File:Beato angelico, pala strozzi della deposizione, con cuspidi e predella di lorenzo monaco, 01.JPG
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Contents
Summary
Object
Deposition of Christ
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Artist |
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Title |
Deposition of Christ label QS:Lit,"Deposizione"
label QS:Lja,"キリストの十字架降下 (フラ・アンジェリコ)"
label QS:Lfr,"La Descente de Croix"
label QS:Lth,"การอัญเชิญพระศพลงจากกางเขน"
label QS:Lpl,"Zdjęcie z krzyża"
label QS:Lnl,"Deposition of Christ"
label QS:Lde,"Kreuzabnahme"
label QS:Lpt,"Deposição de Cristo"
label QS:Len,"Deposition of Christ"
label QS:Larz,"دفن المسيح"
label QS:Lzh,"下十字架 (安杰利科修士)"
label QS:Les,"Descendimiento de la Cruz" |
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Object type |
painting / altarpiece ![]() |
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Genre |
religious art ![]() |
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Description |
English: This work was originally commissioned by Palla Strozzi from Lorenzo Monaco, for the sacristy of the church of Santa Trinità in Florence, but by the time of Monaco's death only the pinnacles of this work had been painted. When Angelico took over the commission he found himself confined by Monaco's ready-made triple-arched Gothic frame. He ignored these constraints, however, making use of the three arches to provide an expansive Tuscan landscape. The work is painted on one panel and the three arches find an echo in the placing of the figures in three groups.
In the distance at the left arch the road begins to wind up to Jerusalem, shown as Tuscan hill town. The city fortifications appear as a series of cubes, pillars, and walls massed together in a sharply defining light. Buildings of widely varying sizes, shapes and colours are arranged together within the city walls. At the top of the hill rises a citadel-like temple. Outside the city gates lies a landscape of ploughed fields, farmhouses, and hedgerows. In the sky, above a storm cloud is gathering which throws shadow over half the city. The whole is viewed through a screen of trees, which mark out the middle distance in the complete picture. The central arch is largely blocked off by the wooden framework of the cross and two ladders. The cross bar of the former appears to run behind the picture frame hinting at further, obscured space. With no scene behind but the sky and the work of timber, the eye is drawn to the body of Christ which is at the very centre of the picture. Angelico challenges the tendency of the other two arches to define the shape and space of the work by placing a strong vertical, in the form of a tower or a tree, in the corners of each. The pilasters on either side of the frame contain twelve panels with full length portraits of saints, and eight medallions with portrait busts. The full-length figures are shown standing on columns which are each painted with careful attention to the view-point of the spectator. Mary Magdalen kneels before Christ kissing his feet. The Virgin kneels, her hands clasped, head on one side in reflective misery, with an air of particular detachment. She is partly screened from the viewer by the winding sheet held before her. The other holy women stand in positions of contemplation or prayer; one wipes a tear from her eye. As in earlier paintings by Angelico, the sense of the space in which the Virgin kneels is created by placing figures in a circle around her. |
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Depicted people | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Date |
between 1423 and 1432 date QS:P,+1450-00-00T00:00:00Z/7,P1319,+1423-00-00T00:00:00Z/9,P1326,+1432-00-00T00:00:00Z/9 ![]() Early Renaissance (1420s date QS:P,+1420-00-00T00:00:00Z/8 –1500) ![]() |
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Medium |
tempera and poplar wood on panel ![]() |
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Dimensions |
height: 275 cm (108.2 in) ![]() ![]() dimensions QS:P2048,+275U174728 dimensions QS:P2049,+285U174728 |
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Collection |
institution QS:P195,Q13453137 |
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References |
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Photograph
