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Mike Danzi

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Michael Danzi
Born(1898-09-01)September 1, 1898
New York City
DiedFebruary 13, 1986(1986-02-13) (aged 87)
New York City, United States
Occupation(s)Banjoist, guitarist
Jazz band leader
Years active1921-1961

Mike Danzi (September 1, 1898, New York City - February 13, 1986, New York City) was an American jazz and light music banjoist, guitarist, and bandleader. He has been cited as one of several musicians who successfully transplanted American popular musical genres to Germany during the 1920s and authored a valuable eyewitness account of the evolution of popular music in Germany prior to World War II.

Biography

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Danzi was the son of Italian immigrants. His father, Domenico Danzi, arrived in the United States in 1892. Michael was born several years later in New York City.[1]

Danzi played violin early in his career, including as the leader of an early jazz group called the Red Devils Jazz Band. In 1921, he switched to playing banjo and worked as a vaudeville performer. From 1917-1924 he also performed extensively within nightclubs, hotels, dance halls, movie theaters, hotels and at Coney island. [2] As a member of Wilbur Sweatman's orchestra in 1924, he played alongside Duke Ellington. Later that year he began playing the banjo with Alex Hyde's Romance Rhythm Orchestra, which toured Europe in 1924-1925.[3]

While performing in Berlin during 1925, he emerged with the Hyde's Original New York Jazz Orchestra playing banjo and clarinet in an on-screen performance within the silent film "Variete" which was directed by E. A. Dupont and featured the music of Erno Rapee.[4] This was the first of several films in which Danzi would perform while concertizing in Germany.[5] In addition he appeared in Berlin's Luna Park and at the Esplanade Hotel near Potsdamer Plaz for the boxer Jack Dempsey.[6] Soon after his arrival in Germany, he was also introduced to the bandleader Eric Borchard and an English saxophonist named Billy Bartholomew during a visit to a cellar cabaret in Hamburg while traveling to Munich. Danzi gladly joined them both in a performance which lasted until midnight.[7]

Instead of returning to the United States with the Hyde's band however, Danzi remained in Germany for the next fourteen years, playing with Bernard Etté, Harry Revel, Erno Rapee[8] and Dajos Béla. In addition, he concertized with his own group, The Virginians, which he founded in 1929 and was formally led by Teddy Kline [de]. From 1924-1939 he appeared as a free-lancer with several jazz bands while performing in hotels, radio stations, theaters, cabarets and film studios.[9] During this time, he also collaborated with the English Jazz trumpeter Howard McFarlene as a member of the Marek Weber Orchestra in performances at the landmark Adlon Hotel in 1926.[10] Later in 1929, he collaborated with Mischa Spoliansky's orchestra in the musical revue Zwei Krawatten.[11] While contributing to an early production of Kurt Weill's Aufstiegund Fall der Stadt Mahagonny, Danzi was also praised by the composer for his unique ability to interpret and perform the chords featured in the score exactly as written. Weill noted that most banjo players claimed that the part was not really written for the banjo at all! [12][13]

Danzi worked in Germany through the 1930s, even though the Nazis condemned jazz music and it became less palatable for Italians to live in Germany after Benito Mussolini's rise to power.[14][15] He played in the orchestra at La Scala under Otto Stenzel [de] in 1935, and worked on German radio and with light-music orchestras. In 1938 he made a few early television appearances with Otto Sachsenhauser.

In October 1939, he had an altercation with the doorman at the UFA Film Studios when he refused to carry out the Hitler salute, and he left Germany to return to the United States a few days later. He continued his career in the United States while appearing in the 1950s on the Broadway stage in productions of the musical The Threepenny Opera and The Rose Tattoo in addition to playing at the Radio City Music Hall in 1956.[16] He also emerged in the Off-Broadway Phoenix Theater while collaborating with the accordionist John Serry.[17] In addition, he performed regularly in Broadway pit orchestras, weekly television shows, commercials and in concert hall orchestras.[18] He also served as chief copyist and librarian at the Radio City Music Hall.[19]

Over the decades, Danzi collaborated with a variety of notable performing artists within the United States and Europe including: Julius Rudel, Marlene Dietrich, Marek Weber, Lotte Lenya, Richard Tauber and Pat Boone.[20]

