Jersey City Museum of Art, 1999.
- Cullen, Deborah and Elvis Fuentes. Eds. Caribbean: Art at the Crossroads of the World. Exh. cat. New York: El Museo del Barrio in association with Yale University Press, 2012.
- Dardashti, Abigail Lapin. "El Dorado: The Neobaroque in Dominican American Art." Diálogo, Vol. 20, No. 1 (Spring 2017): 73–87.
- Dardashti, Abigail Lapin, et al. Bordering the Imaginary: Art from the Dominican Republic, Haiti, and Their Diasporas. Exh. cat. Brooklyn, NY: BRIC, 2018.
- Hutchinson Modern & Contemporary. Freddy Rodríguez. Exh. cat. New York, NY: Hutchinson Modern & Contemporary, 2021.
- Lewthwaite, Stephanie. "Traumatic Memory in the Art of Freddy Rodríguez." In Memory and Post Colonial Studies: Synergies and New Directions, edited by Dirk Göttsche. Oxford: Peter Lang, 2019.
- Price, Mary Sue Sweeney, E. Carmen Ramos, and Richard Goodbody. America’s Pastime: Portrait of the Dominican Dream, Works by Freddy Rodríguez. Exh. cat. Newark, NJ: The Newark Museum, 2006.
- Ramos, E. Carmen and Tomas Ybarra-Frausto. Our America: The Latino Presence in American Art. Exh. cat. Washington DC: Smithsonian American Art Museum, 2013, pp. 170–173.
External links
[edit]- Our America, Audio Podcasts: Works by Freddy Rodriguez
- Voices in Contemporary Art (VoCA): CALL/VoCA Talk: Freddy Rodríguez
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