Date | |||||||
Source | Own work | ||||||
Author | Sailko | ||||||
Permission (Reusing this file) |
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Further authorizations required by the Italian "Code of Cultural Heritage and Landscape" (Codice Urbani), under Legislative Decree No. 42, dated January 22, 2004, and its subsequent amendments, regarding the reuse of the picture. This image reproduces a property belonging to the Italian cultural heritage as entrusted to the Italian government. Such images are regulated by Articles 106 et seq. of the Italian Code of Cultural Heritage and Landscape under Legislative Decree No. 42, dated January 22, 2004, and its subsequent amendments. These regulations, unrelated to copyright regulations, establish a system for the protection of Italy’s historic and artistic heritage and its standards of dignity. Among other things, these regulations provide for the payment of a concession fee by those who intend to benefit economically from reproductions of property belonging to the Italian cultural heritage. Reproduction of this image is permitted for personal use or study. A further authorization by the Italian Ministry of Heritage and Culture is required for reproduction for any other purpose, and particularly for commercial use. Such commercial use includes, but is not limited to, use in (a) any form of advertising, and (b) any company name, logo, trademark, image, activity, or product. |
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Annotations InfoField | This image is annotated: View the annotations at Commons |
Captions
Items portrayed in this file
depicts
0.03333333333333333333 second
18 millimetre
800
image/jpeg
35f10aa7015f23da6a724504454bdd110bb35977
3,346,681 byte
2,073 pixel
2,196 pixel
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 18:14, 15 September 2015 | 2,196 × 2,073 (3.19 MB) | Sailko | User created page with UploadWizard |
File usage
Global file usage
The following other wikis use this file:
- Usage on arz.wikipedia.org
- Usage on el.wikipedia.org
- Usage on fr.wikipedia.org
- Usage on it.wikipedia.org
- Usage on sv.wikipedia.org
- Usage on www.wikidata.org
- Q2529591
- Wikidata:WikiProject sum of all paintings/Location/Italy/Missing inventory number
- Wikidata:WikiProject sum of all paintings/Creator/Fra Angelico
- Wikidata:WikiProject sum of all paintings/Commissioners
- Wikidata:WikiProject sum of all paintings/Main subject/Descent from the Cross
- Wikidata:WikiProject sum of all paintings/Collection/Museum of San Marco
- Wikidata:WikiProject Art in the Christian Tradition (ACT)/Works
- Wikidata:WikiProject Art in the Christian Tradition (ACT)/Paintings before 1600
Metadata
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Camera manufacturer | Canon |
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Camera model | Canon EOS 700D |
Exposure time | 1/30 sec (0.033333333333333) |
F-number | f/4 |
ISO speed rating | 800 |
Date and time of data generation | 12:00, 16 September 2013 |
Lens focal length | 18 mm |
Orientation | Normal |
Horizontal resolution | 55.7784 dpi |
Vertical resolution | 55.7784 dpi |
Software used | Adobe Photoshop CS4 Windows |
File change date and time | 13:52, 6 February 2015 |
Y and C positioning | Co-sited |
Exposure Program | Not defined |
Exif version | 2.3 |
Date and time of digitizing | 12:00, 16 September 2013 |
Meaning of each component |
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Shutter speed | 5 |
APEX aperture | 4 |
Exposure bias | 0 |
Metering mode | Pattern |
Flash | Flash did not fire, compulsory flash suppression |
DateTime subseconds | 10 |
DateTimeOriginal subseconds | 10 |
DateTimeDigitized subseconds | 10 |
Supported Flashpix version | 1 |
Color space | sRGB |
Focal plane X resolution | 3,865.7718120805 |
Focal plane Y resolution | 3,859.2964824121 |
Focal plane resolution unit | inches |
Custom image processing | Normal process |
Exposure mode | Auto exposure |
White balance | Auto white balance |
Scene capture type | Standard |
GPS tag version | 0.0.3.2 |
Supported Flashpix version | 1 |
Image width | 2,196 px |
Image height | 2,073 px |
Rating (out of 5) | 0 |
Date metadata was last modified | 14:52, 6 February 2015 |
Unique ID of original document | xmp.did:16F7B2CBFEADE411B2D1C9C713EA4488 |
IIM version | 111 |