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File:Schuttersmaaltijd ter viering van de Vrede van Munster Rijksmuseum SK-C-2.jpeg

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Summary

Bartholomeus van der Helst: Banquet at the Crossbowmen’s Guild in Celebration of the Treaty of Münster  wikidata:Q17341692 reasonator:Q17341692
Artist
Bartholomeus van der Helst  (1613–1670)  wikidata:Q380704 s:en:Author:Bartholomeus van der Helst
 
Bartholomeus van der Helst
Alternative names
Bartel van der Elst, Bartelmeus van der Elst, Bartholomeus van der Elst, Bartel van der Helst, Bartelmeus van der Helst, Bartel Verelst, Bartelmeus Verelst, Bartholomeus Verelst, Bartel Verhelst, Bartelmeus Verhelst, Bartholomeus Verhelst
Description Dutch painter and drawer
Date of birth/death 1613 Edit this at Wikidata 16 December 1670 (buried)
Location of birth/death Haarlem Edit this at Wikidata Amsterdam Edit this at Wikidata
Work period 1628–1670 (?)
Work location
Haarlem, Amsterdam (1636-1670)
Authority file
artist QS:P170,Q380704
image of artwork listed in title parameter on this page
Title
Schuttersmaaltijd ter viering van de Vrede van Munster
Object type painting Edit this at Wikidata
Genre schutterstuk Edit this at Wikidata
Description
Nederlands: De schuttersmaaltijd in de Voetboogdoelen of St. Jorisdoelen te Amsterdam ter viering van het sluiten van de vrede van Munster, 18 juni 1648. Voorgesteld zijn: kapitein Cornelis Jansz Witsen (met de zilveren drinkhoorn), luitenant Johan Oetgens van Waveren (die zijn hand schudt), de vaandrig Jacob Banningh (zittend naast de grote trommel), Dirck Claesz Thoveling en Thomas Hartog (sergeanten), Pieter van Hoorn, Willem Pietersz van der Voort, Adriaen Dirck Sparwer, Hendrick Calaber, Govert van der Mij, Johannes Calaber, Benedictus Schaeck, Jan Maes, Jacob van Diemen, Jan van Ommeren, Isaac Ooyens, Gerrit Pietersz van Anstenraadt, Herman Teunisz de Kluyter, Andries van Anstenraadt, Christoffel Poock, Hendrick Dommer Wz, Paulus Hennekijn, Lambregt van den Bos en Willem (de trommelslager). Op de grote trommel hangt een papier met een gedicht van Jan Vos. Door de openstaande ramen is de gevel van de brouwerij 'het Lam' aan de Singel zichtbaar. Rechts brengt een vrouwen een kalkoenpastei binnen. Op tafel staan tinnen borden, roemers en andere glazen. Links staat op de vloer een grote metalen koeler met een wijnvat; Bartholomeus van der Helst (1613–1670), olieverf op doek, 1648
  • Naambord
    Naambord
Date 1648
date QS:P571,+1648-00-00T00:00:00Z/9
Medium oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Dimensions Height: 232 cm (91.3 in) Width: 547 cm (17.9 ft)
institution QS:P195,Q190804
Accession number
SK-C-2
Object history Acquisition: 1808
References Inzoomer object op zaal, 2013 (Nederlands/English).Jaarverslag Rijksmuseum (2011), afb. p. 86, afb. p. 96.Judith van Gent, 'Een 'vleyend penceel' : Bertholomeus van der Helst : begaafd schilder van de Amsterdamse elite', Ons Amsterdam 63 (2011) nr. 10, p. 408-409.Rijksmuseum Kunstkrant 33 (2007) sept.-okt., nr. 5, p. 9Rijksmuseum Amsterdam Jaarverslag 2006, p. 53Annual report : Rijksmuseum Amsterdam (1999), p. 38-39, afb.P. Jeroense, 'Govert Flinck. Eine Künstlerbiographie', Niederdeutsche Beitrage zur Kunstgeschichte 36 (1997), p. 90.J. Bos, 'Capitaele Stucken', Jaarboek Amstelodamum 88 (1996), p. 65-102.R. Jellema, 'De Schuttersmaaltijd door Van der Helst in het Teylers Museum?', Teylers Museum Magazijn 16 (1987), p. 1-4.R.B.F. van der Sloot en J.B. Kist, 'Iets over de degenvesten in Hoorn rond het jaar 1650', Armamentaria 5 (1970), p. 16.A.-E. Theuerkauff-Liederwald, 'Die niederländischen Gläser aus dem Gemälde von Bathelomäus van der Helst 'Schütsenmahlzeit am 18. Juni 1648 in der St. Jorisdoelen zu Amsterdam, Rijksmuseum Amsterdam, ICOM glass Congress, Brussel 1965, paper 266A.J de Bull, 'Van der Helst - Kaiser', Kunstkronijk (1856), p. 59-60.Documentatiemap: aantekeningen R. van Luttervelt.
Source/Photographer http://www.rijksmuseum.nl/collectie/SK-C-2
Permission
(Reusing this file)
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.

This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

Data and photography rights: "All data and all images made available through the API are either in the public domain or are subject to a CC0 license." https://www.rijksmuseum.nl/en/api/terms-and-conditions-of-use

Creative Commons CC-Zero This file is made available under the Creative Commons CC0 1.0 Universal Public Domain Dedication.
The person who associated a work with this deed has dedicated the work to the public domain by waiving all of their rights to the work worldwide under copyright law, including all related and neighboring rights, to the extent allowed by law. You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission.

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current16:59, 1 January 2015Thumbnail for version as of 16:59, 1 January 20158,756 × 3,622 (4.83 MB)OSevenoTouched lighting/contrast
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