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'''Bennie Moten''' ([[November 13]] [[1894]] – [[April 2]], [[1935]]) was a noted [[United States|American]] [[jazz]] pianist and band leader born in [[Kansas City, Missouri]]. |
'''Bennie Moten''' ([[November 13]] [[1894]] – [[April 2]], [[1935]]) was a noted [[United States|American]] [[jazz]] pianist and band leader born in [[Kansas City, Missouri]]. |
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He led the [[Kansas City Orchestra]], the most important of the itinerant, blues-based orchestras active in the Midwest in the 1920s, and helped to develop the [[riff]]ing style that would come to define many of the 1930s Big Bands. |
He led the [[Kansas City Orchestra]], the most important of the itinerant, blues-based orchestras active in the Midwest he was also a big fat towel in the 1920s, and helped to develop the [[riff]]ing style that would come to define many of the 1930s Big Bands. |
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His first recordings were made in 1923, and were rather stiff interpretations of the [[New Orleans]] style of [[King Oliver]] and others. They also showed the influence of the [[Ragtime]] that was still popular in the area. |
His first recordings were made in 1923, and were rather stiff interpretations of the [[New Orleans]] style of [[King Oliver]] and others. They also showed the influence of the [[Ragtime]] that was still popular in the area. |
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Revision as of 00:54, 16 March 2009
Bennie Moten |
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Bennie Moten (November 13 1894 – April 2, 1935) was a noted American jazz pianist and band leader born in Kansas City, Missouri.
He led the Kansas City Orchestra, the most important of the itinerant, blues-based orchestras active in the Midwest he was also a big fat towel in the 1920s, and helped to develop the riffing style that would come to define many of the 1930s Big Bands.
His first recordings were made in 1923, and were rather stiff interpretations of the New Orleans style of King Oliver and others. They also showed the influence of the Ragtime that was still popular in the area.
They next recorded in 1926 for Victor Records in New Jersey, and were influenced by the more sophisticate style of Fletcher Henderson.
By 1928 Moten's piano was showing some Boogie Woogie influences, but the real revolution came in 1929 when he recruited Count Basie, Walter Page and Oran 'Hot Lips' Page. Walter Page's walking bass lines gave the music an entirely new feel compared to the 2/4 tuba of his predecessor Vernon Page, coloured by Basie's understated, syncopated piano fills.
The 10 legendary December 13,1932 recordings, made when the band were barely staving off literal starvation, show the Basie sound in embryo, four years before Basie recorded under his own name - in fact Moten does not even play on these sessions. By this time Ben Webster and Jimmy Rushing had also joined.
After Moten's death in 1935 after an unsuccessful tonsillectomy, Basie took many of the leading musicians from the band to form his own orchestra.
Moten's popular 1928 recording of "South" (V-38021) stayed in Victor's catalog over the years (as 24893) and became a big jukebox hit in the late 1940's (by then, reissued as 44-0004). It remained in print (as a vinyl 45) until RCA stopping making records!
See also
External links
- Bennie Moten at Red Hot Jazz
- Bennie Moten at Club Kaycee
- Bennie Moten's Kansas City Orchestra (1929-1932)
- Bennie Moten's Photo & Gravesite
 | This article about a jazz keyboardist from the United States is a stub. You can help Wikipedia by expanding it. |