Yamaha CS-80
Yamaha CS-80 | |
---|---|
![]() | |
Manufacturer | Yamaha |
Dates | 1977 - 1980 |
Price |
|
Technical specifications | |
Polyphony | 8 voices, dual layers |
Timbrality | Multitimbral |
Oscillator | 2 per voice |
LFO | 1 multi-waveform |
Synthesis type | Analog subtractive |
Filter | 2 High-pass 2 Low-pass |
Attenuator | ADSR |
Aftertouch expression | Yes, polyphonic |
Velocity expression | Yes |
Storage memory | 22 preset 4 user |
Effects | chorus, tremolo |
Input/output | |
Keyboard | 61-note with velocity and polyphonic aftertouch (on a per note rather than per patch basis) |
Left-hand control | Ribbon Controller |
The Yamaha CS-80 is an analog synthesizer introduced by Yamaha Corporation in 1977.[2] It supports true 8-voice polyphony, with two independent synthesizer layers per voice each with its own set of front panel controls, in addition to a number of hardwired preset voice settings and four parameter settings stores based on banks of subminiature potentiometers (rather than the digital programmable presets featured on the Prophet-5 introduced soon after).
It has exceptionally complete performer expression features, such as a layered keyboard that was both velocity-sensitive (like a piano's) and pressure-sensitive ("after-touch") but unlike most modern keyboards the aftertouch could be applied to individual voices rather than in common, and a ribbon controller allowing for polyphonic pitch-bends and glissandos.
Production of the instrument ceased in 1980. Vying with the Sequential Circuits Prophet-5 and Oberheim OB-X polysynths for the title, the CS-80 is often described as the pre-eminent polyphonic analog synthesizer,[3][4] and, together with the monophonic Moog modular synthesizer, commands amongst the highest resale price of any synthesizer.[3]
Software and hardware emulations
[edit]There are plug-in instrument software emulations of the CS-80 for usage in digital audio workstation, music sequencer and other software which supports the plug-in formats. This includes the following plugins with the year they were first released:
- Arturia CS-80 V (2003)[5]
- Cherry Audio GX-80 (2022)[6]
- CS-80 emulation combined with its predecessor the GX-1.
- memorymoon ME80 (2009)
- Softube Model 77 (2024)
There are no known hardware clones of the entire CS-80. At the 2014 NAMM Show, Studio Electronics premiered the Boomstar SE80 synthesizer which includes a cloned filter section of the CS-80. Black Corporation's Deckard's Dream (2017) and upcoming Deckard's Dream MK2 (autumn 2024) are rackmount synthesizer with CS-80 inspired architectures and features which support polyphonic aftertouch using compatible third party external keyboards.
In 2015, Yamaha introduced the Reface CS, a 37 key mini synth, based on the CS-80.
Vangelis
[edit]The Greek composer Vangelis used the Yamaha CS-80 extensively. He described it as "the most important synthesizer in my career — and for me the best analogue synthesizer design there has ever been ... It needs a lot of practice if you want to be able to play it properly, but that's because it's the only synthesizer I could describe as being a real instrument, mainly because of the keyboard — the way it's built and what you can do with it."[7]
Vangelis first used the CS-80 on his 1977 album Spiral and would continue to use it for the rest of his life. It was his main synthesizer during the late 1970s and much of the 1980s, featuring prominently on China, Opera Sauvage, the soundtracks for Chariots of Fire and Blade Runner and the first three Jon & Vangelis albums.
