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Tomas Laurenzo

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Tomas Laurenzo
Born1977
Uruguay
Known forNew media art, Artificial intelligence art
Academic background
Alma materUniversity of the Republic (Uruguay)
ThesisDecoupling and context in new media art
Doctoral advisorAlvaro Casinelli
Academic work
Institutions
Websitehttps://laurenzo.net/
In this Spanish name, the first or paternal surname is Laurenzo and the second or maternal family name is Coronel.

Tomas (Tom) Laurenzo Coronel (Montevideo, 1977) is an Uruguayan artist, engineer, academic, musician, writer, and designer. With a wide range of artistic practices and research interests, Laurenzo's production often necessitate to reflect particularly on new technologies, art, and the politics of meaning.[1]

Biography

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Laurenzo received a BSc degree in computer science (CS) from University of the Republic (UdelaR) followed by MSc and PhD degrees in CS from PEDECIBA, a joint program by UdelaR and Uruguay's Ministry of Education and Culture. His doctoral advisor was Alvaro Cassinelli[2] from University of Tokyo.[1]

After completing his first graduate program, Laurenzo's focus shifted from industry to art and academia. He subsequently held the position of associate professor at University of the Republic, where he founded and directed Uruguay's first research group on new media and HCI,[3] followed by UdelaR's Core Group on HCI research.[4][5][6]

In 2014, Laurenzo relocated to Hong Kong and assumed the role of assistant professor at the School of Creative Media, City University of Hong Kong, under the leadership of the renowned Australian new media artist Jeffrey Shaw. Since 2021 and as of December 2024, Laurenzo holds the Associate Professor of Critical Media Practices position within the College of Media, Communication, and Information at the University of Colorado Boulder.

Laurenzo has also held shorter academic positions at prestigious institutions, such as visiting scientist at the Broad Institute of Harvard and MIT,[7] research fellow at Microsoft Research, visiting scholar at Carnegie Mellon University, guest lecturer at Brunel University London, and visiting artist at University of Iowa.[8]

Career

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During his tenure in the private sector, Laurenzo led the design and development of Uruguay's first governmental internet portal and Uruguay's first publicly accessible governmental database.[9] Laurenzo has also made significant contributions to Uruguay's academic, artistic, and research landscapes.[10][11]

Laurenzo's pioneering efforts in Uruguay include authoring the first MSc. and PhD theses in the fields of new media art, HCI, and politics, establishing the first research group dedicated to these areas, founding the first interdisciplinary research group on HCI, teaching the first undergraduate courses on real-time computer graphics, physical computing, video games, new media art, and creative coding, teaching the first graduate course on new media art, advising the first two MSc theses (since Laurenzo's own), and exhibiting both the first small and large-scale interactive artworks. Some of these projects led to Laurenzo receiving some of the first-ever international awards for new media art in Uruguay.[12][13][14]

Laurenzo's projects include Awkward Consequence (with Christian Clark and Tobias Klein), the world's first-ever massive VR performance, NEXO (with Gustavo Armagno et al.), which leveraged real-time computer vision improving OLPC's XOs usability for motor-impaired children, and The Vision Machine, an audiovisual performance using real-time VR-mediated wetware on stage.

Laurenzo's strong interest in social, political and geopolitical topics are often noticeable in his art-making. Notable examples include the artworks 5500,[15] Nibia, Be water, Homs,[16][17] and Smile, which explore the topics of illegal immigration, the death by torture of Nibia Sabalsagaray, the Siege of Homs, the 2019–2020 Hong Kong protests, and the destruction of the Gaza Strip, respectively.

Laurenzo has performed or exhibited at SIGGRAPH, SIGGRAPH Asia, NIME, ISEA,[18] NeurIPS,[19] ECCV, Sónar+D, MUTEK,[20] TEI, C3A, NYIT, ECCV, Osage Gallery, ANTEL, EAC, UdelaR, MSR, Presidency of Uruguay, Saatchi & Saatchi, Guggenheim Museum Bilbao, Goethe Institut, International Computer Music Conference, K11 Art Foundation, MNAV, Montevideo Exhibition Center, City Theatre,[21] Chapelle des Bernardines, and the Solís Theatre, among others.

