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As it relates to commodities specifically, [[commodity]] [[fetishism]] is the belief that value inheres in commodities instead of being added to them through labor. This is the root of Marx's critique relating to conditions surrounding fetishism—that capitalists "fetishize" commodities, believing that they contain value, and the effects of labor are misunderstood.
As it relates to commodities specifically, [[commodity]] [[fetishism]] is the belief that value inheres in commodities instead of being added to them through labor. This is the root of Marx's critique relating to conditions surrounding fetishism—that capitalists "fetishize" commodities, believing that they contain value, and the effects of labor are misunderstood.


Marx's use of the term fetish can be interpreted as an ironic comment on the "rational", "scientific" mindset of [[industrialisation|industrial]] capitalist societies. In Marx's day, the word was primarily used in the study of primitive religions; Marx's "fetishism of commodities" might be seen as proposing that just such primitive belief systems exist at the heart of modern society. In most subsequent Marxist thought, ''commodity fetishism'' is defined as an illusion arising from the central role that [[private property]] plays in capitalism's social processes. It is a central component of the [[dominant ideology]] in capitalist societies.
Marx's use of the term fetish can be interpreted as an ironic comment on the "rational", "scientific" mindset of [[industrialisation|industrial]] capitalist societies. In fverageargrefgrnfgbaMarx's day, the word was primarily used in the study of primitive religions; Marx's "fetishism of commodities" might be seen as proposing that just such primitive belief systems exist at the heart of modern society. In most subsequent Marxist thought, ''commodity fetishism'' is defined as an illusion arising from the central role that [[private property]] plays in capitalism's social processes. It is a central component of the [[dominant ideology]] in capitalist societies.


== Marx's argument ==
== Marx's argument ==

Revision as of 18:39, 19 February 2010

Template:Marxist theory In Marxist theory, commodity fetishism is a state of social relations, said to arise in capitalist market-based societies, in which social relationships are transformed into apparently objective relationships between commodities or money. The term is introduced in the opening chapter of Karl Marx's main work of political economy, Capital, of 1867.

As it relates to commodities specifically, commodity fetishism is the belief that value inheres in commodities instead of being added to them through labor. This is the root of Marx's critique relating to conditions surrounding fetishism—that capitalists "fetishize" commodities, believing that they contain value, and the effects of labor are misunderstood.

Marx's use of the term fetish can be interpreted as an ironic comment on the "rational", "scientific" mindset of industrial capitalist societies. In fverageargrefgrnfgbaMarx's day, the word was primarily used in the study of primitive religions; Marx's "fetishism of commodities" might be seen as proposing that just such primitive belief systems exist at the heart of modern society. In most subsequent Marxist thought, commodity fetishism is defined as an illusion arising from the central role that private property plays in capitalism's social processes. It is a central component of the dominant ideology in capitalist societies.

Marx's argument

File:Claw vending machine fetish of commodities.jpg
A claw vending machine at Saint Giles’ Fair, Oxford, demonstrating the fetish of commodities:[citation needed] both in the form of cheap toys from Monsters, Inc. and in the attachment of 20-pound banknotes.

According to Marx, people value objects that they can use (i.e. objects that have "use-value"), and virtually all these objects (air is a notable exception; Marx 1867 p.61) are the products of human labor (here Marx borrows from John Locke's labor theory of value). A use value becomes a commodity when it is produced for the use of another, that is, when it takes on a social character (Marx 1867 p.61). Thus, where people can use one object to acquire another (whether through barter or the market) goods thus take on "exchange-value" (Marx 1867 p. 55). Eventually the development of productive forces reaches the stage of industrialization where a smaller and smaller group of people monopolize the means of production (i.e. any tools required to manufacture use-values; i.e. capital accumulation) and more and more people must seek work as wage-laborers, in other words, selling their labor power on the market (Marx 1867: 874). Marx labels this arrangement the capitalist mode of production. Human labor, the source of all use-values, is reduced to another use-value with a price like any other use value (Marx 1867: 90). And money is that commodity whose only value is to serve as a means of exchange, i.e. to buy and sell use-values, including labor (Marx 1867 p. 101). Under these conditions, people come to view people as things, and money as creative (Marx 1967pp. 109-110, 120-121). This is commodity fetishism.