Other users and appearances
[edit]Other users and prominent appearances of the Yamaha CS-80 include:
- Don Airey (used CS-80 in his work with Rainbow and with Ozzy Osbourne, including the Blizzard of Ozz tracks "Mr Crowley" and "Revelation (Mother Night)")[8]
- Tony Banks (used CS-80 extensively on the Genesis album Duke)
- Roy Bittan (used CS-80 on various Bruce Springsteen tracks, including "Dancing in the Dark", "I'm on Fire" and the main synth horn sound on "Born in the U.S.A.")[8]
- Kate Bush (used CS-80 on songs including "Babooshka" and "Hounds of Love")[9][10]
- Billy Curry (used CS-80 with Ultravox on the Vienna album, most notably on "Mr. X" and "Western Promise")
- Electric Light Orchestra (used CS-80 on "Here Is the News")[9]
- Empire of the Sun (used CS-80 on "Walking on a Dream")[9]
- Brian Eno (used CS-80 on Before and After Science for "Here He Comes", "Julie With" and "By This River")[11]
- Peter Howell (used CS-80 for the bassline and "sting" sound of his 1980 interpretation of the theme tune to the BBC science fiction show Doctor Who)[9]
- Michael Jackson (Jackson himself played the CS-80 as part of the four-chord vamp ensemble introducing "Billie Jean")[11]
- Jean-Michel Jarre (used CS-80 on Oxygene 7-13)[9]
- Eddie Jobson[12] (used CS-80 extensively with UK and on The Green Album)
- Paul McCartney (used CS-80 for chord stabs on "Wonderful Christmastime")[8]
- Metric (used CS-80 on Pagans in Vegas)[9]
- Steve Porcaro (used CS-80 with Toto, notably on "Africa"[13][9][8] and "Rosanna", and on the introduction passage to Michael Jackson's "Human Nature"[8])
- Klaus Schulze[12]
- Squarepusher (used CS-80 for "4001" on Ufabulum)[9]
- Mike Thorne (used CS-80 extensively on Wire's 154)[11]
- Steve Winwood (used CS-80 on Arc of a Diver, mostly for "orchestral violin" sounds;[9] also an extensive user of the CS-80's "flute" patch)[12]
See also
[edit]- Yamaha GX-1, a polyphonic synthesizer released in 1973
- CS-15
- CS-60
References
[edit]- ^ Colbeck, Julian (1996). Keyfax Omnibus Edition. MixBooks. pp. 131–132. ISBN 0-918371-08-2.
- ^ "[Chapter 1] Origins of the Yamaha Synthesizer - Yamaha - United States". usa.yamaha.com.
- ^ a b "The World's most desirable and valuable synthesizers and drum machines". Attack Magazine. Attack Magazine. 30 September 2013. Retrieved 12 November 2014.
- ^ "The Schmidt synth and the CS80". Synthtopia. Synthtopia. 7 April 2011.
- ^ Magnus, Nick; Reid, Gordon (April 2005). "Arturia CS80V - Software Synth (Mac/PC)". Sound On Sound. SOS Publications Group.
- ^ "Cherry Audio release GX-80". Sound On Sound. SOS Publications Group. November 2022.
- ^ Goldstein, Dan (November 1984), "Soil Festivities Vangelis Speaks", Electronics & Music Maker, retrieved August 22, 2016
- ^ a b c d e "Exploring the Yamaha CS-80" - article in Reverb Machine
- ^ a b c d e f g h i "The Synths Behind the Songs: CS-80" - article in Ransom Note
- ^ "Kate Bush's Running Up That Hill Synth Sounds" - article in Reverb Machine"
- ^ a b c "An introduction to the Yamaha CS-80 and 10 records it helped define" - article by Josh French in The Vinyl Factory, 6 February 2019
- ^ a b c "Yamaha CS80 - Polysynth (Retro)" - article in Sound on Sound by Richard Clewes
- ^ Yamaha CS-80 Synthesizer 1980 listing at Reverb
Bibliography
[edit]- Jenkins, Mark (19 October 2009). Analog Synthesizers: Understanding, Performing, Buying. Taylor & Francis (published 2009). ISBN 978-1-136-12277-4.
- "Yamaha CS-80 - Polysynth (Retro)". Reviews : Keyboard. Sound On Sound. No. July 1995. Archived from the original on 2015-06-07.
- Reid, Gordon (18 May 2013). "The Yamaha CS-80". Gordon Reid's Vintage Synthesis (gordonreid.co.uk).
- "Yamaha CS-80". Music Technology. Vol. 4, no. 10. September 1990. p. 64. ISSN 0957-6606. OCLC 24835173.