Danzi was a virtuoso banjo player and also proficient on several other instruments including: guitar, mandolin, and Hawaiian guitar. He was also capable of performing on the violin, clarinet and trumpet.[21] As a prolific performer, he is credited with contributing to recordings of over 17,000 different titles. [22] In addition, he has been cited as one of several musicians who successfully transplanted American popular musical genres to Germany during the 1920s.[23][24] His autobiography has been cited as a valuable resource for scholars and researchers specializing in the evolution of Jazz music in Europe during the 1920s, 1930s and 1940s.[25][26]

Death

[edit]

Micahel Daniz died in New York City on February 13, 1986

Filmography

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Publications

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  • American Musician in Germany, 1942-1939 Memoirs of the Jazz, Entertainment and Movie World in Berlin During the Weimar Republic and the Nazi Era-and in the United States by Michael Danzi, Editor: Rainer E. Lotz. (1986).[28]

See also

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Jazz
Jazz age
Big band

References

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  1. ^ "The American Jazz Scene in Berlin" - Biography of Mike Danzi on jazzgeschichten.org
  2. ^ Review of "American Musician in Germany, 1942-1939 Memoirs of the Jazz, Entertainment and Movie World in Berlin During the Weimar Republic and the Nazi Era-and in the United States", American Music, Vol. 6 No. 1 (Spring 198) p. 98-102 Memoirs of Michael Danzi on JSTOR.org
  3. ^ Center For Jazz Arts: "An American In Berlin" Mike Danzi on centerforjazzarts.org
  4. ^ Library of Congress- Jazz On Screen Filmography -"Variete" credits on loc.gov
  5. ^ Center For Jazz Arts: "An American In Berlin" Mike Danzi on centerforjazzarts.org
  6. ^ Center For Jazz Arts: "An American In Berlin" Mike Danzi on centerforjazzarts.org
  7. ^ Center For Jazz Arts: "An American In Berlin" Mike Danzi on centerforjazzarts.org
  8. ^ The Cambridge History of Twentieth-Century Music. Popel, Anthony. Cook, Nicholas. Cambridge University Press. (5 August 2004) p. 172 Michael Danzi musician on Google Books ISBN 978-0-521-66256-7
  9. ^ Review of "American Musician in Germany, 1942-1939 Memoirs of the Jazz, Entertainment and Movie World in Berlin During the Weimar Republic and the Nazi Era-and in the United States", American Music, Vol. 6 No. 1 (Spring 198) p. 98-102 Memoirs of Michael Danzi on JSTOR.org
  10. ^ Biography of Howard McFarlene on grammophon-platten.de
  11. ^ Made In Germany: Studies In Popular Music. Editors: David-Emil Wickstrom, Martin Ringsmut, Oliver Seibt. Tayor & Francis, 2020 Transnational and Intermedial Aspect of a National Popular Music Group in the 1920's: The Comedia Harmonists Michael Danzi on Google Boosks ISBN 978-1-351-20077-6
  12. ^ Kurt Weill: The Threepenny Opera. Hinton, Stephen. Cambridge University Press, New York, 1990, p. 207-208 on Michael Danzi Banjoist on Google Books ISBN 0-521-33026-2
  13. ^ The Kurt Weill Newsletter - Books "An American Musician in Berlin" by Geoffrey Abbott. The Kurt Weill Foundation for Music, New York 1987 p. 19 Biography of Mike Danzi and book review "In 1923 he (Danzi) went to Germany and established himself as Berlin's foremost banjo player throughout the roaring Twenties and into the Thirties....Danzi's uniquely rich experience as a leading musician in two important cities necessarily remains essential for the historian and the popular music scholar..." Mike Danzi on Google Books
  14. ^ Kater, Michael. Different Drummers Jazz in the Culture of Nazi Germany. Oxford University Press New York 1992 ebook 2003 p. 139 "Probably the last alien jazz musician to leave Nazi Germany was American Jazz guitarist Mike Danzi, whos was harassed before he and his family could sail for New York ...in 1939" Mike Danzi on Google Books
