File:The Fallen Easel, 1988, John Baldessari at AIC 2023.jpeg
The_Fallen_Easel,_1988,_John_Baldessari_at_AIC_2023.jpeg (343 × 290 pixels, file size: 28 KB, MIME type: image/jpeg)
Summary
[edit]Description | Picture of John Baldessari's photo installation The Fallen Easel (1988) at the Art Institute of Chicago, in 2023. A series of photographs are displayed on a gallery wall, placed at various odd angles. Four photographs at the bottom of the piece are framed, while the top photograph is unframed, having been sliced into multiple long rectangles that were then reassembled on the wall, leaving out most of the original image and creating an empty triangle of space in the middle of the image. Beginning clockwise from the center right, the photographs depict: a group of three men in suits whose faces have each been covered with a red, yellow, and blue dot, respectively, each with an additional, smaller white dot covering a presumed identifier on their lapel; a grainy image of a dolphin or other marine mammal in mid-air having just breached the ocean; a hand entering a scene from the left holding a gun, in a room that appears to be an office or classroom, with most of the rest of the image cropped out; a painting easel knocked over on the ground outdoors, in front of a line of small stones and several sets of shoes from unidentified people outside the image; and, lastly, in the sliced and reassembled photograph, a group of military leaders and politicians standing and sitting around a table in what appears to be a government conference room. |
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Author or copyright owner |
Original work: John Baldessari Depiction: 19h00s |
Source (WP:NFCC#4) | Own work |
Date of publication | Original work: 1988 Depiction: 22 June 2023 |
Use in article (WP:NFCC#7) | John Baldessari |
Purpose of use in article (WP:NFCC#8) | To support encyclopedic discussion of this work in this article. The illustration is specifically needed to support the following point(s): Key example of the artist's early photograph installation, cited in text, for critical analysis of the artist's style |
Not replaceable with free media because (WP:NFCC#1) |
Any derivative work based upon the artwork would be a copyright violation, so creation of a free image is not possible. |
Minimal use (WP:NFCC#3) | Single usage, low resolution |
Respect for commercial opportunities (WP:NFCC#2) |
The use of a low resolution image of the artwork will not impact the commercial viability of the art. |
Other information | Original work: John Baldessari The Fallen Easel, 1988, 9 photolithographs, 53 x 63.4 cm; 52 x 43.5 cm; 35 x 170 cm; 142 x 43 cm; other various dimensions, Ed. 20/35, Art Institute of Chicago, Gift of David C. and Sarajean Ruttenberg, Reference number: 1991.1256.1-9 Depiction: The author of the image has released the photographic work under a free license, or it is in the public domain:
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Fair useFair use of copyrighted material in the context of John Baldessari//wiki.riteme.site/wiki/File:The_Fallen_Easel,_1988,_John_Baldessari_at_AIC_2023.jpegtrue |
Licensing
[edit]This image represents a two-dimensional work of art, such as a drawing, painting, print, or similar creation. The copyright for this image is likely owned by either the artist who created it, the individual who commissioned the work, or their legal heirs. It is believed that the use of low-resolution images of artworks:
qualifies as fair use under United States copyright law. Any other use of this image, whether on Wikipedia or elsewhere, could potentially constitute a copyright infringement. For further information, please refer to Wikipedia's guidelines on non-free content. | |||
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File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 02:33, 21 July 2023 | 343 × 290 (28 KB) | 19h00s (talk | contribs) | Uploading a non-free work, as object of commentary using File Upload Wizard |
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