Partial list of exhibited artworks

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References

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  1. ^ a b "Tomas Laurenzo". College of Media, Communication and Information. November 16, 2020.
  2. ^ "Alvaro CASSINELLI – CityU Scholars | A Research Hub of Excellence". scholars.cityu.edu.hk. Retrieved 2023-06-29.
  3. ^ a b "Medialab // publications". www.fing.edu.uy. Retrieved 2023-06-29.
  4. ^ "Interacción Persona-Computadora (NICHI)". Patio | Facultad de Arquitectura, Diseño y Urbanismo | Udelar. Retrieved 2023-09-30.
  5. ^ "Events Calendar". Boulder Daily Camera. 2019-03-19. Retrieved 2023-06-29.
  6. ^ "Creative Tech Week". www.ctw.nyc. Retrieved 2023-06-29.
  7. ^ "Tomas LAURENZO CORONEL 2018". Global Community Bio Summit. Retrieved 2023-06-29.
  8. ^ "Art (and Politics) in Hong Kong, Dr. Laurenzo Visiting Artist in Animation". events.uiowa.edu. Retrieved 2023-06-29.
  9. ^ todouy.com. "Todo.com.uy – La Guía del Uruguay". todo.com.uy (in Spanish). Retrieved 2023-09-30.
  10. ^ "Entrevista a Delma Rodriguez – Uruguay". Bienal Kosice (in Spanish). 2014-01-24. Retrieved 2023-10-28.
  11. ^ "Daniel Argente: Las nuevas tecnologías y el arte" (PDF). La Pupila. October 2009. pp. 3–6. Archived (PDF) from the original on 27 Feb 2021. Retrieved 27 Oct 2023.
  12. ^ "Udelar Expedient". www.expe.edu.uy. Retrieved 2023-09-30.
  13. ^ "Facing Interaction". Microsoft Research. 2012-12-20. Retrieved 2023-09-30.
  14. ^ "Udelar Expedient". www.expe.edu.uy. Retrieved 2023-09-30.
  15. ^ a b Coronel, Tomas LAURENZO (2015-07-01). "5500". {{cite journal}}: Cite journal requires |journal= (help)
  16. ^ a b "Tomas Laurenzo llega a Sant Antoni de mano del BLOOP Festival". Periódico de Ibiza y Formentera (in Spanish). 2016-08-10. Retrieved 2023-06-29.
  17. ^ a b ibiza, redacción | (2016-08-09). "Una videoinstalación y un corto en Sa Punta des Molí". Diario de Ibiza (in Spanish). Retrieved 2023-06-29.
  18. ^ paula (2016-06-20). "Ciborgues da contrarrevolução". Revista Select (in Brazilian Portuguese). Retrieved 2023-06-29.
  19. ^ "tomas laurenzo Archives". AI Art Gallery. Retrieved 2023-06-29.
  20. ^ "MUTEK.AR develó la primera ola de artistas confirmados". www.djmagla.com (in Spanish). Retrieved 2023-06-29.
  21. ^ "Performances". www.cs.cmu.edu. Retrieved 2023-12-07.
  22. ^ https://thecvf-art.com/project/hommage-numerique-tomas-laurenzo/
  23. ^ Creativity 2019, NeurIPS (2019-12-15), laurenzo-smile-featured, retrieved 2023-06-29{{citation}}: CS1 maint: numeric names: authors list (link)
  24. ^ "Arts Machine". Arts Machine.
  25. ^ https://www.drha.uk/wp-content/uploads/2021/04/DRHA2019_ConferenceProceedings_compressed-1-1.pdf
  26. ^ Coronel, Tomas LAURENZO (2017-05-28). "Ekphrasis". Proceedings of the Taboo, Transgression and Transcendence in Art & Science Conference, TTT2017. Ionian University.
  27. ^ Laurenzo, Tomas (April 11, 2018). "Simple Background Noise: Movement and Stillness" – via scholars.cityu.edu.hk. {{cite journal}}: Cite journal requires |journal= (help)
  28. ^ "Tomas Laurenzo | Metal Magazine". metalmagazine.eu.
  29. ^ "The Vision Machine – Sónar+D · – Sónar Hong Kong 2017". Sónar Hong Kong.
  30. ^ "On the Basis of Face: Biometric Art as Critical Practice, its History and Politics « INC Longform". Retrieved 2023-06-29.
  31. ^ "Elephant (with Tony Tackling)" – via soundcloud.com.
  32. ^ "Lituania Lituania".
  33. ^ Facultad de Ingenieria. "Celebra at UdelaR". fing.edu.uy.
  34. ^ "CMMR 2013 | Marseille". cmmr2013.prism.cnrs.fr. Retrieved 2023-06-29.
  35. ^ "Interactive Performance". www.cs.cmu.edu. Retrieved 2023-06-29.
  36. ^ "son" – via www.youtube.com.
  37. ^ "Medialab // Net". www.fing.edu.uy. Retrieved 2023-10-06.
  38. ^ https://narkolepsy.weebly.com/uploads/1/5/0/5/15058708/nk_bilan_playin_2011.pdf
  39. ^ "Projet de spécialité Ensimag – Suivi de personnes pour une installation interactive". iihm.imag.fr. Retrieved 2023-06-29.
  40. ^ "Eduardo Lamas (Filmmaker) / Lamas Films". Eduardo Lamas.
  41. ^ Grupo 180. "Fusión de música y poesía". www.180.com.uy (in Spanish). Retrieved 2023-06-29.{{cite web}}: CS1 maint: numeric names: authors list (link)
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