Marx argued that commodity fetishism tends to subordinate social relations among people to relationships between humans and objects: for example, the relationship between producer and consumer is obscured. The producer can only see his relationship with the object he produces, being unaware of the people who will ultimately use that object. Similarly, the consumer can only see his relationship with the object he uses, being unaware of the people who produced that object. Thus, commodity fetishism ensures that neither side is fully conscious of the political and social positions they occupy. The object of Marxist critique is to reveal the social relations that are hidden behind relations among objects, and to reveal the creativity of the worker hidden behind the objectification of human beings.

To quote Marx,

A commodity appears at first sight, a very trivial thing, and easily understood. Its analysis shows that it is, in reality, a very queer thing, abounding in metaphysical subtleties and theological niceties. So far as it is a value in use, there is nothing mysterious about it, whether we consider it from the point of view that by its properties it is capable of satisfying human wants, or from the point that those properties are the product of human labour. It is as clear as noon-day, that man, by his industry, changes the forms of the materials furnished by nature. The form of wood, for instance, is altered by making a table out of it. Yet, for all that the table continues to be that common, every-day thing, wood. But, so soon as it steps forth as a commodity, it is changed into something transcendent. It not only stands with its feet on the ground, but, in relation to all other commodities, it stands on its head, and evolves out of its wooden brain grotesque ideas, far more wonderful than if it were to dance of its own accord.[1]

After Marx

The fetishism of commodities has proven fertile material for work by other theorists since Marx, who have added to, adapted, or, perhaps, "vulgarized" the original concept. Sigmund Freud's well-known but unrelated theory of sexual fetishism led to new interpretations of commodity fetishism, as types of sexually charged relationships between a person and a manufactured object.

György Lukács based History and Class Consciousness (1923) on Marx's notion, developing his own notion of commodity reification as the key obstacle to class consciousness. Lukács's work was a significant influence on later philosophers such as Guy Debord and Jean Baudrillard. Debord developed a notion of the spectacle that ran directly parallel to Marx's notion of the commodity; for Debord, the spectacle made relations among people seem like relations among images (and vice versa). The spectacle is the form taken by society once the instruments of cultural production have become wholly commoditized and exposed to circulation. Debord's work should be seen as a confirmation of the existence of what Marx's critique would seem to predict as, within it, the intimacies of intersubjective and personal self-relating are critiqued as already being affected by commodification.

In the work of the semiotician Baudrillard, commodity fetishism is deployed to explain subjective feelings towards consumer goods in the "realm of circulation", that is, among consumers. Baudrillard was especially interested in the cultural mystique added to objects by advertising, which encourages consumers to purchase them as aids to the construction of their personal identity. In For a Critique of the Political Economy of the Sign (1972), Baudrillard develops a notion of the sign that, like Debord's notion of spectacle, runs alongside Marx's commodity.

Other theorists have been concerned with the social status of the producers of consumer items relative to their consumers. For example, the person who owns a Porsche has more prestige than the people working on the assembly-line that produced it. But this version of commodity fetishism refers to more—the belief that the car (or any manufactured object) is more important than people, and confers special powers beyond material utility to those who possess it (see also Conspicuous consumption).

See also

Marx's argument
After Marx

Further Reading

  • Debord, Guy (1983) The Society of the Spectacle, ????: Black and Red.
  • Lukács, Georg (1972) History and Class Consciousness, Cambridge: MIT Press.
  • Marx, Karl (1992) Capital: Volume 1: A Critique of Political Economy, London: Penguin.

Notes

  1. ^ Capital, Volume I Ch. I, § 4, ¶ 1