File:Judith Barry Voice Off 1998.jpg
Judith_Barry_Voice_Off_1998.jpg (386 × 258 pixels, file size: 42 KB, MIME type: image/jpeg)
Summary
[edit]
 | This is a two-dimensional representation of a copyrighted sculpture, statue or any other three-dimensional work of art. As such it is a derivative work of art, and per US Copyright Act of 1976, § 106(2) whoever holds copyright of the original has the exclusive right to authorize derivative works. Per § 107 it is believed that reproduction for criticism, comment, teaching and scholarship constitutes fair use and does not infringe copyright. It is believed that the use of a picture
qualifies as fair use under the Copyright law of the United States. Any other uses of this image, on Wikipedia or elsewhere, might be copyright infringement. |
| Description |
Installation by Judith Barry, Voice Off (Installation: 2 channel video, sound projection, 1999). The image illustrates a key body of work by artist Judith Barry in the 1990s when she produced installation works that used technology and multimedia strategies to engage viewers with multiple perspectives, subject positions and interpretations. In the pictured installation, she emphasized sound and bodily movement with back-to-back projections of metaphoric narratives, employing a scrim on one side of a screen allowing viewers to move between the separated narratives. It spatialized the film convention of shot and counter shot, while exploiting the power of suggestion and visualization created through voice and sound. This work and body of work has been publicly exhibited in prominent exhibitions at major venues, and discussed in major art journals and daily press publications. |
|---|---|
| Source |
Artist Judith Barry. Copyright held by the artist. |
| Article | |
| Portion used |
Installation view |
| Low resolution? |
Yes |
| Purpose of use |
The image has contextual significance in that it serves an informational and educational purpose as the primary means of illustrating a key body of work in Judith Barry's career in the 1990s: her installation works and sculptures, which combined conflicting viewpoints and histories as well as different physical and visual spaces requiring participants to navigate multiple perspectives, subject positions and interpretations. These works often achieved such effects through means including synchronized video tracks, transparent screens and back-to-back projections. Because the article is about an artist and her work, the omission of the image would significantly limit a reader's ability to understand this distinct body of work in her practice, which brought Barry early recognition through public exhibitions, commissions and coverage by major critics and publications. Barry's work of this type and this work itself is discussed in the article and by critics cited in the article. |
| Replaceable? |
There is no free equivalent of this or any other of this series by Judith Barry, so the image cannot be replaced by a free image. |
| Other information |
The image will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original due to its low resolution and the general workings of the art market, which values the actual work of art. Because of the low resolution, illegal copies could not be made. |
| Fair useFair use of copyrighted material in the context of Judith Barry//wiki.riteme.site/wiki/File:Judith_Barry_Voice_Off_1998.jpgtrue | |
File history
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| Date/Time | Thumbnail | Dimensions | User | Comment | |
|---|---|---|---|---|---|
| current | 18:32, 1 August 2024 | | 386 × 258 (42 KB) | Mianvar1 (talk | contribs) | {{Non-free 3D art|image has rationale=yes}} {{Non-free use rationale | Article = Judith Barry | Description = Installation by Judith Barry, ''Voice Off'' (Installation: 2 channel video, sound projection, 1999). The image illustrates a key body of work by artist Judith Barry in the 1990s when she produced installation works that used technology and multimedia strategies to engage viewers with multiple perspectives, subject positions and interpretations. In the pictured install... |
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