File:Judith Barry All the Light.jpg
Judith_Barry_All_the_Light.jpg (420 × 236 pixels, file size: 88 KB, MIME type: image/jpeg)
Summary
[edit]
 | This is a two-dimensional representation of a copyrighted sculpture, statue or any other three-dimensional work of art. As such it is a derivative work of art, and per US Copyright Act of 1976, § 106(2) whoever holds copyright of the original has the exclusive right to authorize derivative works. Per § 107 it is believed that reproduction for criticism, comment, teaching and scholarship constitutes fair use and does not infringe copyright. It is believed that the use of a picture
qualifies as fair use under the Copyright law of the United States. Any other uses of this image, on Wikipedia or elsewhere, might be copyright infringement. |
| Description |
Installation by Judith Barry, All the light that's ours to see (2 channel video–sound installation with custom tables, photographs and books, dimensions variable, 2020). The image illustrates a key body of work by media artist Judith Barry in the 2000s when she produced art installations that explored emerging digital and electronic technologies and their effects on existing places, media and experiences. In this work, she installed two screens sharing a common vanishing point, using disrupted, cross-cutting narratives to examine the shift from collective cinematic experience to the private, domestic practice of streaming. This work and body of work has been publicly exhibited in prominent exhibitions at major venues, and discussed in major art journals and daily press publications. |
|---|---|
| Source |
Artist Judith Barry. Copyright held by the artist. |
| Article | |
| Portion used |
Installation view |
| Low resolution? |
Yes |
| Purpose of use |
The image has contextual significance in that it serves an informational and educational purpose as the primary means of illustrating Judith Barry's later installation work after the 1990s: which often considered emerging digital and electronic technologies and the displacement of "real" places, architectural forms and grounded observers in favor of virtual spaces, screens and "users." These works engaged new materials and media such as fiber-optics and video games as well as older ones, often in tandem, such as books, cinema and video. Because the article is about an artist and her work, the omission of the image would significantly limit a reader's ability to understand this distinct body of work in her practice, which brought Barry ongoing recognition through public exhibitions, commissions and coverage by major critics and publications. Barry's work of this type and this work itself is discussed in the article and by critics cited in the article. |
| Replaceable? |
There is no free equivalent of this or any other of this series by Judith Barry, so the image cannot be replaced by a free image. |
| Other information |
The image will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original due to its low resolution and the general workings of the art market, which values the actual work of art. Because of the low resolution, illegal copies could not be made. |
| Fair useFair use of copyrighted material in the context of Judith Barry//wiki.riteme.site/wiki/File:Judith_Barry_All_the_Light.jpgtrue | |
File history
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| Date/Time | Thumbnail | Dimensions | User | Comment | |
|---|---|---|---|---|---|
| current | 20:01, 13 August 2024 | | 420 × 236 (88 KB) | Mianvar1 (talk | contribs) | {{Non-free 3D art|image has rationale=yes}} {{Non-free use rationale | Article = Judith Barry | Description = Installation by Judith Barry, ''All the light that's ours to see'' (2 channel video–sound installation with custom tables, photographs and books, dimensions variable, 2020). The image illustrates a key body of work by media artist Judith Barry in the 2000s when she produced art installations that explored emerging digital and electronic technologies and their effects... |
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