  15. ^ Kater, Michael H., Different Drummers: Jazz in the Culture of Nazi Germany: Introduction the Ambiguous Culture Jazz in the Weimar Republic (New York, 2003; online edn, Oxford Academic, 1 Jan. 2010), https://doi.org/10.1093/acprof:oso/9780195165531.001.0001, accessed 14 Nov. 2023. Mike Danzi recalls the reluctance on the part of his German pals, who wanted to play with him but now feared official repercussions" (See https://academic.oup.com/book/41759?searchresult=1) on academic.oup
  16. ^ Michael on IMDB
  17. ^ American Musician in Germany, 1924-1939 Memoirs of the Jazz, Entertainment and Movie World of Berlin During the Weimar Republic and the Nazi Era and in the United States" Danzi, Michael, Rainer, E. Lotz. Publisher: N. Ruecker. 1986 p. 169 Memoirs of Michael Danzi on Google Books
  18. ^ Review of "American Musician in Germany, 1942-1939 Memoirs of the Jazz, Entertainment and Movie World in Berlin During the Weimar Republic and the Nazi Era-and in the United States", American Music, Vol. 6 No. 1 (Spring 198) p. 98-102 Memoirs of Michael Danzi on JSTOR.org
  19. ^ Review of "American Musician in Germany, 1942-1939 Memoirs of the Jazz, Entertainment and Movie World in Berlin During the Weimar Republic and the Nazi Era-and in the United States", American Music, Vol. 6 No. 1 (Spring 198) p. 98-102 Memoirs of Michael Danzi on JSTOR.org
  20. ^ Review of "American Musician in Germany, 1942-1939 Memoirs of the Jazz, Entertainment and Movie World in Berlin During the Weimar Republic and the Nazi Era-and in the United States", American Music, Vol. 6 No. 1 (Spring 198) p. 98-102 Memoirs of Michael Danzi on JSTOR.org
  21. ^ Review of "American Musician in Germany, 1942-1939 Memoirs of the Jazz, Entertainment and Movie World in Berlin During the Weimar Republic and the Nazi Era-and in the United States", American Music, Vol. 6 No. 1 (Spring 198) p. 98-102 Memoirs of Michael Danzi on JSTOR.org
  22. ^ Review of "American Musician in Germany, 1942-1939 Memoirs of the Jazz, Entertainment and Movie World in Berlin During the Weimar Republic and the Nazi Era-and in the United States", American Music, Vol. 6 No. 1 (Spring 198) p. 98-102 Memoirs of Michael Danzi on JSTOR.org
  23. ^ "The Jazz Experience in Weimar Germany" Kater, Michael. German History, Oxford University Press, Vol. 6 Issue 2 (1 April, 1988) pp. 145-158 "American Jazz was imported into Germany in the early 1920s...some two to five years after it had entered Britain or France...genuine American Jazz musicians (such as)... Mike Danzi embarked on a German tour with American bandleader Alex Hyde before deciding to make Berlin his permanent European base....As the great majority of German musicians still found jazz very difficult to master, it was Americans and a few Englishmen who came to dominate the jazz scene of the Roaring Twenties..." See https://doi.org/10.1093/gh/6.2.145 on academic.oup.com
  24. ^ Jazz Research and Performance Materials. Meadows, Eddie S. p. 121 Michael Danzi on Google Books
  25. ^ Jazz Research and Pedagogy. Meadows, Eddie S. Talyor & Francis 2013 p. 113 Biography #485 of Michael Danzi on Google Books ISBN 978-1-136-77603-8
  26. ^ Review of "American Musician in Germany, 1942-1939 Memoirs of the Jazz, Entertainment and Movie World in Berlin During the Weimar Republic and the Nazi Era-and in the United States", American Music, Vol. 6 No. 1 (Spring 198) p. 98-102 Memoirs of Michael Danzi on JSTOR.org
  27. ^ Center For Jazz Arts: "An American In Berlin" Mike Danzi on centerforjazzarts.org
  28. ^ Review of "American Musician in Germany, 1942-1939 Memoirs of the Jazz, Entertainment and Movie World in Berlin During the Weimar Republic and the Nazi Era-and in the United States", American Music, Vol. 6 No. 1 (Spring 198) p. 98-102 Memoirs of Michael Danzi on JSTOR.org
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