File:Original Edgewater Hotel, Wisconsin Avenue, Mansion Hill, Madison, WI - 52762377537.jpg
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Summary
DescriptionOriginal Edgewater Hotel, Wisconsin Avenue, Mansion Hill, Madison, WI - 52762377537.jpg |
English: Built initially in 1946-1948, this Streamline Moderne or Art Moderne-style hotel was designed by Lawrence Monberg, and was Madison’s most prestigious hotel for most of its history. The building is one of three notable Art Moderne-style buildings designed by Monberg for the Quisling family, whom were prominent physicians of Norwegian descent in Madison during the mid-20th Century. The hotel was intended to feature a more bold and complex design, but material limitations caused by World War II and an increase in labor and material costs forced the plans to be simplified, eliminating the planned curved entrance, decorative ornament and trim, curved corners of the building facing Lake Mendota, and a two-story glass facade housing a bar and restaurant on the first two floors of the building facing the lake. When it opened, the hotel was managed by Augie Faulkner, whom bought the property from the Quisling family in 1952. The hotel was expanded with a five-story podium at the end of Wisconsin Avenue in 1972, which housed 40 additional guest rooms, a ballroom, new lobby, and The Admiralty Room, an upscale restaurant. The hotel saw guests including famous celebrities during its history, with Elvis taking one of the hotel’s clothes hangers as a souvenir that is now on display at Graceland, and inspired Cyndi Lauper’s song “Water’s Edge.” The aging hotel was finally sold by the Faulkner family in 2012.
The original building, now known as the Langdon Building, is clad in buff brick with long ribbons of windows that de-emphasize the ten-story building’s verticality across most of the facade. The ribbons of windows are framed by narrow bands of trim, and have stacked bond brick panels between the individual window openings, which feature one-over-one windows, and windows that wrap the corners of the building. Vertical extruded brick walls on the facade at the location of the building’s original entrance feature circular windows on each floor, being an example of the nautical themes and motifs often employed with the Art Moderne and Streamline Moderne styles. The hotel’s exterior is rather boxy and simple, featuring less flourishes than the original concept, though the originally planned curved entrance canopy and lobby, and two-story glass-walled bar and restaurant were finally added during the 2012-2014 renovation, but utilized modern materials and don’t quite match the original intention as a result. The renovation also added an eleventh floor to the building, which is clad in glass and features a rooftop terrace facing Lake Mendota. The building’s original steel windows were removed in a prior renovation, with thee circular entrance canopy, and tapered window wall on the second floor facing the lake being removed during the 2012-2014 renovation. The renovation also restored the remaining Art Moderne elements inside the building, as well as new features that compliment the original Art Moderne style of the building, and adding back lost features. All of the hotel rooms were expanded and modernized as part of the renovation. In 2012-2014, the hotel was sold and was subsequently renovated and expanded with a new fifteen-story Postmodern-style tower and four-story podium to the northeast, which compliment the materials of the original tower. The new tower, known as the Wisconsin Tower, was designed by architect David Manfredi of Elkus Manfredi, an architecture firm, and is meant to evoke the design of the original building, though its creation did spur controversy in the surrounding neighborhood due to the size of the tower. The tower is clad in buff brick and features many Renaissance Revival-inspired flourishes, including Quoins, but massing and form that seems to draw inspiration form the nearby Quisling Towers na 4th original hotel, and the top three floors are setback and clad in a darker material, helping to de-emphasize their presence. The base of the tower features a podium with larger windows, and the building features a series of two terraces linked by stairs that lead down from the intersection of Wisconsin Avenue and Langdon Street towards Lake Mendota, allowing for the original sightline of the lake to be restored and adding a public plaza, while maintaining the connection between the original hotel and the new tower, as well as the previously existing footprint of the hotel, which had blocked the end of Wisconsin Avenue since 1972. A new staircase between the Langdon Tower and the podium allows for public access to the shores of Lake Mendota, where there is a terrace, walkway, and docks on the lake. The original hotel building is a contributing structure in the Mansion Hill Historic District, listed on the National Register of Historic Places in 1997. Today, the renovated Edgewater Hotel is once again one of the city’s most upscale and prestigious hotels, with modern amenities, yet maintaining its original character. |
Date | |
Source | https://www.flickr.com/photos/59081381@N03/52762377537/ |
Author | w_lemay |
Camera location | 43° 04′ 45.15″ N, 89° 23′ 23.83″ W | View this and other nearby images on: OpenStreetMap | 43.079208; -89.389953 |
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This image was originally posted to Flickr by w_lemay at https://flickr.com/photos/59081381@N03/52762377537. It was reviewed on 22 March 2023 by FlickreviewR 2 and was confirmed to be licensed under the terms of the cc-by-sa-2.0. |
22 March 2023
Items portrayed in this file
depicts
some value
22 September 2022
43°4'45.149"N, 89°23'23.831"W
0.0006389776357827476 second
1.8
4.25 millimetre
image/jpeg
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 18:36, 22 March 2023 | 2,833 × 3,778 (3.88 MB) | Ser Amantio di Nicolao | Uploaded a work by w_lemay from https://www.flickr.com/photos/59081381@N03/52762377537/ with UploadWizard |
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Camera manufacturer | Apple |
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Camera model | iPhone 11 Pro |
Exposure time | 1/1,565 sec (0.00063897763578275) |
F-number | f/1.8 |
ISO speed rating | 32 |
Date and time of data generation | 13:50, 22 September 2022 |
Lens focal length | 4.25 mm |
Latitude | 43° 4′ 45.15″ N |
Longitude | 89° 23′ 23.83″ W |
Altitude | 277.506 meters above sea level |
Orientation | Normal |
Horizontal resolution | 72 dpi |
Vertical resolution | 72 dpi |
Software used | 15.6.1 |
File change date and time | 13:50, 22 September 2022 |
Y and C positioning | Centered |
Exposure Program | Normal program |
Exif version | 2.32 |
Date and time of digitizing | 13:50, 22 September 2022 |
Meaning of each component |
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APEX aperture | 1.6959938128384 |
APEX brightness | 8.9861968001673 |
Exposure bias | 0 |
Metering mode | Pattern |
Flash | Flash did not fire, compulsory flash suppression |
DateTimeOriginal subseconds | 521 |
DateTimeDigitized subseconds | 521 |
Supported Flashpix version | 1 |
Color space | Uncalibrated |
Sensing method | One-chip color area sensor |
Scene type | A directly photographed image |
Exposure mode | Auto exposure |
White balance | Auto white balance |
Focal length in 35 mm film | 26 mm |
Scene capture type | Standard |
Speed unit | Kilometers per hour |
Speed of GPS receiver | 0 |
Reference for direction of image | True direction |
Direction of image | 265.4970703125 |
Reference for bearing of destination | True direction |
Bearing of destination | 265.4970703125 |